Alberti, Leon Battista, L' architettura

Table of figures

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          <p>
            <s xml:id="echoid-s8209" xml:space="preserve">
              <pb o="182" file="186" n="186" rhead="DELLA ARCHITETTVRA"/>
            de un piede: </s>
            <s xml:id="echoid-s8210" xml:space="preserve">empionſi queſti di conii di ferro, i duoi de quali da gli lati ſon fat-
              <lb/>
            ti a ſomiglianza de la lettera D. </s>
            <s xml:id="echoid-s8211" xml:space="preserve">queſti ſi mettono i primi per empiere i fianchi
              <lb/>
            de la buca, & </s>
            <s xml:id="echoid-s8212" xml:space="preserve">il conio del mezo poi ſi mette l’ultimo intra l’uno & </s>
            <s xml:id="echoid-s8213" xml:space="preserve">l’altro. </s>
            <s xml:id="echoid-s8214" xml:space="preserve">Han
              <lb/>
            no tntt’a tre queſti conii i loro orecchi che auanzano fuori del pari forati, nel
              <lb/>
            qual foro ſi mette un Perno di ferro, che piglia con loro inſieme un manico che
              <lb/>
              <note position="left" xlink:label="note-186-01" xlink:href="note-186-01a" xml:space="preserve">5</note>
            auanza fuori, al quale ſi lega la fune che corre, per le taglie che l’ha a tirare.</s>
            <s xml:id="echoid-s8215" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s8216" xml:space="preserve">Io lego in queſto modo le Colonne, & </s>
            <s xml:id="echoid-s8217" xml:space="preserve">gli ſtipiti de le porte & </s>
            <s xml:id="echoid-s8218" xml:space="preserve">ſimili pietre
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            che ſi hanno a poſare per douere rimanere ritte. </s>
            <s xml:id="echoid-s8219" xml:space="preserve">Io ho fatto fare, o di legno, o
              <lb/>
            di ferro una cintura gagliarda ſecondo la grandezza del peſo con laquale ho
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            cinto intorno in luogo accommodato la colonna, o alttra pietra, & </s>
            <s xml:id="echoid-s8220" xml:space="preserve">con certi co
              <lb/>
              <note position="left" xlink:label="note-186-02" xlink:href="note-186-02a" xml:space="preserve">10</note>
            nietti ſottili & </s>
            <s xml:id="echoid-s8221" xml:space="preserve">lunghi dandoli col martello leggiermente l’ho ſerrata, & </s>
            <s xml:id="echoid-s8222" xml:space="preserve">ferma,
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            dipoi ho agglunto a detta cintura una legatura di ſune come una braca, & </s>
            <s xml:id="echoid-s8223" xml:space="preserve">in
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            queſto modo non ho offeſo nè la pietra con ferrarui dentro uliuelle, nè dato
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            danno a canti uiui de li ſtipiti, o ſimili con cignerli di funi; </s>
            <s xml:id="echoid-s8224" xml:space="preserve">Oltre a che queſto
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            modo di legare èil piu eſpedito, il piu atto, & </s>
            <s xml:id="echoid-s8225" xml:space="preserve">il piu fidato di tutti gli altri. </s>
            <s xml:id="echoid-s8226" xml:space="preserve"># Rac-
              <lb/>
              <note position="left" xlink:label="note-186-03" xlink:href="note-186-03a" xml:space="preserve">15</note>
            conteremo piu diſteſamente altroue molte coſe che acciòſi aſpettano. </s>
            <s xml:id="echoid-s8227" xml:space="preserve">Ma ho-
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            ra biſogna ſolamente trattare, che gli ſtrumenti ſono quaſi come corpi animati,
              <lb/>
            & </s>
            <s xml:id="echoid-s8228" xml:space="preserve">che hanno mani molto gagliarde, & </s>
            <s xml:id="echoid-s8229" xml:space="preserve">che e’ muouono i peſi nõ altrimenti, che
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            noi huomini ci facciamo con le mani. </s>
            <s xml:id="echoid-s8230" xml:space="preserve"># Et per tanto que’ medeſimi diſtendi-
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            menti di membra, & </s>
            <s xml:id="echoid-s8231" xml:space="preserve">di nerui, che noi uſiamo nel rilaſſare, ſpignere, raccorre
              <lb/>
              <note position="left" xlink:label="note-186-04" xlink:href="note-186-04a" xml:space="preserve">20</note>
