Biancani, Giuseppe, Aristotelis loca mathematica, 1615

Table of figures

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              <s id="s.004396">
                <pb pagenum="256" xlink:href="009/01/256.jpg"/>
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                <lb/>
                <expan abbr="chromaticũ">chromaticum</expan>
              inter chordas ſui tetrachor­
                <lb/>
              di
                <expan abbr="ſequẽtia">ſequentia</expan>
              interualla ſeruabat. </s>
              <s id="s.004397">
                <expan abbr="trihemi-toniũ">trihemi­
                  <lb/>
                tonium</expan>
              autem interuallum ex tribus ſemi­
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              tonijs conſtabat, ſeu ex vno toto, & vno
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              ſemitonio ex duobus huiuſmodi tetra­
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              chordis ſuum monochordium, ſeu ſuas
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              octo voces, ſeu ſuam Diapaſon genus
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              chromaticum componebat. </s>
              <s id="s.004398">Enharmo­
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              nicum tandem genus tetrachordo vtebatur, cuius interualla erant ea, quæ
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              ſequuntur.</s>
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            <figure id="id.009.01.256.2.jpg" place="text" xlink:href="009/01/256/2.jpg" number="162"/>
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              <s id="s.004399">Erat hic etiam inter hypate, & Meſe Diateſſaron; huic aliud tetrachor­
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              dum pariter addebatur, vt in alijs generibus, ex quibus tota Diapaſon
                <expan abbr="cõ-flabatur">con­
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                flabatur</expan>
              . </s>
              <s id="s.004400">Huiuſcemodi igitur tetrachordis
                <expan abbr="vnumquodq;">vnumquodque</expan>
              genus ſuum ſyſte­
                <lb/>
              ma, ſiue
                <expan abbr="conſtitutionẽ">conſtitutionem</expan>
              Diapaſon componebat,
                <expan abbr="addẽdo">addendo</expan>
              priori tetrachordo
                <lb/>
              aliud
                <expan abbr="tetrachordũ">tetrachordum</expan>
              , ita vt Meſe vltima chorda primi tetrachordi, cùm Nete
                <lb/>
              vltima ſecundi tetrachordi Diapente reſonaret; prima verò hypate, cùm
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              vltima Nete Diapaſon efficerent, vt ſuperius in ſerie Lychaonis videre eſt.</s>
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              <s id="s.004401">Ex quibus patet quinam eſſent enharmonij moduli, ſiue interualla, qui­
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              bus enharmonium genus decantaretur. </s>
              <s id="s.004402">Sciendum præterea ex lib. 3. Muſi­
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              corum Ptol. modulos enharmonios fuiſſe graues, & ſeueros, vt idcirco Do­
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              rienſes, quorum modi grauitate, ac ſeueritate præditi erant, ipſis maximè
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              delectarentur. </s>
              <s id="s.004403">Vnde etiam patere poteſt enharmonios modos minimè cer­
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              tatorijs canticis idoneos fuiſſe. </s>
              <s id="s.004404">His præmiſſis, ſic textum facilè exponere
                <lb/>
              eſt: cur cantilenæ genus illud, quod lex appellatur, non per antiſtrophos,
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              ſeu ſtrophas olim agebatur, cùm tamen cæteris choręarum, ac chori can­
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              ticis antiſtrophi, ſeu ſtrophæ non deeſſent. </s>
              <s id="s.004405">Ratio huius forſitan hæc eſt;
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              quia vſus antiſtrophorum, ſeu ſtropharum eundem ſemper modum per to­
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              tam cantilenam ſeruat, cùm cantilena conſtet ex pluribus ſtrophis ſibi ſi­
                <lb/>
              milibus: quapropter ſtropharum vſus maximè ei conuenit, qui
                <expan abbr="eundẽ">eundem</expan>
              ſem­
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              per morem in cantando retinet, è contra verò ei, qui varios mores,
                <expan abbr="variũq́">variunque</expan>
              ;
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                <expan abbr="cantũ">cantum</expan>
              ſtudet efficere minimè quadrat: talis enim non indiget ſtatutis ſtro­
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              phis, nec rithmis, vt ſunt odæ, ſed potius carmine libero, vt ſunt heroica
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              poemata hexametris verſibus contexta. </s>
              <s id="s.004406">quia igitur olim certatores, ac pu­
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              giles, qui viribus pollebant,
                <expan abbr="quiq́">quique</expan>
              ; egregiè varios mores imitabantur; cùm
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              cantum varium, ac prolixum, intentum, ac remiſſum efficere valerent, hu­
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              iuſmodi leges decantabant, propterea nullis ſtrophis vtebantur, vt ſcilicet
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              facilius in omnes partes poſſet vox, & cantus excurrere. </s>
              <s id="s.004407">
                <expan abbr="Itaq;">Itaque</expan>
              vt verba, ita
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              etiam modulos, ac numeros, prout imitatio requirebat, ſubinde varios red­
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              debant; modulatione enim melius, quam verbis ipſis imitatio </s>
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