Biancani, Giuseppe
,
Aristotelis loca mathematica
,
1615
Text
Text Image
Image
XML
Thumbnail overview
Document information
None
Concordance
Figures
Thumbnails
Page concordance
<
1 - 30
31 - 60
61 - 90
91 - 120
121 - 150
151 - 180
181 - 210
211 - 240
241 - 270
271 - 300
301 - 330
331 - 355
>
Scan
Original
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
<
1 - 30
31 - 60
61 - 90
91 - 120
121 - 150
151 - 180
181 - 210
211 - 240
241 - 270
271 - 300
301 - 330
331 - 355
>
page
|<
<
of 355
>
>|
<
archimedes
>
<
text
>
<
front
>
<
section
>
<
pb
pagenum
="
19
"
xlink:href
="
009/01/019.jpg
"/>
<
p
type
="
main
">
<
s
id
="
s.000468
">
<
emph
type
="
italics
"/>
num. </
s
>
<
s
id
="
s.000469
">3. Denarius numerus cur perfectus. </
s
>
<
s
id
="
s.000470
">eius dignitates. </
s
>
<
s
id
="
s.000471
">Petri Apponenſis deceptio.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000472
">
<
emph
type
="
italics
"/>
4. De inæquali ſolis vmbrarum incremento.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000473
">
<
emph
type
="
italics
"/>
5. Cur Solis illuminationes ſemper rotundæ, quamuis per anguloſa foramina ingre
<
lb
/>
diantur.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000474
">
<
emph
type
="
italics
"/>
6. Cur Luna ſemiplena videtur linea recta terminari? </
s
>
<
s
id
="
s.000475
">vbi de illuminatione Lunæ,
<
lb
/>
quæ experientia docetur.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000476
">
<
emph
type
="
italics
"/>
7. Cur Sol, & Luna videantur plana?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000477
">
<
emph
type
="
italics
"/>
8. De vmbris Solis orientis, occidentis, meridiantis.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000478
">
<
emph
type
="
italics
"/>
9. Cur Lunæ, quàm Solis minores vmbræ?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000479
">
<
emph
type
="
italics
"/>
10. Cur in defectu Solis etiam illuminationes ipſius defectiuæ ſunt? </
s
>
<
s
id
="
s.000480
">modus commodè
<
lb
/>
videndi eclypſim Solis.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000481
">
<
emph
type
="
italics
"/>
Sect. 16. nu. </
s
>
<
s
id
="
s.000482
">1. Cur baſes bullarum in aquis ſunt albæ?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000483
">
<
emph
type
="
italics
"/>
3. Opplumbati tali.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000484
">
<
emph
type
="
italics
"/>
4. De reſultu cadentium in terram.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000485
">
<
emph
type
="
italics
"/>
5. Cur conus, & cylindrus diuersè moueantur.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000486
">
<
emph
type
="
italics
"/>
6. De voluminum ſectione.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000487
">
<
emph
type
="
italics
"/>
12. Idem cum præcedenti 3.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000488
">
<
emph
type
="
italics
"/>
13. Idem cum 4 ſuperiori. </
s
>
<
s
id
="
s.000489
">reflexio radiorŭm pulchrè comparatur corporŭm reſultationi.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
head
">
<
s
id
="
s.000490
">Ex ſectione 19. De Muſica.</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000491
">
<
emph
type
="
italics
"/>
num. </
s
>
<
s
id
="
s.000492
">2. Lineæ duplæ quadratum quadruplum. </
s
>
<
s
id
="
s.000493
">Hoc loco ſequentium probl. </
s
>
<
s
id
="
s.000494
">cauſa,
<
lb
/>
præmittitur totius Muſicæ ortus breuis tractatio.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000495
">
<
emph
type
="
italics
"/>
3. Vox tam in hypate, quam in nete cantando rumpitur.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000496
">
<
emph
type
="
italics
"/>
4. Cur facilius hypate, quam nete canitur?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000497
">
<
emph
type
="
italics
"/>
5. Cur ſuauius notam cantilenam audimus?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000498
">
<
emph
type
="
italics
"/>
7. Cur veteres hypatem omittebant.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000499
">
<
emph
type
="
italics
"/>
8. Cur grauis ſonum potest acutæ?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000500
">
<
emph
type
="
italics
"/>
9. Cur cantus ad tibiam vnam, aut lyram ſuauior?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000501
">
<
emph
type
="
italics
"/>
10. Teretizare, quid.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000502
">
<
emph
type
="
italics
"/>
11. Vox deſinens acutior fit.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000503
">
<
emph
type
="
italics
"/>
12. Grauior è fidibus cantilenam ſuſcipit.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000504
">
<
emph
type
="
italics
"/>
13. In Diapaſon graue eſt acuti Antiphonum.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000505
">
<
emph
type
="
italics
"/>
14. Cur Diapaſon vnica vox videtur. </
s
>
<
s
id
="
s.000506
">Punicum quid.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000507
">
<
emph
type
="
italics
"/>
15. Leges Muſicæ, quæ. </
s
>
<
s
id
="
s.000508
">Genera, Diatonicum, Chromaticum, Encharmonium.
<
lb
/>
</
s
>
<
s
id
="
s.000509
">Tetrachorda quæ.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000510
">
<
emph
type
="
italics
"/>
16. Antiphonum ſuauius est ſymphono, cur.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000511
">
<
emph
type
="
italics
"/>
17. Cur ſola Diapaſon canitur. </
s
>
<
s
id
="
s.000512
">Magadis quid. </
s
>
<
s
id
="
s.000513
">Magadare.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000514
">
<
emph
type
="
italics
"/>
18. De Antiphonis.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000515
">
<
emph
type
="
italics
"/>
19. Cur Diapente, & Diabeſſacon non canunt in Antiphonis.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000516
">
<
emph
type
="
italics
"/>
20. Meſe ſola diſſonante, totum deſſonat pſalterium.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000517
">
<
emph
type
="
italics
"/>
21. Vocum grauium errores manifestiores, cur?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000518
">
<
emph
type
="
italics
"/>
23. Cur nete duplo acutior, quam hypate?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000519
">
<
emph
type
="
italics
"/>
24. Nete interpellata, hypate reſonare videtur.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000520
">
<
emph
type
="
italics
"/>
25. Cur Meſe ſic appellata eſt.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000521
">
<
emph
type
="
italics
"/>
27. Cur ſola audibilia mores obtinent. </
s
>
<
s
id
="
s.000522
">Rithmus quid.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000523
">
<
emph
type
="
italics
"/>
28. Cur cantilenæ quædam leges decebantur?
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
id
="
s.000524
">
<
emph
type
="
italics
"/>
30. De Harmonijs, ſeu Modis, ſeu Tonis priſcorum.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
</
section
>
</
front
>
</
text
>
</
archimedes
>