Tesoro De Las Tres Lengvas Española, Francesca, Y Italiana, 1637

Page concordance

< >
Scan Original
1651 139
1652 140
1653 141
1654 142
1655 143
1656 144
1657 145
1658 146
1659 147
1660 148
1661 149
1662 150
1663 151
1664 152
1665 153
1666 154
1667 155
1668 156
1669 157
1670 158
1671 159
1672 160
1673 161
1674 162
1675 163
1676 164
1677 165
1678 166
1679 167
1680 168
< >
page |< < (145) of 1910 > >|
    <echo version="1.0RC">
      <text xml:lang="fr" type="free">
        <div xml:id="echoid-div97" type="section" level="1" n="76">
          <p>
            <s xml:id="echoid-s4290" xml:space="preserve">
              <pb o="145" file="1657" n="1657" rhead="DE VITRVVE."/>
            Theatre, les vaſes aſſignés au Diaton Hyperbolique, & </s>
            <s xml:id="echoid-s4291" xml:space="preserve">qui aurõt
              <lb/>
            expreſſement eſté fondus pour celà. </s>
            <s xml:id="echoid-s4292" xml:space="preserve">Aux ſecondes, ceux qui s’e-
              <lb/>
            ſtendront depuis le Diateſſaron juſques au Diaton Diezeugme-
              <lb/>
            non. </s>
            <s xml:id="echoid-s4293" xml:space="preserve">Aux tierces, les propres pour le Diapente juſques au Diaton
              <lb/>
            ſynemmenon. </s>
            <s xml:id="echoid-s4294" xml:space="preserve">Aux quartes, ceux de Diateſſaron juſques au Dia-
              <lb/>
            ton Meſon. </s>
            <s xml:id="echoid-s4295" xml:space="preserve">Aux quintes les entonnés de Diateſſaron juſques au
              <lb/>
            Diaton, Hypaton: </s>
            <s xml:id="echoid-s4296" xml:space="preserve">& </s>
            <s xml:id="echoid-s4297" xml:space="preserve">aux ſixiemes ceux qui ſeront jectés pour le
              <lb/>
            Diateſſaton, juſques au Proſlamuanomenos: </s>
            <s xml:id="echoid-s4298" xml:space="preserve">puis au milieu, les
              <lb/>
            accommodés au Meſon, pource que ceſte region là tient certai-
              <lb/>
            ne affinité de melodie tant auec le Proſlamuanomenos Diapa-
              <lb/>
            ſonné, qu’auec le Diaton Hypaton, & </s>
            <s xml:id="echoid-s4299" xml:space="preserve">auec le Diapente.</s>
            <s xml:id="echoid-s4300" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4301" xml:space="preserve">Si donc quelqu’vn veut bien conduire vn tel ouurage juſques
              <lb/>
            à ſa deuë perfection, faudra preallablement qu’il ſe renge à la
              <lb/>
            figure deſignee par raiſon de Muſique, & </s>
            <s xml:id="echoid-s4302" xml:space="preserve">miſe à la fin de mon li-
              <lb/>
            ure: </s>
            <s xml:id="echoid-s4303" xml:space="preserve">car c’eſt celle qu’Ariſtoxenus meſme nous en a laiſſee, apres
              <lb/>
            auoir par ſoigneuſe induſtrie & </s>
            <s xml:id="echoid-s4304" xml:space="preserve">grande viuacité d’eſprit diuiſé
              <lb/>
            les modulations en propres genres & </s>
            <s xml:id="echoid-s4305" xml:space="preserve">eſpeces. </s>
            <s xml:id="echoid-s4306" xml:space="preserve">A ceſte cauſe, ſi
              <lb/>
            quelque ouurier ou Architecte ſe fonde en ces raiſons, il n’y a
              <lb/>
            point de doute qu’il paruiendra beaucoup plus aiſement qu’vn
              <lb/>
            autre, à la perfection deſdits Theatres, & </s>
            <s xml:id="echoid-s4307" xml:space="preserve">donnera autant de re-
              <lb/>
            ſonnance à la voix, qu’elle en a de ſa nature: </s>
            <s xml:id="echoid-s4308" xml:space="preserve">meſmes fera ſentir vn
              <lb/>
            grand contentement aux oreilles des auditeurs.</s>
            <s xml:id="echoid-s4309" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4310" xml:space="preserve">Si eſt-ce que l’õ me pourra dire en ceſt endroit, qu’il ſe fait tous
              <lb/>
            les ans pluſieurs Theatres en ceſte ville de Rome, auſquels ne
              <lb/>
            s’obſerue rien de tout celà. </s>
            <s xml:id="echoid-s4311" xml:space="preserve">Veritablement qui le dira ainſi, ſera
              <lb/>
            bien abuſé, & </s>
            <s xml:id="echoid-s4312" xml:space="preserve">faillira lourdement, à raiſon que tous leſdits Thea-
              <lb/>
            tres publiques ſe font de charpenterie, reueſtue de pluſieurs aix
              <lb/>
            ou planches de bois, qui reſonnent d’elles meſmes: </s>
            <s xml:id="echoid-s4313" xml:space="preserve">& </s>
            <s xml:id="echoid-s4314" xml:space="preserve">qu’il ſoit
              <lb/>
            vray, l’on en peut voir l’experience, quand les Chantres & </s>
            <s xml:id="echoid-s4315" xml:space="preserve">Me-
              <lb/>
            neſtriers voulans pouſſer juſques au plus haut ton, ſe re-
              <lb/>
            tournent contre les portes de la Scene, car ils en reçoyuent
              <lb/>
            quelque ſecours ſeruant à la conſonance de leurs voix ou inſtru-
              <lb/>
            ments.</s>
            <s xml:id="echoid-s4316" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s4317" xml:space="preserve">Mais ſi l’on fait des Theatres de matiere ſourde & </s>
            <s xml:id="echoid-s4318" xml:space="preserve">ſolide, cõ-
              <lb/>
            me de pierres de taille, de Marbre, ou telles choſes liees & </s>
            <s xml:id="echoid-s4319" xml:space="preserve">con-
              <lb/>
            jointes auec du cyment, il n’y a point de doute qu’elles ne peu-
              <lb/>
            uent reſonner: </s>
            <s xml:id="echoid-s4320" xml:space="preserve">parquoy faut en ce cas ſuyure ceſte mienne pra-
              <lb/>
            ctique. </s>
            <s xml:id="echoid-s4321" xml:space="preserve">Mais qui voudroit enquerir de moy, en quel Theatre
              <lb/>
            de ceſte ville, ce que j’ay dit, a eſté obſerué, je confeſſe qu’il </s>
          </p>
        </div>
      </text>
    </echo>
Impressum