Alberti, Leone Battista
,
Architecture
,
1755
Text
Text Image
Image
XML
Thumbnail overview
Document information
None
Concordance
Figures
Thumbnails
Table of figures
<
1 - 30
31 - 60
61 - 90
91 - 92
[out of range]
>
<
1 - 30
31 - 60
61 - 90
91 - 92
[out of range]
>
page
|<
<
of 320
>
>|
<
archimedes
>
<
text
>
<
body
>
<
chap
>
<
pb
xlink:href
="
003/01/183.jpg
"
pagenum
="
146
"/>
<
p
type
="
margin
">
<
s
>
<
margin.target
id
="
marg24
"/>
*</
s
>
</
p
>
<
p
type
="
margin
">
<
s
>
<
margin.target
id
="
marg25
"/>
*</
s
>
</
p
>
<
p
type
="
head
">
<
s
>CHAP. IX.</
s
>
</
p
>
<
p
type
="
main
">
<
s
>
<
emph
type
="
italics
"/>
Of the Entablature, the Architrave, Triglyphs, Dentils, Mutules, Cavetto,
<
lb
/>
and Drip or Crona, as alſo of Flutings and ſome other Ornaments helong
<
lb
/>
ing to Columns.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
>Having fixed our Capitals, we upon
<
lb
/>
them raiſe our Architraves, upon the
<
lb
/>
Architrave the Freze, Cornice and other Mem
<
lb
/>
bers of the Covering. </
s
>
<
s
>In moſt of theſe Mem
<
lb
/>
bers the
<
emph
type
="
italics
"/>
Ionians
<
emph.end
type
="
italics
"/>
and all others differ very much
<
lb
/>
from the
<
emph
type
="
italics
"/>
Dorians;
<
emph.end
type
="
italics
"/>
though in ſome Particulars
<
lb
/>
they agree. </
s
>
<
s
>For Inſtance, it is a general Rule,
<
lb
/>
that the Thickneſs of the Bottom of the Ar
<
lb
/>
chitrave ſhould be never greater than the Solid
<
lb
/>
of the Top of the Shaft of the Column, nor
<
lb
/>
ſhould the Breadth of the Top of the ſame
<
lb
/>
Architrave be greater than the Diameter of the
<
lb
/>
Bottom of the Shaft. </
s
>
<
s
>The Cornice is that
<
lb
/>
Member which lies upon the Freze, and pro
<
lb
/>
jects over it. </
s
>
<
s
>In this too they obſerved the
<
lb
/>
Rule which we have already given, that the
<
lb
/>
Projecture of all Members that ſtood out from
<
lb
/>
the Naked of the Wall ought to be equal to
<
lb
/>
their Height. </
s
>
<
s
>It was alſo uſual with them to
<
lb
/>
make their Cornice lean forwards about a
<
lb
/>
twelfth Part of its Width, knowing that this
<
lb
/>
Member would ſeem to be falling backwards,
<
lb
/>
if it were ſet up at right Angles. </
s
>
<
s
>I here again
<
lb
/>
entreat thoſe who ſhall hereafter tranſcribe this
<
lb
/>
Book, and I do it in the moſt earneſt Manner,
<
lb
/>
that they would write the Numbers which I
<
lb
/>
ſet down with Letters at Length, and not with
<
lb
/>
numeral Characters, for the avoiding of more
<
lb
/>
<
arrow.to.target
n
="
marg26
"/>
<
lb
/>
numerous Errors. </
s
>
<
s
>The
<
emph
type
="
italics
"/>
Dorians
<
emph.end
type
="
italics
"/>
then never
<
lb
/>
made the Height of their Architrave leſs than
<
lb
/>
half the Diameter of the Bottom of their Co
<
lb
/>
lumn, and this Architrave they divided into
<
lb
/>
three Faſcias, under the uppermoſt of which
<
lb
/>
ran ſome ſhort Mouldings, in each whereof
<
lb
/>
ſtuck ſix Nails, which were fixed in thoſe
<
lb
/>
Mouldings with their Heads downwards, and
<
lb
/>
might at firſt be intended to keep the Freze
<
lb
/>
from retiring backward. </
s
>
<
s
>The whole Height
<
lb
/>
of this Architrave they divided into twelve
<
lb
/>
Parts or Minutes, by which we ſhall meaſure
<
lb
/>
all the following Members. </
s
>
<
s
>Four of theſe
<
lb
/>
Minutes they gave to the lower Faſcia, ſix to
<
lb
/>
the Middle one which is above it, and the other
<
lb
/>
two they left for the upper Faſcia; and of the
<
lb
/>
ſix Minutes given to the middle Faſcia, one
<
lb
/>
was allowed to the Reglet or Moulding under
<
lb
/>
the Tænia, and another to the Nails which
<
lb
/>
ſtuck in that Moulding. </
s
>
<
s
>The Length of theſe
<
lb
/>
Reglets was twelves Minutes, and the Spaces
<
lb
/>
from one Reglet to the other were eighteen.
