Biancani, Giuseppe, Aristotelis loca mathematica, 1615

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              <s id="s.004452">
                <pb pagenum="259" xlink:href="009/01/259.jpg"/>
                <emph type="italics"/>
              bit, cùm ipſam, quis pulſauerit? </s>
              <s id="s.004453">An non ratione id optima accidit? </s>
              <s id="s.004454">quandoqui­
                <lb/>
              dem optima
                <expan abbr="quæq;">quæque</expan>
              melodiæ gratia ſæpè Meſe vtuntur: omneſque probi Poetæ cre­
                <lb/>
              brò ad meſen veniunt: & ſi ab ea diſceſſerint, ad eam ſtatim reuertuntur: nec vllam
                <lb/>
              aliam toties repetunt. </s>
              <s id="s.004455">quemadmodum igitur demptis ex oratione quibuſdam con­
                <lb/>
              iunctionibus (veluti
                <foreign lang="grc">τὲ, & ἤ</foreign>
              ) non eſt amplius ſermo græcus; alijs verò detractis
                <lb/>
              nihil ſermoni detrahitur; eò, quod illis vti ſæpè neceſſe eſt, his verò perrarò. </s>
              <s id="s.004456">ſic
                <lb/>
              etiam ſonus meſes eſt veluti aliorum ſonorum coniunctio, maximeque pulchriorŭ;
                <lb/>
              propterea eius ſonus ſæpiſſimè aſſumi ſolet)
                <emph.end type="italics"/>
              Si quis ea, quæ initio dicta ſunt, pro­
                <lb/>
              bè tenuerit, facilè ad huius problematis intelligentiam perueniet; per me­
                <lb/>
              ſen motam intellige de ſuo ſibi conuente ſtatu
                <expan abbr="dimotã">dimotam</expan>
              , & ideò ab alijs chor
                <lb/>
              dis diſſonantem. </s>
              <s id="s.004457">Idem quærit Probl. 38.</s>
            </p>
            <p type="main">
              <s id="s.004458">
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            <p type="margin">
              <s id="s.004459">
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              377</s>
            </p>
            <p type="main">
              <s id="s.004460">Probl. 21.
                <emph type="italics"/>
              (Cur qui grauius căntant, ſi abſonant deprehendi facilius poſſunt, quă,
                <lb/>
              qui cantant acutius: nec verò ſecus in rithmis accidit. </s>
              <s id="s.004461">euidentiores enim, qui pec­
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              cant in grauiori. </s>
              <s id="s.004462">Vtrum, quòd plus temporis graue obtinet? </s>
              <s id="s.004463">plus autem plenius à
                <lb/>
              ſenſu auriŭm percipi poteſt. </s>
              <s id="s.004464">Vel quia illud in ampliori tempore agitur, & ideò am­
                <lb/>
              pliorem etiam ſui ſenſationem exhibet. </s>
              <s id="s.004465">Velox autem, & acutŭ facilè ob ſuam ve­
                <lb/>
              locitatem latitat)
                <emph.end type="italics"/>
              Quid eſſet rithmus explicabitur in problemate 27.
                <expan abbr="ſequẽ-ti">ſequen­
                  <lb/>
                ti</expan>
              ait:
                <emph type="italics"/>
              (Velox autem, & acutum)
                <emph.end type="italics"/>
              Cur vox acuta ſit velox,
                <expan abbr="dictũ">dictum</expan>
              eſt in 1. Top.
                <lb/>
              cap. 13. reliqua ſunt ſatis clara.</s>
            </p>
            <p type="main">
              <s id="s.004466">Probl. 22. ex ſe manifeſtum eſt: atque idem cum ſequenti num. </s>
              <s id="s.004467">46.</s>
            </p>
            <p type="main">
              <s id="s.004468">
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              </s>
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            <p type="margin">
              <s id="s.004469">
                <margin.target id="marg369"/>
              378</s>
            </p>
            <p type="main">
              <s id="s.004470">Probl. 23.