            & </s>
            <s xml:id="echoid-s8232" xml:space="preserve">transferire, quelli ſteſsi biſogna che noi imitiamo ne le machine. </s>
            <s xml:id="echoid-s8233" xml:space="preserve"># Vna co-
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            ſa ti uo ricordare che e’ ſarà bene, che quando tu harai a mouere in qual ſi
              <lb/>
            uoglia modo, qualche ſmiſurato peſo, che tu ui ti metta ſenſatamente, cau-
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            tamente, & </s>
            <s xml:id="echoid-s8234" xml:space="preserve">con maturo conſiglio, riſpetto a uarij incerti & </s>
            <s xml:id="echoid-s8235" xml:space="preserve">inrecuperabili
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            accidenti & </s>
            <s xml:id="echoid-s8236" xml:space="preserve">pericoli, che in coſi fatte facende, ſuor d’ogni oppenione ſoglio-
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              <note position="left" xlink:label="note-186-05" xlink:href="note-186-05a" xml:space="preserve">25</note>
            no auuenire, ancora a piu pratichi, perche e’ non te ne ſuccederà mai tanta
              <lb/>
            gran lode, ne gloria d’ingegno ſe ti riuſcirà bene quel che tu ti ſarai meſſo a
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            fare che e’ non ſia molto maggiore il biaſimo, & </s>
            <s xml:id="echoid-s8237" xml:space="preserve">l’odio de la tua temeraria
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            pazzia, quando il fatto non ti rieſca. </s>
            <s xml:id="echoid-s8238" xml:space="preserve"># Di queſti ſia detto a baſtanza, tornia-
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              <note position="left" xlink:label="note-186-06" xlink:href="note-186-06a" xml:space="preserve">30</note>
            mo a gli intonichi.</s>
            <s xml:id="echoid-s8239" xml:space="preserve"/>
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        <div xml:id="echoid-div184" type="section" level="1" n="87">
          <note position="left" xml:space="preserve">35</note>
          <head xml:id="echoid-head99" style="it" xml:space="preserve">Che le corteccie, che ſi danno di calcina olle mura, debbono eſſer tre. Diche cofaſi debbi-
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          no fare, & a quel che ell’habbino a ſeruire. Delli Intonichi, & delle lor uarie ſorti,
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          & come ſi hà a ordinare la calcina per farli, & delle statue dibaſſo rilieuo, & de
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          le pitture con che s’addornanole mura. Cap. IX.</head>
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            <s xml:id="echoid-s8240" xml:space="preserve">IN tutte le corteccie biſogna almanco tre ſorti di intonichi, il primo ſi chia-
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            ma rinzaffare, & </s>
            <s xml:id="echoid-s8241" xml:space="preserve">l’officio ſuo è di attaccarſi ſtrettiſsimo a le mura, & </s>
            <s xml:id="echoid-s8242" xml:space="preserve">reg-
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            gere bene ſopra di ſe poi gli altri duoi Intonichi. </s>
            <s xml:id="echoid-s8243" xml:space="preserve">Lo officio de lo ultimo
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            Intonico, è il pulimento, i colori, & </s>
            <s xml:id="echoid-s8244" xml:space="preserve">i lineamenti che rendono l’opera gra-
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            tioſa, l’officio de lo Intonico di mezo, che hoggi dì ſi chiama arricchiare, è
              <lb/>
              <note position="left" xlink:label="note-186-08" xlink:href="note-186-08a" xml:space="preserve">40</note>
            di rimediare che nè il primo nè l’ultimo intonico non faccino difetto alcu-
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            no. </s>
            <s xml:id="echoid-s8245" xml:space="preserve"># I difetti ſon queſti, ſe li duoi ultimi, cioè lo arricciato, & </s>
            <s xml:id="echoid-s8246" xml:space="preserve">lo Intonico
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            faranno acerbi, & </s>
            <s xml:id="echoid-s8247" xml:space="preserve">per modo di dire mordaci dele mura, ſi come ſi </s>
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