Agricola, Georgius
,
De re metallica
,
1912/1950
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the
continuous
flow
of
sustained
thought
which
others
display
,
but
the
fact
that
the
writing
of
the
work
extended
over
a
period
of
twenty
years
,
suffic-
iently
explains
the
considerable
variation
in
style
.
The
technical
descriptions
in
the
later
books
often
take
the
form
of
House-that-Jack-built
sentences
which
have
had
to
be
at
least
partially
broken
up
and
the
subject
occasionally
re-introduced.
Ambiguities
were
also
sometimes
found
which
it
was
necessary
to
carry
on
into
the
translation
.
Despite
these
criticisms
we
must
,
however
,
emphasize
that
Agricola
was
infinitely
clearer
in
his
style
than
his
contemporaries
upon
such
subjects
,
or
for
that
matter
than
his
successors
in
almost
any
language
for
a
couple
of
centuries
.
All
of
the
illustrations
and
display
letters
of
the
original
have
been
reproduced
and
the
type
as
closely
approximates
to
the
original
as
the
printers
have
been
able
to
find
in
a
modern
font
.
There
are
no
footnotes
in
the
original
text
,
and
Mr.
Hoover
is
responsible
for
them
all
.
He
has
attempted
in
them
to
give
not
only
such
comment
as
would
tend
to
clarify
the
text
,
but
also
such
information
as
we
have
been
able
to
discover
with
regard
to
the
previous
history
of
the
subjects
mentioned
.
We
have
confined
the
historical
notes
to
the
time
prior
to
Agricola,
because
to
have
carried
them
down
to
date
in
the
briefest
manner
would
have
demanded
very
much
more
space
than
could
be
allowed
.
In
the
examination
of
such
technical
and
historical
material
one
is
appalled
at
the
flood
of
mis-information
with
regard
to
ancient
arts
and
sciences
which
has
been
let
loose
upon
the
world
by
the
hands
of
non-technical
translators
and
commentators
.
At
an
early
stage
we
considered
that
we
must
justify
any
divergence
of
view
from
such
authorities
,
but
to
limit
the
already
alarming
volume
of
this
work
,
we
later
felt
compelled
to
eliminate
most
of
such
dis-
cussion
.
When
the
half-dozen
most
important
of
the
ancient
works
bearing
upon
science
have
been
translated
by
those
of
some
scientific
experience
,
such
questions
will
,
no
doubt
,
be
properly
settled
.
We
need
make
no
apologies
for
De
Re
Metallíca.
During
180
years
it
was
not
superseded
as
the
text-book
and
guide
to
miners
and
metallurgists
,
for
until
Schlüter'
s
great
work
on
metallurgy
in
1738
it
had
no
equal
.
That
it
passed
through
some
ten
editions
in
three
languages
at
a
period
when
the
printing
of
such
a
volume
was
no
ordinary
undertaking
,
is
in
itself
sufficient
evidence
of
the
importance
in
which
it
was
held
,
and
is
a
record
that
no
other
volume
upon
the
same
subjects
has
equalled
since
.
A
large
proportion
of
the
technical
data
given
by
Agricola
was
either
entirely
new
,
or
had
not
been
given
previously
with
sufficient
detail
and
explanation
to
have
enabled
a
worker
in
these
arts
himself
to
perform
the
operations
without
further
guid-
ance
.
Practically
the
whole
of
it
must
have
been
given
from
personal
ex-
perience
and
observation
,
for
the
scant
library
at
his
service
can
be
appreci-
ated
from
his
own
Preface
.
Considering
the
part
which
the
metallic
arts
have
played
in
human
history
,
the
paucity
of
their
literature
down
to
Agricola'
s
time
is
amazing
.
No
doubt
the
arts
were
jealously
guarded
by
their
practitioners
as
a
sort
of
stock-in-trade,
and
it
is
also
probable
that
those
who
had
knowledge
were
not
usually
of
a
literary
turn
of
mind
;
and
,
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