Alberti, Leon Battista, L' architettura

Page concordance

< >
Scan Original
71 67
72 68
73 69
74 70
75 71
76 72
77 73
78 74
79 75
80 76
81 77
82 78
83 79
84 80
85 81
86 82
87 83
88 84
89 85
90 86
91 87
92 88
93 89
94 90
95 91
96 92
97 93
98 94
99 95
100 96
< >
page |< < (186) of 442 > >|
    <echo version="1.0RC">
      <text xml:lang="it" type="free">
        <div xml:id="echoid-div186" type="section" level="1" n="88">
          <p>
            <s xml:id="echoid-s8369" xml:space="preserve">
              <pb o="186" file="190" n="190" rhead="DELLA ARCHITETTVRA."/>
            di pietre, di Vetri, & </s>
            <s xml:id="echoid-s8370" xml:space="preserve">di nicchi, con un certo accommodato componimento’
              <unsure/>
              <lb/>
            Nerone dicono che fu il primo, che ſaceſſe ſegare i nichi de le perle, & </s>
            <s xml:id="echoid-s8371" xml:space="preserve">meſco-
              <lb/>
            larli nel Muſaico. </s>
            <s xml:id="echoid-s8372" xml:space="preserve">Main queſto ſon differenti l’un da l’altro, che nel Muſaico di
              <lb/>
            rilieuo mettiamo pezzi di pietre maggiori che noi poſsiamo, ma nel Muſaico
              <lb/>
            piano non ſi mettono pezzi quadri, maggiori che ſi ſia una faua. </s>
            <s xml:id="echoid-s8373" xml:space="preserve">Et quanto e’
              <lb/>
              <note position="left" xlink:label="note-190-01" xlink:href="note-190-01a" xml:space="preserve">5</note>
            ſono piu minuti pezzuoli, tanto piu rendono lo ſplendore ſcintillante, riuerbe-
              <lb/>
            rando quelle faccie i preſi lumi in uarie parti. </s>
            <s xml:id="echoid-s8374" xml:space="preserve">Sono ancora in queſto differenti
              <lb/>
            che ne lo attaccare quelle, è piu utile lo ſtucco, che ſi fà di gomme; </s>
            <s xml:id="echoid-s8375" xml:space="preserve">Eta queſte in
              <lb/>
            piano è piu utile la calcina, che ui ſia meſcolato treuertino peſto come poluere.
              <lb/>
            </s>
            <s xml:id="echoid-s8376" xml:space="preserve">Sono alcuni, che al Muſaico piano, uogliono che ſi bagni la calcina più, & </s>
            <s xml:id="echoid-s8377" xml:space="preserve">più
              <lb/>
              <note position="left" xlink:label="note-190-02" xlink:href="note-190-02a" xml:space="preserve">10</note>
            uolte con acqua bollita, accioche laſciata quella ſalſedine ſia più moruída, & </s>
            <s xml:id="echoid-s8378" xml:space="preserve">più
              <lb/>
            paſtoſa. </s>
            <s xml:id="echoid-s8379" xml:space="preserve">10 ueggo che ne l’opere del Muſaico di rilieuo, ſono ſtate pulite a la ruo
              <lb/>
            ta pietre duriſsime. </s>
            <s xml:id="echoid-s8380" xml:space="preserve">Nel muſaico piano s’appicca l’oro al uetro con calcina di
              <lb/>
            piombo, laquale diuenta piu liquida che qual ſi uoglia Vetro. </s>
            <s xml:id="echoid-s8381" xml:space="preserve">Tutto quello che
              <lb/>
            noi habbian detto de li intonichi, o corteccie, fa quaſi appropoſito de pauimẽti,
              <lb/>
              <note position="left" xlink:label="note-190-03" xlink:href="note-190-03a" xml:space="preserve">15</note>
            de quali habbiã promeſſo di trattare, ſaluo però che ne pauimenti non ſi fanno
              <lb/>
            sì belle pitture, nè sì belli Muſaici, ſe già tu non uuoi che ſi chiami pittura, il fare
              <lb/>
            uno ſmalto di uarij colori, & </s>
            <s xml:id="echoid-s8382" xml:space="preserve">con ordine diſtinguerlo in ſpatij determinati fra
              <lb/>
            marmo, & </s>
            <s xml:id="echoid-s8383" xml:space="preserve">marmo ad imitatione di pittura. </s>
            <s xml:id="echoid-s8384" xml:space="preserve">Faſsi di terra roſſa, di mattoni cotti,
              <lb/>
            di pietra, & </s>
            <s xml:id="echoid-s8385" xml:space="preserve">di ſtiuma di ſerro, & </s>
            <s xml:id="echoid-s8386" xml:space="preserve">tale ſmalto quãdo è aſciuto biſogna che ſi ſchiu
              <lb/>
              <note position="left" xlink:label="note-190-04" xlink:href="note-190-04a" xml:space="preserve">20</note>
