Tesoro De Las Tres Lengvas Española, Francesca, Y Italiana, 1637

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page |< < (141) of 1910 > >|
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            <s xml:id="echoid-s4190" xml:space="preserve">
              <pb o="141" file="1653" n="1653" rhead="DE VITRVVE."/>
            Fa. </s>
            <s xml:id="echoid-s4191" xml:space="preserve">Vt. </s>
            <s xml:id="echoid-s4192" xml:space="preserve">Paranete diezeugmenon, D. </s>
            <s xml:id="echoid-s4193" xml:space="preserve">La. </s>
            <s xml:id="echoid-s4194" xml:space="preserve">Sol. </s>
            <s xml:id="echoid-s4195" xml:space="preserve">Re. </s>
            <s xml:id="echoid-s4196" xml:space="preserve">Trite hyperboleõ,
              <lb/>
            F. </s>
            <s xml:id="echoid-s4197" xml:space="preserve">Fa. </s>
            <s xml:id="echoid-s4198" xml:space="preserve">Vt. </s>
            <s xml:id="echoid-s4199" xml:space="preserve">Paranete hyperboleon, G. </s>
            <s xml:id="echoid-s4200" xml:space="preserve">Sol. </s>
            <s xml:id="echoid-s4201" xml:space="preserve">Re. </s>
            <s xml:id="echoid-s4202" xml:space="preserve">Vt.</s>
            <s xml:id="echoid-s4203" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4204" xml:space="preserve">Dauantage ces ſons qui ſe meuuent, reçoyuent, d’autres pro-
              <lb/>
            prietés, d’autãt qu’ils ont des tẽps, ou poſes croiſſantes, tellement
              <lb/>
            que Parhypate, qui en harmonie differe de Hypate Dieſis, quand
              <lb/>
            il vient à ſe changer en Chroma, porte ſeulement vn demi ton, & </s>
            <s xml:id="echoid-s4205" xml:space="preserve">
              <lb/>
            en Diatone vn tout entier. </s>
            <s xml:id="echoid-s4206" xml:space="preserve">La note dite Lichanos, ou D. </s>
            <s xml:id="echoid-s4207" xml:space="preserve">Sol. </s>
            <s xml:id="echoid-s4208" xml:space="preserve">Re.
              <lb/>
            </s>
            <s xml:id="echoid-s4209" xml:space="preserve">eſt differente de Hypate, pource que ce n’eſt fors demiton: </s>
            <s xml:id="echoid-s4210" xml:space="preserve">& </s>
            <s xml:id="echoid-s4211" xml:space="preserve">
              <lb/>
            quand on la tranſmue en Chroma, elle vaut bien autant que deux
              <lb/>
            demis: </s>
            <s xml:id="echoid-s4212" xml:space="preserve">mais en reigle Diatone elle s’eſloigne dudit Hypate par
              <lb/>
            trois demitons.</s>
            <s xml:id="echoid-s4213" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4214" xml:space="preserve">Voylà comment ces dix notes à cauſe des changemẽts en leurs
              <lb/>
            eſpeces, font trois diuerſités de conſonance.</s>
            <s xml:id="echoid-s4215" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4216" xml:space="preserve">Or y a il cinq Tetrachordes, dont le premier eſt graue: </s>
            <s xml:id="echoid-s4217" xml:space="preserve">auſſi les
              <lb/>
            Grecs le nomment Hypaton. </s>
            <s xml:id="echoid-s4218" xml:space="preserve">Le ſecond moyen, qui par eux eſt
              <lb/>
            appellé Meſon. </s>
            <s xml:id="echoid-s4219" xml:space="preserve">Le tiers conjoinct, en leur langue Synemmenon.
              <lb/>
            </s>
            <s xml:id="echoid-s4220" xml:space="preserve">Le quatrieme deſioinct ou ſeparé, dit Diezeugmenon: </s>
            <s xml:id="echoid-s4221" xml:space="preserve">& </s>
            <s xml:id="echoid-s4222" xml:space="preserve">le cin-
              <lb/>
            quieme haut & </s>
            <s xml:id="echoid-s4223" xml:space="preserve">clair, dont il a gaigné le tiltre de Hyperboleon.</s>
            <s xml:id="echoid-s4224" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4225" xml:space="preserve">En apres les ſortes de conſonnances, dont la nature de l’hom-
              <lb/>
            me peut rendre melodie, ſe nomment entre leſdits Grecs Sym-
              <lb/>
            phonies, & </s>
            <s xml:id="echoid-s4226" xml:space="preserve">ſont ſix de compte faict, à ſçauoir Diateſſaron, Diapẽ-
              <lb/>
            te, Diapaſon, Diapaſon & </s>
            <s xml:id="echoid-s4227" xml:space="preserve">Diateſſaron, Diapaſon auec Diapente,
              <lb/>
            puis Diſdiapaſon. </s>
            <s xml:id="echoid-s4228" xml:space="preserve">Celles-là ont tiré leur vocables des membres
              <lb/>
            dont elles ſont compoſees, pource que quãd la voix demeure en
              <lb/>
            vne finition de ſon, puis que ſoudain elle ſe mue poui arriuer à v-
              <lb/>
            ne quarte, lon la dit Diateſſaron. </s>
            <s xml:id="echoid-s4229" xml:space="preserve">Si c’eſt en vne cinquieme, on la
              <lb/>
            nomme Diapente: </s>
            <s xml:id="echoid-s4230" xml:space="preserve">en l’octaue Diapaſon: </s>
            <s xml:id="echoid-s4231" xml:space="preserve">en vne huictieme & </s>
            <s xml:id="echoid-s4232" xml:space="preserve">de-
              <lb/>
            mye, Diapaſon & </s>
            <s xml:id="echoid-s4233" xml:space="preserve">Diateſſaron: </s>
            <s xml:id="echoid-s4234" xml:space="preserve">en vne neufieme & </s>
            <s xml:id="echoid-s4235" xml:space="preserve">demie, Diapa-
              <lb/>
            ſon & </s>
            <s xml:id="echoid-s4236" xml:space="preserve">Diapente: </s>
            <s xml:id="echoid-s4237" xml:space="preserve">& </s>
            <s xml:id="echoid-s4238" xml:space="preserve">en vne quinzieme, Diſdiapaſon: </s>
            <s xml:id="echoid-s4239" xml:space="preserve">car quand il ſe
              <lb/>
            fait vn ſon de corde ou chant de voix entre deux eſpaces, les cõ-
              <lb/>
            ſonnances ne ſe peuuent bonnement faire, non plus qu’en vne
              <lb/>
            tierce, en vne ſixieme, ou en vne ſeptieme: </s>
            <s xml:id="echoid-s4240" xml:space="preserve">ains (comme j’ay dit
              <lb/>
            par cy deuant) ces Diateſſaron & </s>
            <s xml:id="echoid-s4241" xml:space="preserve">Diapente tenant ordre juſques
              <lb/>
            au Diſdiapaſon, ont certaines melodies de bonne grace en natu-
              <lb/>
            re de voix harmonieuſe, & </s>
            <s xml:id="echoid-s4242" xml:space="preserve">celles là s’engendrent d’vne conion-
              <lb/>
            ction de ſons que les Grecs ſignifient par Phthongi.</s>
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