Vitruvius, L' Architettura generale di Vitruvio : ridotta in compendio

Table of Notes

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          <p>
            <s xml:id="echoid-s1527" xml:space="preserve">
              <pb o="114" file="0160" n="160" rhead="ARCHITETTURA"/>
            poſti del Timpano, e delle Cor-
              <lb/>
              <note position="left" xlink:label="note-0160-01" xlink:href="note-0160-01a" xml:space="preserve">ti, cioè
                <lb/>
              I. Il
                <lb/>
              Tim-
                <lb/>
              pano,</note>
            nici. </s>
            <s xml:id="echoid-s1528" xml:space="preserve">Per formar l’ altezza del
              <lb/>
            Timpano, biſogna dividere in
              <lb/>
            nove parti tutta la laughezza,
              <lb/>
            ch’ è tra le due eſtremità della
              <lb/>
            Cimaſa del Gocciolatojo, ſopra
              <lb/>
            del quale poſar deve il Frontiſpi-
              <lb/>
            cio, e darne una di quelle nove
              <lb/>
            parti al Timpano.</s>
            <s xml:id="echoid-s1529" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1530" xml:space="preserve">La groſſezza della Cornice,
              <lb/>
              <note position="left" xlink:label="note-0160-02" xlink:href="note-0160-02a" xml:space="preserve">2. La
                <lb/>
              Corni-
                <lb/>
              ce.</note>
            aggiunta che ſia a queſta nona
              <lb/>
            parte, farà l’ altezza di tutto il
              <lb/>
            Frontone.</s>
            <s xml:id="echoid-s1531" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1532" xml:space="preserve">Il piano del Timpano deve ri-
              <lb/>
            poſare ſul vivo; </s>
            <s xml:id="echoid-s1533" xml:space="preserve">per conſeguenza
              <lb/>
            biſogna che corriſponda a piom-
              <lb/>
            bo ſul collarino, e ſul vivo del-
              <lb/>
            la colonna.
              <lb/>
            </s>
            <s xml:id="echoid-s1534" xml:space="preserve">
              <note position="left" xlink:label="note-0160-03" xlink:href="note-0160-03a" xml:space="preserve">VI. Le
                <lb/>
              Corni-
                <lb/>
              ci, nel-
                <lb/>
              le qua-
                <lb/>
              li con-
                <lb/>
              vien
                <lb/>
              oſſer-
                <lb/>
              vare
                <lb/>
              cinque
                <lb/>
              coſe,
                <lb/>
              cioè 1.
                <lb/>
              La ma-
                <lb/>
              niera
                <lb/>
              di col-
                <lb/>
              locare</note>
            </s>
          </p>
          <p>
            <s xml:id="echoid-s1535" xml:space="preserve">Le coſe che ſono comuni a
              <lb/>
            tutte le Cornici, ſono, che bi-
              <lb/>
            ſogna che la Cornice del Fron-
              <lb/>
            tone ſia grande egualmente e pa-
              <lb/>
            ri a quella che è diſotto, tolta-
              <lb/>
            ne l’ ultima Cimaſa grande, la
              <lb/>
            quale ſi laſcia fuori in tutto, nè
              <lb/>
            ſi mette ſu la Cornice </s>
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