Alberti, Leon Battista, L' architettura

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            <s xml:id="echoid-s224" xml:space="preserve">
              <pb o="8" file="012" n="12" rhead="PROEMIO."/>
            no deriuaſſero, & </s>
            <s xml:id="echoid-s225" xml:space="preserve">di che parti fuſsino compoſte, & </s>
            <s xml:id="echoid-s226" xml:space="preserve">ſinite. </s>
            <s xml:id="echoid-s227" xml:space="preserve">Et hauendole troua
              <lb/>
            te uarie di generi; </s>
            <s xml:id="echoid-s228" xml:space="preserve">di numero quaſi infinite; </s>
            <s xml:id="echoid-s229" xml:space="preserve">di eſſentia marauiglioſe; </s>
            <s xml:id="echoid-s230" xml:space="preserve">di utilità
              <lb/>
            incredibili; </s>
            <s xml:id="echoid-s231" xml:space="preserve">in modo che taluolta non era manifeſto qual conditione di huo-
              <lb/>
            mini, ò qual parte di repub. </s>
            <s xml:id="echoid-s232" xml:space="preserve">ò quale ſtato di città; </s>
            <s xml:id="echoid-s233" xml:space="preserve">fuſſe piu obligato allo Archi-
              <lb/>
            tettore; </s>
            <s xml:id="echoid-s234" xml:space="preserve">anzi allo Inuentore di tutte le comodità; </s>
            <s xml:id="echoid-s235" xml:space="preserve">Il publico, ò il priuato; </s>
            <s xml:id="echoid-s236" xml:space="preserve">le co-
              <lb/>
              <note position="left" xlink:label="note-012-01" xlink:href="note-012-01a" xml:space="preserve">5</note>
            ſe ſacre, ò ſecolari, lo ſtarſi, ò il trauagliare, i particulari, ò pur tutta la humana
              <lb/>
            generatione, deliberammo per piu cagioni, che qui ſariano lunghe a raccontar-
              <lb/>
            ſi di raccorre eſſe medeſime coſe, che in queſti dieci libri ſono ſcritte. </s>
            <s xml:id="echoid-s237" xml:space="preserve">Nel
              <lb/>
            trattare delle quali terremo queſto ordine. </s>
            <s xml:id="echoid-s238" xml:space="preserve">Noi certo habbiamo conſiderato
              <lb/>
            che lo edificio, è un certo corpo fatto ſi come tutti gli altri corpi di diſegno,
              <lb/>
              <note position="left" xlink:label="note-012-02" xlink:href="note-012-02a" xml:space="preserve">10</note>
            & </s>
            <s xml:id="echoid-s239" xml:space="preserve">di materia, l'uno ſi produce dallo ingegno, la altra dalla natura: </s>
            <s xml:id="echoid-s240" xml:space="preserve">onde a l'u-
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            no ſi prouede con applicamento di mente & </s>
            <s xml:id="echoid-s241" xml:space="preserve">di penſiero, all'altra con apparec-
              <lb/>
            chiamento, & </s>
            <s xml:id="echoid-s242" xml:space="preserve">ſceglimento. </s>
            <s xml:id="echoid-s243" xml:space="preserve">Et habbiamo ancora conſiderato, che ne l'uno ne
              <lb/>
            l'altra da perſe, non è baſtante, ſenza la mano d'uno eſercitato Artefice, che ſap
              <lb/>
            pia far componimento della materia con debito diſegno. </s>
            <s xml:id="echoid-s244" xml:space="preserve">Et eſſendo uario lo
              <lb/>
              <note position="left" xlink:label="note-012-03" xlink:href="note-012-03a" xml:space="preserve">15</note>
            uſo de gli edificii biſognò andare inueſtigando, ſe una medeſima ſorte di diſe-
              <lb/>
            gno ſi conueniſſe à tutte le maniere delle edifficij. </s>
            <s xml:id="echoid-s245" xml:space="preserve">Et per queſta cagione hab-
              <lb/>
            biamo diſtinte le maniere de gli edificii. </s>
            <s xml:id="echoid-s246" xml:space="preserve">Nellequali conoſcendo noi che era
              <lb/>
            di grandiſsimo momento, il modo & </s>
            <s xml:id="echoid-s247" xml:space="preserve">il componimento delle linee, infra di lo-
              <lb/>
            ro, dalquale poteſſe naſcere uno compoſto, di ecceſsiua bellezza: </s>
            <s xml:id="echoid-s248" xml:space="preserve">Cominciam-
              <lb/>
              <note position="left" xlink:label="note-012-04" xlink:href="note-012-04a" xml:space="preserve">20</note>
            mo per queſto ad eſaminare, che coſa fuſſe bellezza: </s>
            <s xml:id="echoid-s249" xml:space="preserve">& </s>
            <s xml:id="echoid-s250" xml:space="preserve">che bellezza ſi cõueniſſe
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            à ciaſcuno edificio. </s>
            <s xml:id="echoid-s251" xml:space="preserve">Et auẽga che in tutte queſte, ſi trouaſſero alcuna uolta di-
              <lb/>
            fetti: </s>
            <s xml:id="echoid-s252" xml:space="preserve">andammo inueſtigando in che modo ſi poteſsino rimediare, ò reſtaura-
              <lb/>
            re. </s>
            <s xml:id="echoid-s253" xml:space="preserve">Ciaſcun libro adunque, è ſegnato con il ſuo titolo, ſecondo la uarietà del
              <lb/>
            le coſe: </s>
            <s xml:id="echoid-s254" xml:space="preserve">percioche il Primo Libro tratta de Diſegni, il Secondo de la Ma-
              <lb/>
              <note position="left" xlink:label="note-012-05" xlink:href="note-012-05a" xml:space="preserve">25</note>
            teria, il Terzo de l'opera, il quarto di tutte le opere in uniuerſale, il
              <lb/>
            Quinto de le opere in particulare, il Seſto de gli ornamen
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            ti, il Settimo de l'adornare gli edificii ſacri, lo Ottauo
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            de l'adornare gli edificii publici e ſecolari, il No
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            no de l'adornare gli edificii particolari, & </s>
            <s xml:id="echoid-s255" xml:space="preserve">
              <lb/>
            priuati, il Decimo della reſtauratio-
              <lb/>
            ne de gli edificij, aggiuntoci
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            una uaria hiſtoria
              <lb/>
            delle acque,
              <lb/>
            & </s>
            <s xml:id="echoid-s256" xml:space="preserve">come
              <lb/>
            ſi trouino, & </s>
            <s xml:id="echoid-s257" xml:space="preserve">quello che
              <lb/>
            nelle facende gio-
              <lb/>
            ui lo Archi-
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            tettore.</s>
            <s xml:id="echoid-s258" xml:space="preserve"/>
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