Bacon, Francis
,
Sylva sylvarum : or, a natural history in ten centuries
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Natural Hiſtory;
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greatperſon, by undertaking, that he could make Gold: </
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<
s
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xml:space
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">Whoſe diſcourſe
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was, That Gold might be made, but that the Alchymiſts over-fired the work:
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</
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<
s
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xml:space
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">For (he ſaid) the making of Gold did require avery temperate Heat, asbe-
<
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ing in Nature a ſubterrany work, where little Heat cometh; </
s
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<
s
xml:id
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xml:space
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">but yet more
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to the making of Gold, than of any other Metal: </
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<
s
xml:id
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xml:space
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">And therefore, that he
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would do it with a great Lamp, that ſhould carry a temperate and equal
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Heat, and that it was the work of many Moneths. </
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>
<
s
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xml:space
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">The deviſe of the Lamp
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was folly, but the overſiring now uſed, and the equal Heat to be required,
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and the making it a work of ſome good time, are no ill diſcourſes.</
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<
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<
s
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xml:space
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">We reſort therefore to our Axioms of Maturation, in effect touched be-
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fore.</
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<
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<
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<
s
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xml:space
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">The firſt is, That there be uſed a Temperate Heat; </
s
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<
s
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xml:space
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">ſor they are ever
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Temperate Heats that Diſgeſts, and Mature; </
s
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<
s
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xml:space
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">wherein we mean Temperate,
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according to the Nature of the Subject: </
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<
s
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xml:space
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">For that may be Temperate to
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Fruits and Liquors, which will not work at all upon Metals.</
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<
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<
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<
s
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">The ſecond is, That the Spirit of the Metal be quickned, and the
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Tangible Parts opened: </
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xml:space
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">For without thoſe two operations, the Spirit of the
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Metal, wrought upon, will not be able to diſgeſt the Parts.</
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<
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<
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<
s
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xml:space
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">The third is, That the Spirits do ſpred themſelves even, and move not
<
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ſubſultorily, ſor that will make the parts cloſe and pliant. </
s
>
<
s
xml:id
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xml:space
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">And this requireth
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a Heat that doth not riſe and ſall, but continue as equal as may be.</
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<
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</
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<
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<
s
xml:id
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xml:space
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">The fourth is, That no part of the Spirit be emitted but detained:
<
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</
s
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<
s
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xml:space
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">For if there be Emiſſion of Spirit, the Body of the Metal will be hard and
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churliſh. </
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<
s
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xml:space
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">And this will be performed, partly by the temper of the Fire, and
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partly by the cloſeneſs of the Veſſel.</
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<
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<
s
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xml:space
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">The fifth is, That there be choice made of the likelieſt and beſt pre-
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pared Metal for the Verſion; </
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<
s
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xml:space
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">for that will facilitate the Work.</
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<
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<
s
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xml:space
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">The ſixthis, That you give time enough for the Work, not to prolong
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hopes (as the Alchymiſts do, but indeed to give Nature a convenient ſpace to
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work in.</
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<
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<
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<
s
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xml:space
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">Theſe principles moſt certain and true, we will now derive a direction
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of Tryal out of them, which may (perhaps) by further Meditation be
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improved.</
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<
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<
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<
s
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xml:space
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">Let there be a ſmall Furnace made of a Temperate Heat; </
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<
s
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xml:space
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">let the heat be
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<
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note
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ſuch as may keep the Metal perpetually molten, and no more; </
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<
s
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xml:space
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">for that above
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all, importeth to the Work: </
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<
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">For the Material, take Silver, which is the
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Metal, that in Nature, ſymbolizeth moſt with Gold; </
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s
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">put in alſo, with the Sil-
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ver a tenth part of Quick-ſilver, and a twelſth part of Nitre by weight:
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</
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<
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">Both theſe to quicken and open the Body of the Metal; </
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<
s
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xml:space
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">and ſo let the Work
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be continued by the ſpace of Six Moneths, at the leaſt. </
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<
s
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xml:space
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">I wiſh alſo, That
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there be as ſometimes an Injection of ſome Oyled Subſtance; </
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<
s
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xml:space
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">ſuch as they
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uſe in the recovering of Gold, which by vexing with Separations hath
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been made churliſh: </
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>
<
s
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">And this is, to lay the parts more cloſe and ſmooth,
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which is the main work. </
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<
s
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xml:space
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">For Gold (as we ſee) is the cloſeſt (and there-
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fore the heavieſt) of Metals; </
s
>
<
s
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xml:space
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">and is likewiſe the moſt flexible and tenſible. </
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<
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<
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Note, That to think to make Gold of Quick-ſilver becauſe it is the heavieſt,
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is a thing not to be hoped; </
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<
s
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xml:space
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">for Quick-ſilver will not endure the mannage
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of the Fire: </
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<
s
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xml:space
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">Next to Silver, I think Copper were fitteſt to be the Ma-
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terial.</
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