Vitruvius, L' Architettura generale di Vitruvio : ridotta in compendio
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          <head xml:id="echoid-head151" xml:space="preserve">CAPITOLO IV.</head>
          <head xml:id="echoid-head152" style="it" xml:space="preserve">Della Bellezza delle Fabbriche.</head>
          <head xml:id="echoid-head153" xml:space="preserve">
            <emph style="sc">Artigolo</emph>
            <emph style="sc">Primo</emph>
          .</head>
          <head xml:id="echoid-head154" style="it" xml:space="preserve">In che conſiſta la Bellezza delle
            <lb/>
          Fabbriche.</head>
          <p>
            <s xml:id="echoid-s1344" xml:space="preserve">LE Fabbriche aver poſſono due
              <lb/>
              <note position="left" xlink:label="note-0138-01" xlink:href="note-0138-01a" xml:space="preserve">Vi ſo-
                <lb/>
              no due
                <lb/>
              ſpezie
                <lb/>
              di bel-
                <lb/>
              lezza
                <lb/>
              nelle
                <lb/>
              Fab-
                <lb/>
              briche,
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              cioè</note>
            ſpezie di Bellezza; </s>
            <s xml:id="echoid-s1345" xml:space="preserve">l’una è
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            Poſitiva, Arbitraria l’altra. </s>
            <s xml:id="echoid-s1346" xml:space="preserve">La
              <lb/>
            Bellezza Poſitiva è quella, che
              <lb/>
            piace neceſſariamente da per ſe
              <lb/>
            ſteſſa. </s>
            <s xml:id="echoid-s1347" xml:space="preserve">La Bellezza Arbitraria è
              <lb/>
              <note position="left" xlink:label="note-0138-02" xlink:href="note-0138-02a" xml:space="preserve">1. quel-
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              la, ch’
                <lb/>
              è Poſi
                <lb/>
              tiva, e
                <lb/>
              che’di
                <lb/>
              pende</note>
            quella, che non piace già neceſ-
              <lb/>
            ſariamente, ma l’aggradimento di
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            eſſa dipende dalle circoſtanze che
              <lb/>
            l’accompagnano.</s>
            <s xml:id="echoid-s1348" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1349" xml:space="preserve">La Belleza Poſitiva conſiſte in
              <lb/>
              <note position="left" xlink:label="note-0138-03" xlink:href="note-0138-03a" xml:space="preserve">1. dalla
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              Simme-
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              tria,</note>
            tre coſe principali, cioè nell’ u-
              <lb/>
              <note position="left" xlink:label="note-0138-04" xlink:href="note-0138-04a" xml:space="preserve">2. dalla
                <lb/>
              Mate-
                <lb/>
              ria,</note>
            guaglianza della relazione che le
              <lb/>
            parti hauno l’une all’altre, e che
              <lb/>
              <note position="left" xlink:label="note-0138-05" xlink:href="note-0138-05a" xml:space="preserve">3. dall’
                <lb/>
              eſeeu-
                <lb/>
              zione.</note>
            chiamaſi Simmetria; </s>
            <s xml:id="echoid-s1350" xml:space="preserve">nella ric-
              <lb/>
            chezza della Materia; </s>
            <s xml:id="echoid-s1351" xml:space="preserve">e nel-
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            la proprietà, politezza </s>
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