Vitruvius, L' Architettura generale di Vitruvio : ridotta in compendio

Table of Notes

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            ornati, e come il Corintio e il
              <lb/>
              <note position="left" xlink:label="note-0151-01" xlink:href="note-0151-01a" xml:space="preserve">1. nella
                <lb/>
              dilica-
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              tezza.</note>
            Compoſito ſono i più dilicati ma
              <lb/>
            i più ricchi; </s>
            <s xml:id="echoid-s1461" xml:space="preserve">così il Jonico tiene
              <lb/>
              <note position="left" xlink:label="note-0151-02" xlink:href="note-0151-02a" xml:space="preserve">2. nell’
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              orna-
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              mento</note>
            il mezzo sì nelle ſue proporzioni,
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            come negli ornamenti ſuoi, eſ-
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            ſendo eſſo meno maſſiccio ma più
              <lb/>
            ornato del Toſcano e del Dorico,
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            e più maſſiccio e men ornato del
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            Corintio e del Compoſito.</s>
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            <s xml:id="echoid-s1463" xml:space="preserve">Ora benchè Vitruvio non abbia
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              <note position="left" xlink:label="note-0151-03" xlink:href="note-0151-03a" xml:space="preserve">Vitru-
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              vio non
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              iftabili-
                <lb/>
              ſce che
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              tre or-
                <lb/>
              dini</note>
              <note position="right" xlink:label="note-0151-04" xlink:href="note-0151-04a" xml:space="preserve">Lib. 4.
                <lb/>
              Proem.</note>
            diviſa l’ Architettura, ſe non in
              <lb/>
              <note position="right" xlink:label="note-0151-05" xlink:href="note-0151-05a" xml:space="preserve">Lib. 4.
                <lb/>
              C. 7.</note>
            tre Ordini, cioè Dorico, Jonico,
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              <note position="right" xlink:label="note-0151-06" xlink:href="note-0151-06a" xml:space="preserve">Lib. 4.
                <lb/>
              C. 1.</note>
            e Corintio, ei non laſcia però di
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            dar le proporzioni del Toſcano,
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            e di parlare del Compoſito ancora.</s>
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