Alberti, Leone Battista
,
Architecture
,
1755
Text
Text Image
Image
XML
Thumbnail overview
Document information
None
Concordance
Figures
Thumbnails
Page concordance
<
1 - 30
31 - 60
61 - 90
91 - 120
121 - 150
151 - 180
181 - 210
211 - 240
241 - 270
271 - 300
301 - 320
>
Scan
Original
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
<
1 - 30
31 - 60
61 - 90
91 - 120
121 - 150
151 - 180
181 - 210
211 - 240
241 - 270
271 - 300
301 - 320
>
page
|<
<
of 320
>
>|
<
archimedes
>
<
text
>
<
body
>
<
chap
>
<
p
type
="
caption
">
<
s
>
<
pb
xlink:href
="
003/01/149.jpg
"
pagenum
="
125
"/>
Men do with our Arms. </
s
>
<
s
>For this Reaſon, the
<
lb
/>
ſame Diſtention and Contraction of the Mem
<
lb
/>
bers and Nerves which we uſe in pulling,
<
lb
/>
thruſting or lifting, we are to imitate in our
<
lb
/>
Engines. </
s
>
<
s
>I ſhall only add one Piece of Ad
<
lb
/>
vice more, which is, that whenever you are to
<
lb
/>
move any great Weight, in any Manner what
<
lb
/>
ſoever, you would go about it carefully, cauti
<
lb
/>
ouſly and deliberately, remembering the many
<
lb
/>
uncertain and irrecoverable Accidents and
<
lb
/>
Dangers which ſometimes happen in Attempts
<
lb
/>
of this Nature, even to the moſt experienced:
<
lb
/>
For you will never get ſo much Honour and
<
lb
/>
Reputation if what you undertake, ſucceeds, as
<
lb
/>
you will incur Blame and the Imputation of
<
lb
/>
Raſhneſs, if it fails. </
s
>
<
s
>We ſhall now leave this
<
lb
/>
Subject, to proceed to the outward Coat of
<
lb
/>
the Wall.</
s
>
</
p
>
<
p
type
="
head
">
<
s
>CHAP. IX.</
s
>
</
p
>
<
p
type
="
main
">
<
s
>
<
emph
type
="
italics
"/>
That the Incruſtations which are made upon the Wall with Mortar, muſt be
<
lb
/>
three in Number: How they are to be made, and to what Purpoſes they are
<
lb
/>
to ſerve. </
s
>
<
s
>Of the ſeveral Sorts of Mortar, and in what Manner the
<
lb
/>
Lime is to be prepared for making them: Of Baſs-relieves in Stuc-work
<
lb
/>
and Paintings, with which the Wall may be adorned.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
>In all Incruſtations there muſt be at leaſt
<
lb
/>
three Coats of Mortar; the firſt is called
<
lb
/>
Rough-caſting, and its Office is to ſtick as cloſe
<
lb
/>
as poſſible to the Wall and to bind on the two
<
lb
/>
outer Coats; the Office of the outer Coat, is
<
lb
/>
to make the Work ſhew neat, ſmooth, and po
<
lb
/>
liſhed; that of the middle Coat, which we call
<
lb
/>
Plaiſtering, is to prevent any Faults or Defects
<
lb
/>
in either of the other two. </
s
>
<
s
>The Defects are
<
lb
/>
theſe: If the two laſt, that is to ſay, the Plaiſt
<
lb
/>
ering and the outer Coat are ſharp, and to uſe
<
lb
/>
ſuch an Expreſſion, tenacious of the Wall, as
<
lb
/>
the Rough-caſt ought to be, their Acrimony
<
lb
/>
will occaſion an infinite Number of Cracks in
<
lb
/>
them in drying. </
s
>
<
s
>And if the Rough-caſt be
<
lb
/>
ſoft, as the outer Coat ſhould be, it will not
<
lb
/>
take hold of the Wall as it ought, but will fall
<
lb
/>
off in Pieces. </
s
>
<
s
>The oftener we plaiſter the Wall
<
lb
/>
over, the better we may poliſh it, and the
<
lb
/>
longer it will endure the Injuries of Time.
