Alberti, Leone Battista
,
Architecture
,
1755
Text
Text Image
Image
XML
Thumbnail overview
Document information
None
Concordance
Figures
Thumbnails
List of thumbnails
<
1 - 10
11 - 20
21 - 30
31 - 40
41 - 50
51 - 60
61 - 70
71 - 80
81 - 90
91 - 100
101 - 110
111 - 120
121 - 130
131 - 140
141 - 150
151 - 160
161 - 170
171 - 180
181 - 190
191 - 200
201 - 210
211 - 220
221 - 230
231 - 240
241 - 250
251 - 260
261 - 270
271 - 280
281 - 290
291 - 300
301 - 310
311 - 320
>
121
122
123
124
125
126
127
128
129
130
<
1 - 10
11 - 20
21 - 30
31 - 40
41 - 50
51 - 60
61 - 70
71 - 80
81 - 90
91 - 100
101 - 110
111 - 120
121 - 130
131 - 140
141 - 150
151 - 160
161 - 170
171 - 180
181 - 190
191 - 200
201 - 210
211 - 220
221 - 230
231 - 240
241 - 250
251 - 260
261 - 270
271 - 280
281 - 290
291 - 300
301 - 310
311 - 320
>
page
|<
<
of 320
>
>|
<
archimedes
>
<
text
>
<
body
>
<
chap
>
<
p
type
="
main
">
<
s
>
<
pb
xlink:href
="
003/01/130.jpg
"
pagenum
="
112
"/>
Matters, and ſo neceſſary to Mankind; it would
<
lb
/>
be a Shame to neglect any of thoſe Obſervati
<
lb
/>
ons which voluntarily offered themſelves to me;
<
lb
/>
and I thought it the Duty of an honeſt and
<
lb
/>
ſtudious Mind, to endeavour to free this Sci
<
lb
/>
ence, for which the moſt Learned among the
<
lb
/>
Ancients had always a very great Eſteem, from
<
lb
/>
its preſent Ruin and Oppreſſion. </
s
>
<
s
>Thus I ſtood
<
lb
/>
doubtful, and knew not how to reſolve, whe
<
lb
/>
ther I ſhould drop my Deſign, or go on. </
s
>
<
s
>At
<
lb
/>
length my Love and Inclination for theſe Stu
<
lb
/>
dies prevailed; and what I wanted in Capacity,
<
lb
/>
I made up in Diligence and Application. </
s
>
<
s
>There
<
lb
/>
was not the leaſt Remain of any ancient Struc
<
lb
/>
ture, that had any Merit in it, but what I went
<
lb
/>
and examined, to ſee if any Thing was to be
<
lb
/>
learned from it. </
s
>
<
s
>Thus I was continually ſearch
<
lb
/>
ing, conſidering, meaſuring and making
<
lb
/>
Draughts of every Thing I could hear of, till
<
lb
/>
ſuch Time as I had made myſelf perfect Ma
<
lb
/>
ſter of every Contrivance or Invention that had
<
lb
/>
been uſed in thoſe ancient Remains; and thus
<
lb
/>
I alleviated the Fatigue of writing, by the
<
lb
/>
Thirſt and Pleaſure of gaining Information.
