Alberti, Leone Battista
,
Architecture
,
1755
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Columns, over which ran an Architrave, Freze
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and Cornice, according to the Rules juſt now
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laid down for Porticoes; and the reſt of the
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Void above the Cornice was left quite open
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for ſetting of Statues or large Candleſticks.
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<
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>Others incloſed the Entrance into ſuch Chapels
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with a Walls brought half Way on each Side.
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<
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>Thoſe who imagine that the great Thickneſs
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of the Walls adds Dignity to a Temple, are
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greatly miſtaken; for who is there that does
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not diſlike a Body compoſed of gouty Limbs?
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<
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>beſides that when the Walls are too thick, they
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always intercept the Light. </
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<
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>In the
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Rotonda
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at
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Rome
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, the excellent Architect who had the
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Care of that great Work having in it Occaſion
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for thick Walls, built the Ribs entirely of ſolid
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Work, without any Stuffing, and thoſe Inter
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ſpaces which a leſs skilful Artiſt would have
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ſtuffed, he employed in Niches and other A
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pertures, whereby he ſaved Expence, and made
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the Structure leſs heavy, and more beautiful.
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<
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>The Thickneſs of the Walls muſt be proporti
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oned after the Manner of Columns; that is to
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ſay, their Thickneſs muſt correſpond to their
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Height, as in thoſe. </
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<
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>I have obſerved that the
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Ancients, in building their Temples, uſed to
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divide the Front of their Platform into twelve
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Parts; or, when they would make them parti
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cularly ſtrong, into nine, and one of thoſe
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Parts was the Thickneſs of the Wall. </
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<
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>In cir
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cular Temples the Wall was never leſs high
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than half the Diameter of its inner Area;
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many made it two Thirds of that Diameter,
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and ſome three Fourths, which was the Height
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to which they carried the Wall before they be
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gan the Sweep of the Cupola. </
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>But the more
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diſcreet Workmen divided the Circumference
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of this circular Platform into four Parts; and
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one of thoſe fourth Parts being extended to a
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Line was equal to the inward Height of the
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Wall, which is as four to eleven: And this
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Practice has been alſo imitated in ſquare Tem
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ples as well as round ones, and in many other
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Kinds of Structures that were to be covered
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with Arches. </
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>But where there were to be
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Chapels on each Side in the Wall, to make the
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Aperture ſeem the Larger they ſometimes raiſed
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their Wall equal in Height to the whole Breadth
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of the Area. </
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<
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>In round Temples the inward
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Height of the Wall will not be the ſame as the
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outward: Becauſe within the Wall ends exact
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ly where the Sweep of the Arch begins; but
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without, it is carried up ſtraight to the Top of
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the Cornice. </
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<
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>If the Cupola have a Cover on
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the Outſide made with Degrees like Steps, the
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outward Wall will take up a third Part of it;
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but if the Cover be made with ſtraight Lines
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and a common Slope, then the outward Wall
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will take up half. </
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<
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>Nothing is more conveni
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ent for building the Walls of a Temple, than
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Brick; but then it muſt be caſed with ſome
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thing handſomer. </
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<
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>There have been many dif
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ferent Opinions with Relation to the Adorning
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of the Walls of Temples. </
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<
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>At
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Cyzicus
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a Town
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in
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Bythinia
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there was a Temple which had its
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Walls adorned with a very beautiful Stone, and all
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the Joints pointed with maſſy Gold. </
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<
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>In the Tem
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ple of
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Minerva
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at
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Elis
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, the Brother of
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Phidias
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,
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the celebrated Carver, made an Incruſtation of
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Stuc tempered with Saffron and Milk. </
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<
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Kings of
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Ægypt
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encompaſſed the Monument
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of
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Simandes
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, which was the Scpulchre for the
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Concubines of
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Jupiter
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, with a Circle of Gold
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no leſs than a Cubit or Foot and half broad,
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and three hundred ſixty-five Cubits round,
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with a Day of the Year inſcribed upon every
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Cubit. </
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<
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>Others condemned this Exceſs of Or
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nament in Temples.
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Cicero
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, being guided by
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Plato's
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Opinion, thought it neceſſary that the
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People ſhould be admoniſhed by the Laws to
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lay aſide all Manner of Delicacy in the Adorn
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ing their Temples, and take Care only to have
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them perfectly clean and white. </
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<
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>However,
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ſays he, let the Structure of them be beautiful.
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<
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>I confeſs, for my own Part, I am very ready to
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believe, that Purity and Simplicity of Colour,
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as of Life, muſt be moſt pleaſing to the Divine
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Being; and that it is not proper to have any
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Thing in a Church that may be likely to draw
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off Men's Thoughts from Devotion and fix
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them upon the Pleaſure and Delight of the
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Senſes: But ſtill I am of Opinion, that he is
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highly to be commended, who, as in other
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publick Structures, ſo alſo in Temples, without
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departing from the Gravity requiſite in ſuch
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Works, endeavours to have all the Parts, the
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Walls, Roof, and Pavement, as handſome and
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clegant as poſſible, ſtill chiefly having it in his
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Eye to make all his Ornaments the moſt dura
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ble that may be. </
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<
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>Thus nothing can be more
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proper for the Ornament of the Roof on the
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Inſide than all Sorts of
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Moſaic
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Work made of
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Marble, Glaſs, and other laſting Materials.
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</
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<
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>Stuc-work with Figures, according to the Prac
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tice of the Ancients, may be a very handſome
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Coat for the Outſide. </
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<
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>In both you muſt take
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the greateſt Care to chuſe proper Places as
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well for your Pictures as Figures. </
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<
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>The Por
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tico, for Inſtance, is the fitteſt Place for the
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Repreſentation of great Actions in Pictures. </
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