<
lb
/>
</
s
>
<
s
>Among the ancient Buildings I have ſeen ſome
<
lb
/>
which have been done over no leſs than nine
<
lb
/>
Times. </
s
>
<
s
>The firſt of theſe ſhould be very ſharp,
<
lb
/>
and made of Pit-Sand and Brick beaten not
<
lb
/>
too fine, but about the Size of ſmall Gravel,
<
lb
/>
and laid on about the Thickneſs of three
<
lb
/>
Inches. </
s
>
<
s
>For the Plaiſtering, or middle Coat,
<
lb
/>
River-Sand is better, and is leſs apt to crack.
<
lb
/>
</
s
>
<
s
>This Coat too ſhould be ſomewhat rough, be
<
lb
/>
cauſe to a ſmooth Surface nothing will ſtick
<
lb
/>
that you lay on. </
s
>
<
s
>The laſt of all ſhould be as
<
lb
/>
white as Marble; for which Reaſon, inſtead of
<
lb
/>
Sand you ſhould uſe the whiteſt Stone that can
<
lb
/>
be got pounded ſmall; and it will be ſufficient
<
lb
/>
if this Coat be laid on about half an Inch thick,
<
lb
/>
ſor when it is much more, it will not eaſily
<
lb
/>
dry. </
s
>
<
s
>I know ſome that, out of good Huſ
<
lb
/>
bandry, make it no thicker than a Piece of
<
lb
/>
Shoe-leather. </
s
>
<
s
>The ſecond Coat, or Plaiſter
<
lb
/>
ing, ought to be ordered according to its Proxi
<
lb
/>
mity to either of the other two. </
s
>
<
s
>In Moun
<
lb
/>
tains where there are Stone-pits, you meet
<
lb
/>
with certain Veins extremely like a tranſparent
<
lb
/>
Alabaſter, which are neither Marble nor Tarres,
<
lb
/>
but of a Kind of middle Nature between both,
<
lb
/>
and very friable. </
s
>
<
s
>If this be beat ſmall and
<
lb
/>
mixed up inſtead of Sand, it will ſhew full of
<
lb
/>
little Sparks that will ſhine like a fine Sort of
<
lb
/>
Marble. </
s
>
<
s
>In many Places we ſee Nails ſtuck
<
lb
/>
into the Wall to keep on the Plaiſtering, and
<
lb
/>
Time has proved to us that it is better to have
<
lb
/>
them of Braſs than of Iron. </
s
>
<
s
>I am very much
<
lb
/>
pleaſed with thoſe who, inſtead of Nails, ſtick
<
lb
/>
little Pieces of Flint in between the Joints of
<
lb
/>
the Stone; which they drive in gently with a
<
lb
/>
wooden Hammer. </
s
>
<
s
>The freſher and rougher
<
lb
/>
the Wall itſelf is, the faſter all your plaiſtering
<
lb
/>
Work will cleave to it: For which Reaſon, if,
<
lb
/>
as you build the Wall, and while the Work is
<
lb
/>
Green, you rough-caſt it, though but ſlightly,
<
lb
/>
the Plaiſtering and outer Coat will ſtick to it
<
lb
/>
ſo faſt, as hardly ever to peel off. </
s
>
<
s
>After ſouther
<
lb
/>
ly Winds, it is very proper to do any of this
<
lb
/>
Sort of Work; but if when a north Wind
<
lb
/>
blows, or in any great Cold or Heat, you offer
<
lb
/>
at any Sort of Plaiſtering, eſpecially at laying
<
lb
/>
on the outer Coat, it will ſcale off preſently.
<
lb
/>
</
s
>
<
s
>Laſtly, all Incruſtations are of two Sorts; either </
s
>
</
p
>
</
chap
>
</
body
>
</
text
>
</
archimedes
>