            mi, ilche ſi fa in queſto modo, habbi una pietra uiua, o piu toſto un Piombo di
              <lb/>
            cinqne peſi, c’habbia la ſaccia ſpianata, & </s>
            <s xml:id="echoid-s8387" xml:space="preserve">con funi da l’una teſta, & </s>
            <s xml:id="echoid-s8388" xml:space="preserve">da l’altra ſi tiri
              <lb/>
            innanzi, & </s>
            <s xml:id="echoid-s8389" xml:space="preserve">in dietro tanto, & </s>
            <s xml:id="echoid-s8390" xml:space="preserve">tãto per il pauimento, gettãdoui ſopra rena groſſa
              <lb/>
            & </s>
            <s xml:id="echoid-s8391" xml:space="preserve">acqua, che quaſi radendo il pauimento lo puliſca grandemente, & </s>
            <s xml:id="echoid-s8392" xml:space="preserve">non ſi
              <lb/>
            pulirà ſe le linee, & </s>
            <s xml:id="echoid-s8393" xml:space="preserve">i canti de li intauolati non ſaranno uguali, & </s>
            <s xml:id="echoid-s8394" xml:space="preserve">conformi, ſe
              <lb/>
              <note position="left" xlink:label="note-190-05" xlink:href="note-190-05a" xml:space="preserve">25</note>
            ſarà unto, & </s>
            <s xml:id="echoid-s8395" xml:space="preserve">maſsimo con olio di lino, farà una pelle come un uetro, & </s>
            <s xml:id="echoid-s8396" xml:space="preserve">è mol-
              <lb/>
            to commodo ugnerlo con morchia, & </s>
            <s xml:id="echoid-s8397" xml:space="preserve">con acqua ancora ne la quale ſia ſtata ſpẽ
              <lb/>
            ta calcina, giouerà aſſai ſe tu lo bagnerai più, & </s>
            <s xml:id="echoid-s8398" xml:space="preserve">più uolte. </s>
            <s xml:id="echoid-s8399" xml:space="preserve">In tutte queſte coſe
              <lb/>
            che noi habbiamo racconte, ſi ha da fuggire, che in un medeſimo luogo non ſia
              <lb/>
            troppo ſpeſſo un medeſimo colore, nè troppo ſpeſſe le medeſime forme, nè meſ
              <lb/>
              <note position="left" xlink:label="note-190-06" xlink:href="note-190-06a" xml:space="preserve">30</note>
            ſe inſieme troppo a caſo. </s>
            <s xml:id="echoid-s8400" xml:space="preserve">Fuggaſi ancora che le commettiture nõ ſieno troppo
              <lb/>
            aperte, tutte le coſe adunqne ſi faranno, & </s>
            <s xml:id="echoid-s8401" xml:space="preserve">ſi metteranno inſieme con gran dili-
              <lb/>
            gentia, accioche tutte le parti d’un tal lauoro moſtrino d’eſſer finite ugualmẽte.</s>
            <s xml:id="echoid-s8402" xml:space="preserve"/>
          </p>
        </div>
        <div xml:id="echoid-div188" type="section" level="1" n="89">
          <head xml:id="echoid-head101" style="it" xml:space="preserve">De le coperture detetti, & de le uolte, & de laſtrichi ſcoperti che cuoprono
            <lb/>
          gl’edificij. Cap. X I.</head>
          <note position="left" xml:space="preserve">35</note>
          <p>
            <s xml:id="echoid-s8403" xml:space="preserve">LE cop erture ancora hanno le loro ricchezze, & </s>
            <s xml:id="echoid-s8404" xml:space="preserve">bellezze de le impalca-
              <lb/>
            ture, de le Volte, & </s>
            <s xml:id="echoid-s8405" xml:space="preserve">de pauimenti ſcoperti. </s>
            <s xml:id="echoid-s8406" xml:space="preserve">Sono ancora hoggi nel Porti
              <lb/>
            co di Agrippa Impalcature con traui di Bronzo, lunghe quaranta piedi,
              <lb/>
            opera certo ne laquale non ſaprai di che più ſia da marauigliarſi, o de la ſpeſa, o
              <lb/>
              <note position="left" xlink:label="note-190-08" xlink:href="note-190-08a" xml:space="preserve">40</note>
            de lo ingegno del Maeſtro. </s>
            <s xml:id="echoid-s8407" xml:space="preserve">Nel tempio di Diana Efeſia, come altroue dicem-
              <lb/>
            mo, durò grandiſsimo tempo un palco di Cedro. </s>
            <s xml:id="echoid-s8408" xml:space="preserve">Racconta Plinio che Sa-
              <lb/>
            auce Re di Colchi, poi che egli hebbe uinto Seſoſtre Re di Egitto, </s>
          </p>
        </div>
      </text>
    </echo>
Impressum