Gravesande, Willem Jacob 's, An essay on perspective

Page concordance

< >
Scan Original
161 77
162 78
163 79
164 80
165 81
166 82
167 83
168 84
169
170
171
172 85
173 86
174
175
176
177 87
178 88
179
180
181
182 89
183 90
184 91
185 92
186
187
188
189 93
190 94
< >
page |< < (103) of 237 > >|
208103on PERSPECTIVE. Mirrours muſt not be plac’d within the Machine; for
in ſuch a cloſe Place, ones Breath will ſully them;
but
not the Convex Glaſs, becauſe it is encloſed in a
Tube.
72[Figure 72]
The Uſe of the Camera Obscura
in Deſigning.
Definition.
1. ACamera Obſcura is any dark Place, in which
outward Objects expoſed to Broad-Day-light,
are repreſented upon Paper, or any other white
Body.
The Way to repreſent Objects in the Camera
Obſcura, is to make a ſinall Hole in that ſide
thereof next to the Objects, and place a Convex-
Glaſs therein, then if a Sheet of Paper be ex-
tended in the Focus of the ſaid Glaſs, the Objects
will appear inverted upon the Paper.
Theorem I.
2. The Camera Obſcura gives the true Repreſen-
tation of Objects.
The Figures repreſented in the Camera Obſcura
are form’d (as is demonſtrated in Dioptricks)
by Rays which coming from all the Points of the
Objects, paſs through the Centre of the Glaſs:
So that an Eye placed in the ſaid Centre, would
perceive the Objects by the ſaid Rays, which
conſequently by their Interſection with a Plane,
muſt give the true Repreſentation of the Objects.

But the Pyramid which the ſaid Rays forms

Text layer

  • Dictionary

Text normalization

  • Original

Search


  • Exact
  • All forms
  • Fulltext index
  • Morphological index