Vitruvius
,
De architectura libri decem ad Caesarem Augustum, omnibus omnium editionibus longè emendatiores, collatis veteribus exemplis
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M. VITRVVII POLL.
"/>
mam dic{as}, mei Galli, Itali Græcæ alludentes voci plantam nominant, ἴχν{ος} enim
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vestigium eſt.</
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<
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">Orthographia autem eſt erecta frontis imago.</
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<
s
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xml:space
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">] Siue ea ſit operis
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frons exterior, ſiue interior. </
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<
s
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xml:space
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">Nam non antè, quale futurum ſit op{us}, intellexeris,
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quàm ſingularum partium ſpeciem deformaueris, Vt Videatur interna etiam ope-
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ris deſcriptio.</
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<
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<
s
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xml:space
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">Sciographia.</
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<
s
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xml:space
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">] Quod de Orthographia dictum eſt, id etiam velim de scio-
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graphia dictum, ſiue scenographiam appellem{us}, vt Hermola{us} ſcribendum putat,
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quòd (vt inquit) ſit vniuerſi tecti, quod Græci ſcenam vocant, deformatio, non fron-
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tis, vt Orthographia, non areæ Vt Ichnographia. </
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<
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xml:space
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">Sæpe Verò dubitatum eſt, num & </
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<
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Architect{us} ligno formam futuri operis (modellum appellant) ſtrueret. </
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<
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xml:space
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">Et nos fe-
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ciſſe existimamus, ita enim futura deprehenduntur errata, & </
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<
s
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">minimo impendio,
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nullo\’ incommodo priuſquam fiant, castigantur. </
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<
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xml:space
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">Sic ſculptor cera protypum, ſic
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plastes creta proplaſmata fingit. </
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<
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xml:space
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">Inde Archeſilai proplaſmata (ſic enim in meliori-
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b{us} codicib{us} legitur, non proplasticen, quæ ipſa eſt ars fingendi typos, atque formas)
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pluris venire ſolita ab artificib{us} ipſis, quàm aliorum opera tradit Plini{us} libri
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<
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. </
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<
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<
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. </
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<
s
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xml:space
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">Ibidem\’ refert Paſitelen, qui plasticen matrem ſtatuariæ,
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ſcalpturæ\’ & </
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<
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">cælaturæ eſſe dixerit, cum eſſet in eis omnib{us} ſummus, nibil feciſſe
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antequam finxiſſet. </
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<
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xml:space
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">Quin & </
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<
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xml:space
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">Vitruui{us} ad finem libri decimi exemplar heleopo-
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leos machinæ, pro modello (vt vocant) nominauit. </
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<
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xml:space
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">In qua ſignificatione dixit in
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proœmio libri ſecundi non ſemel formam, & </
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<
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">formare pro facere modellum. </
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<
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xml:space
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">Athon,
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inquit, montem formaui in ſtatuæ virilis figuram.</
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<
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">Symmetros eſt.</
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<
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xml:space
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">] Repete reſponſus, aut ſcribendum ſymmetria.</
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<
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<
s
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xml:space
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">Autembate in baliſta foramine, quod Græci π{ορ}ιτρκΤου uoci-
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tant.</
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<
s
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xml:space
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">] Scribunt quidam embatere, quaſi ingreßorem dicas, quòd embaten libro
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quarto vertat modulum sed nec prior illa nostra lectio diſplicet, ſi inducta vocula
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aut, ita distinguamus. </
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<
s
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xml:space
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">Et primum in ædib{us} ſacris, Vt è columnarum craßitudini-
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bus, aut è triglypho embate, vt interpretetur triglyphum embaten, id eſt modu-
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lum, ex quo ſcilicet in genere Dorico partes omnes metiendæ, Vt in alys generib{us} è
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columnarum craßitudinibus, deinde ſequatur, in balista foramine, quod Græci πε-
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είρΗΤου vocitant. </
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<
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">De eo foramine ſcribit lib. </
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<
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. </
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<
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<
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.</
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<
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<
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xml:space
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">] Id eſt ſubdialia, ſiue ſubdiualia, ἀίθρη
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enim aërem ſignificat. </
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<
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">Cæterum quomodo conſtrui debeant hypæthræ ædes, lege lib.
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<
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. </
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<
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<
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. </
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<
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">hypæthria ante templorum Vestibula conſueuiſſe, Vel
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vn{us} Zenodot{us} in parœmijs autor eſſe poterit. </
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<
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<
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<
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xml:space
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">] Sacræ ædes hoc loco triplici tantum differentia conſide-
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rantur, Dorico genere, Ionico, & </
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<
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<
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. </
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<
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<
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.
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</
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<
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thiæ quòd plura habent ornamenta, delicatiores ſunt. </
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<
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rum teneritatem, & </
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<
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">illarum ſeueritatem. </
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<
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">Subit hoc loco deplorare calamitatem
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humanam, & </
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<
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">iniuriam temporum, Adeo nibil hîc eſſe æternum, imò ne vix qui-
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dem ſæculare. </
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<
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">Tot peryſſe templa, è quib{us} & </
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">ſtructuræ ratio diſceretur, & </
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nis? </
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<
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">Quid enim commemorabo Apollinis Capitolini, Palatini, Vaticani, Circi flaminy,
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Tortoris, templa? </
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<
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">Quid Aeſculapy, Annonæ Augusti, Adonidis? </
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<
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