<
lb
/>
</
s
>
<
s
>And indeed the Collecting together, rehearſing
<
lb
/>
without Meanneſs, reducing into a juſt Method,
<
lb
/>
writing in an accurate Style, and explaining
<
lb
/>
perſpicuouſly ſo many various Matters, ſo un
<
lb
/>
equal, ſo diſperſed, and ſo remote from the
<
lb
/>
common Uſe and Knowledge of Mankind,
<
lb
/>
certainly required a greater Genius, and more
<
lb
/>
Learning than I can pretend to. </
s
>
<
s
>But ſtill I
<
lb
/>
ſhall not repent of my Labour, if I have only
<
lb
/>
effected what I chiefly propoſed to myſelf,
<
lb
/>
namely, to be clear and intelligible to the
<
lb
/>
Reader, rather than Eloquent. </
s
>
<
s
>How difficult
<
lb
/>
a Thing this is, in handling Subjects of this
<
lb
/>
Nature, is better known to thoſe who have
<
lb
/>
attempted it, then believed by thoſe who never
<
lb
/>
tried it. </
s
>
<
s
>And I flatter myſelf, it will at leaſt
<
lb
/>
be allowed me, that I have wrote according to
<
lb
/>
the Rules of this Language, and in no obſcure
<
lb
/>
Style. </
s
>
<
s
>We ſhall endeavour to do the ſame in
<
lb
/>
the remaining Parts of this Work. </
s
>
<
s
>Of the
<
lb
/>
three Properties required in all Manner of
<
lb
/>
Buildings, namely, that they be accommoda
<
lb
/>
ted to their reſpective Purpoſes, ſtout and
<
lb
/>
ſtrong for Duration, and pleaſant and delight
<
lb
/>
ful to the Sight, we have diſpatched the two
<
lb
/>
firſt, and are now to treat of the third, which
<
lb
/>
is by much the moſt Noble of all, and very
<
lb
/>
neceſſary beſides.</
s
>
</
p
>
<
p
type
="
head
">
<
s
>CHAP. II.</
s
>
</
p
>
<
p
type
="
main
">
<
s
>
<
emph
type
="
italics
"/>
Of Beauty and Ornament, their Effects and Difference, that they are owing
<
lb
/>
to Art and Exactneſs of Proportion; as alſo of the Birth and Progreſs
<
lb
/>
of Arts.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
>It is generally allowed, that the Pleaſure and
<
lb
/>
Delight which we feel on the View of any
<
lb
/>
Building, ariſe from nothing elſe but Beauty
<
lb
/>
and Ornament, ſince there is hardly any Man
<
lb
/>
ſo melancholy or ſtupid, ſo rough or unpoliſh
<
lb
/>
ed, but what is very much pleaſed with what
<
lb
/>
is beautiful, and purſues thoſe Things which
<
lb
/>
are moſt adorned, and rejects the unadorned
<
lb
/>
and neglected; and if in any Thing that he
<
lb
/>
Views he perceives any Ornament is wanting,
<
lb
/>
he declares that there is ſomething deficient
<
lb
/>
which would make the Work more delightful
<
lb
/>
and noble. </
s
>
<
s
>We ſhould therefore conſult Beauty
<
lb
/>
as one of the main and principal Requiſites in
<
lb
/>
any Thing which we have a Mind ſhould pleaſe
<
lb
/>
others. </
s
>
<
s
>How neceſſary our Forefathers, Men
<
lb
/>
remarkable for their Wiſdom, looked upon this
<
lb
/>
to be, appears, as indeed from almoſt every
<
lb
/>
thing they did, ſo particularly from their Laws,
<
lb
/>
their Militia, their ſacred and all other pub
<
lb
/>
lick Ceremonies; which it is almoſt incredible
<
lb
/>
what Pains they took to adorn; inſomuch that
<
lb
/>
one would almoſt imagine they had a Mind to
<
lb
/>
have it thought, that all theſe Things (ſo ab
<
lb
/>
ſolutely neceſſary to the Life of Mankind) if
<
lb
/>
ſtript of their Pomp and Ornament, would be
<
lb
/>
ſomewhat ſtupid and inſipid. </
s
>
<
s
>When we lift
<
lb
/>
up our Eyes to Heaven, and view the wonder
<
lb
/>
ful Works of God, we admire him more for
<
lb
/>
the Beauties which we ſee, than for the Con
<
lb
/>
veniencies which we feel and derive from
<
lb
/>
them. </
s
>
<
s
>But what Occaſion is there to inſiſt upon
<
lb
/>
this? </
s
>
<
s
>When weſee that Nature conſults Beauty
<
lb
/>
in a Manner to exceſs, in every Thing ſhe does,
<
lb
/>
even in painting the Flowers of the Field. </
s
>
<
s
>If
<
lb
/>
Beauty therefore is neceſſary in any Thing, it
<
lb
/>
is ſo particularly in Building, which can never
<
lb
/>
be without it, without giving Offence both to
<
lb
/>
the Skilful and the Ignorant. </
s
>
<
s
>How are we
<
lb
/>
moved by a huge ſhapeleſs ill-contrived Pile </
s
>
</
p
>
</
chap
>
</
body
>
</
text
>
</
archimedes
>