Bacon, Francis
,
Sylva sylvarum : or, a natural history in ten centuries
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[Figure 11]
Page: 279
[Figure 12]
Page: 343
[Figure 13]
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[Figure 14]
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[Figure 15]
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[Figure 16]
Page: 359
[Figure 17]
Page: 383
[Figure 18]
Page: 384
[Figure 19]
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<
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<
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32
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0066
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Natural Hiſtory;
"/>
the changes of Motions; </
s
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<
s
xml:id
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echoid-s1656
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xml:space
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">as when Galliard time, and Meaſure time, are in
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the Medly of one Dance.</
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<
s
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echoid-s1657
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<
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<
s
xml:id
="
echoid-s1658
"
xml:space
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preserve
">It hath been anciently held, and obſerved, That the Senſe of Hearing, and
<
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<
note
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xlink:label
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note-0066-01
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xlink:href
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note-0066-01a
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xml:space
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">114.</
note
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the Kindes of Muſick, have moſt operation upon Manners; </
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<
s
xml:id
="
echoid-s1659
"
xml:space
="
preserve
">as to incourage
<
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Men, and make them warlike; </
s
>
<
s
xml:id
="
echoid-s1660
"
xml:space
="
preserve
">to make them ſoft and effeminate; </
s
>
<
s
xml:id
="
echoid-s1661
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xml:space
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">to make
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them grave; </
s
>
<
s
xml:id
="
echoid-s1662
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xml:space
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">to make them light; </
s
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<
s
xml:id
="
echoid-s1663
"
xml:space
="
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">to make them gentle and inclined to
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pity, &</
s
>
<
s
xml:id
="
echoid-s1664
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xml:space
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">c. </
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<
s
xml:id
="
echoid-s1665
"
xml:space
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">The cauſe is, for that the Senſe of Hearing ſtriketh the Spirits
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more immediately, than the other Senjes, and more incorporeally than
<
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the Smelling: </
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>
<
s
xml:id
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echoid-s1666
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xml:space
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preserve
">For the Sight, Taſte, and Feeling, have their Organs, not of ſo
<
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preſent and immediate acceſs to the Spirits, as the Hearing hath. </
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<
s
xml:id
="
echoid-s1667
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xml:space
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preserve
">And
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as for the Smelling (which indeed worketh alſo immediately upon the Spi-
<
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rits, and is forcible while the object remaineth) it is with a communica-
<
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tion of the Breath or Vapor of the object oderate: </
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<
s
xml:id
="
echoid-s1668
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xml:space
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">But Harmony entring
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eaſily, and mingling not at all, and coming with a manifeſt motion; </
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<
s
xml:id
="
echoid-s1669
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xml:space
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">doth
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by cuſtom of often affecting the Spirits, and putting them into one kinde
<
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of poſture, alter not a little the nature of the Spirits, even when the ob-
<
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ject is removed. </
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<
s
xml:id
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echoid-s1670
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xml:space
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preserve
">And therefore we ſee, that Tunes and Airs, even in their
<
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own nature, have in themſelves ſome affinity with the Affections: </
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<
s
xml:id
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echoid-s1671
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xml:space
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">As
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there be Merry Tunes, Doleful Tunes, Solemn Tunes; </
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<
s
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echoid-s1672
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xml:space
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">Tunesinclining
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Mens mindes to Pity, Warlike Tunes
<
unsure
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, &</
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<
s
xml:id
="
echoid-s1673
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xml:space
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">c. </
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<
s
xml:id
="
echoid-s1674
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xml:space
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">So as it is no marvel, if they
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alter the Spirits, conſidering that Tunes have a prediſpoſition to the Moti-
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on of the Spirits in themſelves. </
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<
s
xml:id
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echoid-s1675
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xml:space
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">But yet it hath been noted, that though
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this variety of Tunes, doth diſpoſe the Spirits to variety of Paſſions, con-
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form unto them; </
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>
<
s
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echoid-s1676
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xml:space
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">yetgenerally, Muſick feedeth that diſpoſition of the Spi-
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rits which it findeth. </
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<
s
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echoid-s1677
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xml:space
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">We ſee alſo, that ſeveral Airs and Tunes, do pleaſe
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ſeveral Nations, and Perſons according to the ſympathy they have with their
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Spirits.</
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<
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echoid-s1678
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</
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<
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<
s
xml:id
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echoid-s1679
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xml:space
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">PErſpective hath been with ſome diligence inquired; </
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<
s
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echoid-s1680
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xml:space
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">and ſo hath the Na-
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<
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xml:space
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">Experiments
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in Conſort,
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touching
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Sounds; and
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firſt touching
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the Nullity,
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and Entity of
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Sounds.</
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ture of Sounds, in ſome ſort, as far as concerneth Muſick, but the Na-
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ture of Sounds in general, hath been ſuperficially obſerved. </
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<
s
xml:id
="
echoid-s1681
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xml:space
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">It is one of
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the ſubtilleſt pieces of Nature. </
s
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<
s
xml:id
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echoid-s1682
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xml:space
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">And beſides, I practiſe, as I do adviſe:
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</
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<
s
xml:id
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echoid-s1683
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xml:space
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">Which is after long inquiry of things, immerſe in matter, to enterpoſe ſome
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ſubject which is immateriate or leſs materiate; </
s
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<
s
xml:id
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xml:space
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">ſuch as this of Sounds: </
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<
s
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echoid-s1685
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xml:space
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">To
<
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<
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xlink:label
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note-0066-03
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">115.</
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the end, that the intellect may be rectified, and become not partial.</
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<
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<
s
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echoid-s1687
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xml:space
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">It is firſt to be conſidered, what great motions there are in Nature
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which paſs withoutſound or noiſe. </
s
>
<
s
xml:id
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echoid-s1688
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xml:space
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">The Heavens turn about in a moſt rapide
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motion, without noiſe to us perceived, though in ſome dreams they have
<
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been ſaid to make an excellent Muſick. </
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>
<
s
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echoid-s1689
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xml:space
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">So the motions of the Comets, and
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Fiery Meteors as Stella Cadens, &</
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>
<
s
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echoid-s1690
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">c.) </
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<
s
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echoid-s1691
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xml:space
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">yield no noiſe. </
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<
s
xml:id
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echoid-s1692
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xml:space
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">And if it be thought, that
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it is the greatneſs of diſtance from us, whereby the ſound cannot, be heard;
<
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</
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<
s
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echoid-s1693
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xml:space
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">we ſee that Lightnings and Coruſcations, which are near at hand, yield no
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ſound neither; </
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<
s
xml:id
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xml:space
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">and yet in all theſe, there is a percuſſion and diviſsion of the
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Air. </
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<
s
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echoid-s1695
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xml:space
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">The Winds in the Upper Region (which move the Clouds above
<
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(which we call the Rack) and are not perceived below paſs without noiſe. </
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<
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echoid-s1696
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The lower Winds in a Plain, except they be ſtrong, make no noiſe; </
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<
s
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echoid-s1697
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xml:space
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">but a-
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mongſt Trees, the noiſe of ſuch Winds will be perceived. </
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<
s
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echoid-s1698
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xml:space
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">And the Winds
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(generally) when they make a noiſe, do ever make it unequally, riſing and fall-
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ing, and ſometimes (when they are vehement) trembling at the height of
<
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their blaſt. </
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<
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echoid-s1699
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xml:space
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">Rain or Hail falling, though vehemently
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, yieldeth no noiſe, in
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<
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paſsing through the Air, till it fall upon the Ground, Water, Houſes, or the
<
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like. </
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<
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xml:space
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">Water in a River (though a ſwift ſtream, is not heard in the </
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