Vitruvius, Marci Vitruvii Pollionis De architectura libri decem : ope codicis Guelferbytani, editionis principis, ceterorumque subsidiorum recensuit, et glossario in quo vocabula artis propria Germ. Ital. Gall. et Angl. explicantur, 1800

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            <s xml:id="echoid-s2273" xml:space="preserve">
              <pb o="109" file="0135" n="135" rhead="LIBER V. CAPUT V."/>
            tudo dividatur in partes quatuor; </s>
            <s xml:id="echoid-s2274" xml:space="preserve">uti tres efficiantur regiones cellarum
              <lb/>
            transverſae deſignatae, una harmoniae, altera chromatos, tertia diatoni:
              <lb/>
            </s>
            <s xml:id="echoid-s2275" xml:space="preserve">et ab imo, quae erit prima, ea ex harmonia collocetur, ita uti in minore
              <lb/>
            theatro ſupra ſcriptum eſt. </s>
            <s xml:id="echoid-s2276" xml:space="preserve">In mediana autem parte, prima in extremis
              <lb/>
            cornibus ad chromaticen hyperbolaeon habentia ſonitum, ponantur: </s>
            <s xml:id="echoid-s2277" xml:space="preserve">in
              <lb/>
            ſecundis ab his diateſſaron, ad chromaticen diezeugmenon: </s>
            <s xml:id="echoid-s2278" xml:space="preserve">in tertiis dia-
              <lb/>
            teſſaron, ad chromaticen ſynemmenon: </s>
            <s xml:id="echoid-s2279" xml:space="preserve">in quartis diateſſaron ad chroma-
              <lb/>
            ticenmeſon; </s>
            <s xml:id="echoid-s2280" xml:space="preserve">quintis diateſſaron ad chromaticenhypaton: </s>
            <s xml:id="echoid-s2281" xml:space="preserve">ſextis ad parame-
              <lb/>
            ſen, quod et in chromaticen hyperbolaeon, diapente, et ad chromaticen-
              <lb/>
            meſon, diateſſaron, habeant conſonantiae communitatem. </s>
            <s xml:id="echoid-s2282" xml:space="preserve">In medio nihil
              <lb/>
            eſt collocandum; </s>
            <s xml:id="echoid-s2283" xml:space="preserve">ideo quod ſonituum nulla alia qualitas in chromatico
              <lb/>
            genere ſymphoniae conſonantiam poteſt habere. </s>
            <s xml:id="echoid-s2284" xml:space="preserve">In ſumma vero diviſio-
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            ne et regione cellarum, in cornibus primis ad diatonon hyperbolaeon, fa-
              <lb/>
            bricata vaſa ſonitu ponantur: </s>
            <s xml:id="echoid-s2285" xml:space="preserve">in ſecundis diateſſaron ad diatonondiezeug-
              <lb/>
            menon; </s>
            <s xml:id="echoid-s2286" xml:space="preserve">tertiis diateſſaron, ad diatonon ſynemmenon; </s>
            <s xml:id="echoid-s2287" xml:space="preserve">quartis diateſſaron,
              <lb/>
            ad diatononmeſon: </s>
            <s xml:id="echoid-s2288" xml:space="preserve">quintis diateſſaron, ad diatononhypaton: </s>
            <s xml:id="echoid-s2289" xml:space="preserve">ſextis diateſ-
              <lb/>
            ſaron, ad proslambanomenon: </s>
            <s xml:id="echoid-s2290" xml:space="preserve">in medio ad meſen, quod ea et ad pros-
              <lb/>
            lambanomenon, diapaſon, et diatonon hypaton, diapente habet ſymphoni-
              <lb/>
            arum communitates. </s>
            <s xml:id="echoid-s2291" xml:space="preserve">Haec autem ſi quis voluerit ad perſectum facile
              <lb/>
            perducere, animadvertat in extremo libro diagramma muſica ratione de-
              <lb/>
            ſignatum, quod Ariſtoxenus magno vigore et induſtria generatim diviſis
              <lb/>
            modulationibus conſtitutum reliquit: </s>
            <s xml:id="echoid-s2292" xml:space="preserve">de quo ſi quis ratiocinationibus his
              <lb/>
            attenderit, et ad naturam vocis et ad audientium delectationes facilius
              <lb/>
            valuerit theatrorum efficere perfectiones. </s>
            <s xml:id="echoid-s2293" xml:space="preserve">Dicet aliquis forte, multa the-
              <lb/>
            atra Romae quotannis facta eſſe, neque ullam rationem harum rerum in
              <lb/>
            his fuiſſe. </s>
            <s xml:id="echoid-s2294" xml:space="preserve">Sed erravit in eo, quod omnia publica lignea theatra tabula-
              <lb/>
            tiones habent complures, quas neceſſe eſt ſonare. </s>
            <s xml:id="echoid-s2295" xml:space="preserve">Hoc vero licet anim-
              <lb/>
            advertere etiam a citharoedis, qui ſuperiore tono cum volunt canere, ad-
              <lb/>
            vertunt ſe ad ſcenae valvas, et ita recipiunt ab earum auxilio </s>
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