<
lb
/>
</
s
>
<
s
>Over the Architrave for an Ornament they ſet
<
lb
/>
the Triglyphs, the Front of which, being raiſed
<
lb
/>
High and Perpendicular, projected over the
<
lb
/>
Architrave half a Minute. </
s
>
<
s
>The Breadth of
<
lb
/>
the Triglyphs muſt be equal to the Thickneſs
<
lb
/>
of the Architrave, and their Height or Length
<
lb
/>
half as much more, ſo that this will be eight
<
lb
/>
teen Minutes. </
s
>
<
s
>Lengthways in the Face of theſe
<
lb
/>
Triglyphs we cut three Furrows at equal Diſ
<
lb
/>
tance from each other, and hollowed at right
<
lb
/>
Angles, allowing the Breadth of the opening
<
lb
/>
one Minute. </
s
>
<
s
>The Corners of theſe Furrows or
<
lb
/>
Channels muſt be cut away to the Breadth of
<
lb
/>
half a Minute. </
s
>
<
s
>The Spaces or Metopes be
<
lb
/>
tween the Triglyphs, where the Proportions are
<
lb
/>
elegant, are flat Tables exactly ſquare, and the
<
lb
/>
Triglyphs themſelves muſt be ſet perpendicu
<
lb
/>
larly over the Solid of their Columns. </
s
>
<
s
>The
<
lb
/>
Face of the Triglyphs project half a Minute out
<
lb
/>
from the Metopes; but the Perpendicular of
<
lb
/>
the Metopes muſt fall exactly upon the lower
<
lb
/>
Faſcia of the Architrave. </
s
>
<
s
>In theſe Metopes it
<
lb
/>
is uſual to carve the Skulls of Oxen, Pateras,
<
lb
/>
Wheels, and the like. </
s
>
<
s
>Over each of theſe
<
lb
/>
Triglyphs and Metopes, inſtead of a Cymati
<
lb
/>
um, muſt run a Fillet of the Breadth of two
<
lb
/>
Minutes, over theſe a Cima-inverſa of the
<
lb
/>
Breadth of two Minutes, and above that a Plat
<
lb
/>
band of the Breadth of three Minutes, which is
<
lb
/>
adorned with little Eggs, in Imitation, perhaps,
<
lb
/>
of the ſmall Stones which ſometimes burſt out
<
lb
/>
between the Joints of a Pavement through the
<
lb
/>
too great Abundance of Mortar. </
s
>
<
s
>In theſe we
<
lb
/>
fix the Mutules of the ſame Breadth as the
<
lb
/>
Triglyphs, and of the ſame Height as the Plat
<
lb
/>
band, placed directly over the Heads of the
<
lb
/>
Triglyphs and projecting twelve Minutes. </
s
>
<
s
>The
<
lb
/>
Heads of the Mutules are cut Perpendicular,
<
lb
/>
with a Cymaiſe over them. </
s
>
<
s
>Over the Mutules
<
lb
/>
runs a ſmall Cima of three Quarters of a Mi
<
lb
/>
nute. </
s
>
<
s
>In the Plat-fond of the Entablature be
<
lb
/>
tween the Mutules we carve a Roſe or a Flower
<
lb
/>
</
s
>
</
p
>
</
chap
>
</
body
>
</
text
>
</
archimedes
>