Gravesande, Willem Jacob 's
,
An essay on perspective
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on PERSPECTIVE.
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after which, I ſhall touch upon thoſe continually
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increaſing. </
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">What I ſhall ſay on this Matter, is
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ſufficient for deſigning the Shadows of right-lin’d
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Bodies; </
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<
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">as to the Shadows of other Bodies, it
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is ſo difficult to determine them Geometrically
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that it is much better to examine thoſe which are
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daily obſerved, and ſo imitate them.</
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<
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">I ſhall not ſay any thing concerning Shadows
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terminating in a Point, becauſe their Variety
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is ſo great, that they cannot be geometrically de-
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termin’d. </
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<
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">Beſides, Painters ſcarcely ever ſup-
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poſe their perſpective Planes or Pictures en-
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lightned after this third Manner, unleſs only
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when they have a Mind to repreſent a Chamber,
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wherein the Light enters through the Windows;
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</
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<
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">but then the Number of Windows, their Situati-
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on, and the different Reflections that the Light
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ſuffers in the Chamber, produce ſo many dif-
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ferent Alterations, that a Painter had better
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imitate them, than have recourſe to Rules that
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do not take in all Caſes. </
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<
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">I ſhall likewiſe be ſi-
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lent as to the clair-obſcure, for a ſmall Atten-
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tion to daily Experience will better illuſtrate
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this Matter than a long Diſcourſe thereon. </
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<
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">Be-
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ſides, it is impoſſible to furniſh general Rules
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on this Subject; </
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<
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">and likewiſe the vaſt Number
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of Figures, will not permit us to ſeparately
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examine them; </
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">add to all this, that a Painter
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to draw the clair-obſcure, he ought to have, not
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only regard to the Figures of Objects, but likwiſe
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to their Colour and Matter.</
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<
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I.</
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<
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">To find the Perſpective of the Shadow of a
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Point above the Geometrical Plane, whoſe Height and
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Seat is given.</
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