Alberti, Leone Battista, Architecture, 1755

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1Indeed, within the Temple I think detached
Pictures
do much better than painting upon
the
Wall itſelf, and in my Mind Statues are
handſomer
than Pictures.
unleſs they be ſuch
excellent
ones as thoſe two, for which Cæſar
the
Dictator gave ninety Talents, or fourteen
hundred
of our Crowns, in order to adorn the
Temple
of Venus his Progenitor; and I look
upon
a Picture with no leſs Pleaſure (I mean a
good
one, for ill Painting is a Diſgrace to the
Wall
) than I read a good Hiſtory.
They both
indeed
are Pictures, only the Hiſtorian paints
with
Words, and the Painter with his Pencil.
All other Qualifications are common to them
both
, and they both require the greateſt Genius
and
Application.
But I would have nothing
either
on the Wall or Pavement of the Tem­
ple
but what ſavours entirely of Philoſophy.
We
read
that in the Capitol there were Tables of
Braſs
whereon were inſcribed the Laws by
which
the Empire was to be governed; which,
when
the Temple was deſtroyed by Fire, were
reſtored
by the Emperor Veſpaſian, to the
Number
of three Thouſand.
We are told that
at
the Entrance of the Temple of Apollo at De­
los
, there were Verſes engraved, containing ſe­
veral
Compoſitions of Herbs proper to be uſed
as
Remedies againſt all Sorts of Poiſon.
Thus
I
ſhould think it would be proper among us,
by
Way of Inſcription, to have ſuch Precepts
as
may make us more juſt, more modeſt, more
uſeful
, more adorned with all Virtues, and
more
acceptable in the Sight of God; ſuch as
theſe
, Be what you would be thought; Love if
you
would be beloved, and the like.
And I would
have
the Compoſition of the Lines of the
Pavement
full of muſical and geometrical Pro­
portions
; to the Intent that which-ſoever Way
we
may turn our Eyes, we may be ſure to find
Employment
for our Minds.
One Method
which
the Ancients took to adorn their Tem­
ples
, was to fill them with Things that were
uncommon
and excellent; as in the Temple of
Hercules, where were to be ſeen ſome Horns
of
Emmets brought from India; or like thoſe
Crowns
made of Cinnamon which Veſpaſian
gave
to the Capitol; or like that great Root of
Cinnamon
which Auguſta placed in the prin­
cipal
Temple of Mount Palatine, in a Cup of
Gold
.
At Thermus, a Town in Ætolia plun­
dered
by Philip, we are told, that in the Por­
ticoes
of the Temple there were above fifteen
thouſand
Suits of Armour, and to adorn the
Temple
itſelf above two thouſand Statues; all
which
, according to Polybius's Relation, were
deſtroyed
and broken by Philip, except thoſe
which
were inſcribed with the Name, or bore
the
Repreſentation of ſome God; and perhaps
Variety
is more to be conſulted in ſuch Collec­
tions
than Number. Solinus informs us, that
in
Sicily there were ſome Artificers who had
the
Secret of making Statues of Salt; and Pliny
tells
us, that there was one made of Glaſs.
There is no Queſtion but ſuch Things muſt be
exceeding
rare, and very worthy to raiſe our
Admiration
of the Work both of Nature and
Art
.
But of Statues we ſhall ſpeak in another
Place
.
The Walls and Apertures muſt be
adorned
with Columns; but not like a Porti­
co
.
There is one Thing which I have obſerv­
ed
in the Covering of ſome of the biggeſt
Temples
, which is, that not having Columns
of
Height ſufficient to reach to the Spring of
their
Arches, they heightened the Sides of the
Arches
themſelves in ſuch a Manner that their
Sagitta
was a third Part longer than their Se­
mi-diameter
, which added not a little to the
Clearneſs
and Beauty of the Work itſelf.
And
here
I muſt not omit one Precept, namely, that
the
Spring of the Arch ſhould have at leaſt ſo
much
Perpendicular, as to prevent the Projec­
ture
of the Cornices from taking away any Part
of
the Arch from the Sight of thoſe that ſtaid
below
in the Middle of the Temple.
CHAP. XI.

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