Tesoro De Las Tres Lengvas Española, Francesca, Y Italiana, 1637

Table of figures

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        <div xml:id="echoid-div96" type="section" level="1" n="75">
          <pb o="143" file="1655" n="1655" rhead="DE VITRVVE."/>
          <figure number="80">
            <description xml:id="echoid-description1" xml:space="preserve">VI. Hypate.
              <lb/>
            VIII. Meſe.
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            IX. Parameſe.
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            XII.Nete</description>
            <variables xml:id="echoid-variables1" xml:space="preserve">Diateſſarõ ſeſquitertia
              <lb/>
            Seſquiocta-
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            ua tonus.
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            Seſquitertia
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            Seſquitaltera diapente.
              <lb/>
            Seſquitaltera diapente.
              <lb/>
            Diapaſon displa.</variables>
          </figure>
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        <div xml:id="echoid-div97" type="section" level="1" n="76">
          <head xml:id="echoid-head99" xml:space="preserve">Des vaſes ou vaiſſeaux du Theatre. # Chap. V.</head>
          <p>
            <s xml:id="echoid-s4244" xml:space="preserve">
              <emph style="sc">PAr</emph>
            les inueſtigations ou cherchements des cho-
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            ſes, & </s>
            <s xml:id="echoid-s4245" xml:space="preserve">ſuyuant certaines raiſons de mathemati-
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            que, lon fait des vaiſſeaux d’Airain à l’equipolent
              <lb/>
            de la grandeur du Theatre: </s>
            <s xml:id="echoid-s4246" xml:space="preserve">qui ſont conduits par
              <lb/>
            artifice tant induſtrieux, que quand la voix les
              <lb/>
            touche, ils retentiſſent entre eux, & </s>
            <s xml:id="echoid-s4247" xml:space="preserve">font entẽdre
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            vn Diateſſaron & </s>
            <s xml:id="echoid-s4248" xml:space="preserve">Diapente, puis ainſi conſequemment juſques
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            au Diſdiapaſon.</s>
            <s xml:id="echoid-s4249" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4250" xml:space="preserve">A ceſte cauſe dedans les ſieges du Theatre, obſeruant les rei-
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            gles de Muſique, lon y laiſſe de petites chambrettes où on les lo-
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            ge, mais toutesfois en ſorte qu’ils ne touchent aucunement aux
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            parois, ains font leurs places vuydes tout à l’entour: </s>
            <s xml:id="echoid-s4251" xml:space="preserve">puis au plus
              <lb/>
            haut degré lon les tourne les gueules contre bas: </s>
            <s xml:id="echoid-s4252" xml:space="preserve">& </s>
            <s xml:id="echoid-s4253" xml:space="preserve">deuers la
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            partie qui regarde la Scene, ils ont ſous leurſdites gueules des
              <lb/>
            quarreaux de fer, non moindres de demi pied en hauteur: </s>
            <s xml:id="echoid-s4254" xml:space="preserve">meſ-
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            me en leurs chambrettes ſont laiſſees les ouuertures contre les
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            fronts des degrés d’embas, longues de deux pieds, & </s>
            <s xml:id="echoid-s4255" xml:space="preserve">hautes d’vn
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            demi.</s>
            <s xml:id="echoid-s4256" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4257" xml:space="preserve">Mais pour bien donner à congnoiſtre comment & </s>
            <s xml:id="echoid-s4258" xml:space="preserve">par quelle
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            practique ces vaſes doyuent eſtre appliqués, je diray preſentemẽt
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            ce qu’il m’en ſemble.</s>
            <s xml:id="echoid-s4259" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4260" xml:space="preserve">Sile Theatre n’eſt de grandeur gueres ample, ſa hauteur ſoit
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            par le trauers de ſon milieu diuiſee d’vne ligne perpendiculaire,
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            ſuyuant laquelle ſoyent faictes treize chambreties </s>
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