                <emph type="italics"/>
              (Cur Nete duplo acutior eſt hypate? </s>
              <s id="s.004471">An primum, quod cum ner­
                <lb/>
              uus parte ſui dimidia, & totus ſimul pulſatur, Diapaſon concinentia exultat: quod
                <lb/>
              pariter in fiſtulis apparet, ſonus enim, qui per medium foramen emergit Diapaſon
                <lb/>
              cum eo reſonat, qui per totam fiſtulam exit. </s>
              <s id="s.004472">In cæteris etiam duplo interuallo Dia­
                <lb/>
              paſon continetur, nam, & qui tibias perforant, it a eas oſſumunt. </s>
              <s id="s.004473">& qui fiſtulas aptè
                <lb/>
              elaborant, ſumitatem extremam tăntum hypates circumlinunt: netem verò ad
                <expan abbr="vſq;">vſque</expan>
                <lb/>
              dimidium obturant. </s>
              <s id="s.004474">& in Triquetris Pſalterijs, nerui, quorum alter ſit alterius
                <lb/>
              longitudine duplus, æquè intenti Diapaſon reddunt. </s>
              <s id="s.004475">Diapente verò ſeſquialtera
                <lb/>
              proportione; Diateſſaron autem ſeſquitertio interuallo continetur)
                <emph.end type="italics"/>
              Ex ijs, quæ
                <lb/>
              initio huius tractationis de Monochordij diuiſione,
                <expan abbr="deq́">deque</expan>
              ; Diapaſon,
                <expan abbr="Diapẽ-te">Diapen­
                  <lb/>
                te</expan>
              , Diateſſaron conſonantiarum ordine, ac proportione dicta ſunt, perſpi­
                <lb/>
              cua omnino redduntur omnia, quæ hic quæruntur, & redduntur. </s>
              <s id="s.004476">Illud no­
                <lb/>
              tandum Triquetrum Pſalterium inſtrumentum muſicum fuiſſe, à triangula­
                <lb/>
              ri figura denominatum, noſtræ forſan Harpæ, perſimile: in quo fides eſſent
                <lb/>
              eo modo diſpoſitæ, ac intentæ, vt in Harpa.</s>
            </p>
            <p type="main">
              <s id="s.004477">
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              </s>
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            <p type="margin">
              <s id="s.004478">
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              379</s>
            </p>
            <p type="main">
              <s id="s.004479">Probl. 24.
                <emph type="italics"/>
              (Cur ſi quis pſallens netem pulſatam apprehenderit, ſolam Hypa­
                <lb/>
              tem reſonare videbitur? </s>
              <s id="s.004480">An quod tinnitus huius maximè connaturalis eſt ſono il­
                <lb/>
              lius, illique conſonus. </s>
              <s id="s.004481">quia igitur cum ſuo conſimili augetur, hoc ceſſante, ille ſo­
                <lb/>
              lus apparet ſoni verò alij propter paruitatem euaneſcunt)
                <emph.end type="italics"/>
              Cur ſi quis dum pſal­
                <lb/>
              terium pulſatur, neten pulſatam ſonantem manu apprehenderit, ita vt ſo­
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              num ipſius interpellet, ſonus ille intermortuus, ac dimidiatus, videbitur ſo­
                <lb/>
              nus hypates, & non alterius chordæ, quia, vt dictum eſt, hypates, & nete,
                <lb/>
              Diapaſon reſonant; cuius conſonantiæ voces ſunt eiuſdem naturæ, aut val­
                <lb/>
              dè
                <expan abbr="connaturãles">connaturales</expan>
              ; imò ſonus hypates duplus eſt ſoni netes. </s>
              <s id="s.004482">Interpellato igi­
                <lb/>
              tur acutioris ſono, reliquus qui ipſi adeò ſimilis eſt meritò videbitur hypa­
                <lb/>
              tes: ſoni verò aliarum chordarum ob ipſorum paruitatem, quia nimirum </s>
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          </chap>
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