Vitruvius, M. Vitrvvivs Per Iocvndvm Solito Castigatior Factvs Cvm Figvris Et Tabvla Vt Iam Legi Et Intelligi Possit, 1511

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            ſunt in tribus generibus perpetui & </s>
            <s xml:id="echoid-s2068" xml:space="preserve">ſtantes, reliqui decem cum cõiter mo-
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            dulantur ſunt vagantes, Stãtes autem ſunt, qui inter mobiles ĩterpoſiti cõ-
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            tinent tetrachordi coniunctionem, & </s>
            <s xml:id="echoid-s2069" xml:space="preserve">e generum diſcriminibus ſuis finibus
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            ſunt permanentes, Appellantur autem ſic, proſlambanomenos, hypatehy-
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            paton, hypatemeſon, meſe, neteſynẽmenon, parameſe, netediezeugmenõ,
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            netehyperboleon, Mobiles autem ſunt, qui in tetrachordo inter immotos
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            diſpoſiti in generibus & </s>
            <s xml:id="echoid-s2070" xml:space="preserve">locis loca mutant, Vocabula autem habent hæc,
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            Parhypatehypatõ, lichanoshypatõ, parhypatemeſon, lichanoſmeſon, tri
              <lb/>
            teſynẽmenõ, paraneteſynẽmenon, tritediezeugmenon, paranetediezeug-
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            menon, tritehyperboleon, paranetehyperboleon. </s>
            <s xml:id="echoid-s2071" xml:space="preserve">Ei autem qui mouentur
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            recipiunt virtutes alias, Interualla enim & </s>
            <s xml:id="echoid-s2072" xml:space="preserve">diſtantias habent creſcentes, Ita-
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            que parhypate quæ in harmonia diſtat ab hypate dieſi, in Chromate muta
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            ta habet hemitonium, in diatono vero tonum, Qui lichanos in harmonia
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            dicitur ab hypate diſtat hemitonium, in chroma tranſlatus progredit́ duo
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            hemitonia, in diatono diſtat ab hypate tria hemitonia, Ita decem ſonitus ꝓ
              <lb/>
            pter tranſlationes in generibus efficiunt triplicem modualtionum varieta-
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            tatem, Tetrachorda autem ſunt quin, primum grauiſſimum quod græce
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            dicitur υϖαξγ, Secundum medianum quod appellatur μέσογ. </s>
            <s xml:id="echoid-s2073" xml:space="preserve">Tertiũ con
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            iunctum, quod συγέμμβνον dicitur, quartum diſiunctum, qđλιεζεύΓμcνον
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            nominatur, Quintum quod eſt acutiſſimum græce ὑϖερβόνεον dicitur, Cõ
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            centus quos natura hominis modulari poteſt, græce σνμφόγιαι dicuntur
              <lb/>
            ſunt ſex, diateſſaron, diapente, diapaſon, diapaſon cum diateſſaron, diapa-
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            ſon cum diapente, diſdiapaſon, Ideo & </s>
            <s xml:id="echoid-s2074" xml:space="preserve">a numero nomina receperunt, ꝙ
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            cum vox conſtiterit in vna ſonorum finitione, ab ea ſe flectens mutauerit
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            & </s>
            <s xml:id="echoid-s2075" xml:space="preserve">peruenerit in quartam terminationem, appellatur diateſſaron, in quintã
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            diapente, in octauam diapaſon, in octauam&</s>
            <s xml:id="echoid-s2076" xml:space="preserve">dimidiam diapaſon & </s>
            <s xml:id="echoid-s2077" xml:space="preserve">diateſ
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            ſaron, in nonam&</s>
            <s xml:id="echoid-s2078" xml:space="preserve">dimidiam diapaſon & </s>
            <s xml:id="echoid-s2079" xml:space="preserve">diapente, in quĩtamdecimam diſ
              <lb/>
            diapaſon, Non enim inter duo interualla cum chordarum ſonitus aut vo-
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            cis cantus factus fuerit, nec in tertia aut ſexta aut ſeptima poſſunt conſonã-
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            tiæ fieri, Sed (ut ſupra ſcriptum eſt) diateſſarõ & </s>
            <s xml:id="echoid-s2080" xml:space="preserve">diapente, ex ordine ad diſ
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            diapaſon conuenientes ex natura vocis congruentis habent finitiones, & </s>
            <s xml:id="echoid-s2081" xml:space="preserve">ei
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            concentus procreantur ex coniunctione ſonituũ, qui græce φθόι dicunt́.</s>
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          <head xml:id="echoid-head33" xml:space="preserve">Detheatri vaſis. # Caput. # V.</head>
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            <s xml:id="echoid-s2083" xml:space="preserve">Ita ex his indagationibus mathematicis rationibus fiunt vaſa ærea pro ratio
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            ne magnitudinis theatri, ea ita fabricentur, vt cum tanguntur, ſonitũ fa-
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            cere poſſint inter ſe, diateſſaron, diapente, ex ordine ad diſdiapaſon, Poſtea
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            inter ſedes theatri conſtitutis cellis ratione muſica ibi collocentur, ita vti
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            nullum parietem tangant, circa habeant locum uacuum & </s>
            <s xml:id="echoid-s2084" xml:space="preserve">a ſummo ca-
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            piteſpatium, ponantur inuerſa, & </s>
            <s xml:id="echoid-s2085" xml:space="preserve">habeant in parte quæſpectat ad ſcenã,
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            ſuppoſitos cuneos, ne minus altos ſemipede, contra eas cellas </s>
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