Alberti, Leone Battista
,
Architecture
,
1755
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a famous Temple, in which ftood the Statue
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of
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Dercetis
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(the ſame that is called in Scripture
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Dagon
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) with his upper Parts like a Man, and
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his lower like a Fiſh; who was thus honoured,
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becauſe from that Place he threw himſelf into
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the Lake: And if any
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Sytian
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taſted of the
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Fiſh that was in it, he was looked upon as ex
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communicate. </
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<
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>The
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Mutinii,
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or ancient
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Mo
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deneze,
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near the Lake
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Fucinus,
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repreſented
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Medea
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the Serpent-killer, under the Shape of
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a Serpent, becauſe by her Means they fancied
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themſelves freed from thoſe Animals. </
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<
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>Of the
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ſame Nature was
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Hercules's Lernæan Hydra,
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Io
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changed into a Cow, and the other Fables
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related in the Verſes of the ancient Poets;
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with which Inventions I am very much de
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lighted, provided ſome virtuous Precept
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be contained in them; as in that Symbol
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which was carved upon
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Symandes
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's Sepulchre,
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in which was a Judge ſurrounded by ſome
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other chief Magiſtrates cloathed in the Habits
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of Prieſts, and from their Necks hung down
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upon their Breaſts the Image of Truth with
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her Eyes clos'd, and ſeeming to nod her Head
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towards them. </
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<
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>In the Middle was a Heap of
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Books, with this Inſcription upon it: This is
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the true Phyſick of the Mind.</
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>BUT the Invention of Statues was the moſt
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excellent of all, as they are a noble Ornament
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for all Sorts of Structures, whether ſacred or
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profane, publick or private, and preſerve a
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wonderful Repreſentation both of Perſons and
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Actions. </
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>Whatever great Genius it was that
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invented Statues, it is thought they owe their
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Beginning to the ſame Nation as the Religion
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of the ancient
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Romans;
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the firſt Statue being
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by ſome ſaid to be made by the
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Etrurians.
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Others are of Opinion, that the
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Telchines
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of
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Rhodes,
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were the firſt that made Statues of the
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Gods, which being formed according to cer
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tain magical Rules, had Power to bring up
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Clouds and Rain, and other Meteors, and to
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change themſelves into the Shapes of different
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Animals. </
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<
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>Among the
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Greeks, Cadmus,
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the
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Son of
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Agenor,
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was the firſt that conſecrated
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Statues of the Gods to the Temple. </
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<
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>We are
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informed by
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Ariſtotle,
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that the firſt Statues that
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were placed in the publick Forum of
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Athens,
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were thoſe of
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Harmodius
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and
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Ariſtogiton,
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who
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were the firſt Deliverers of the City from Ty
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ranny; and
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Arrian
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the Hiſtorian tells us, that
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theſe very Statues were ſent back again to
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Athens
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by
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Alexander
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from
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Suſa,
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whither
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Xer
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xes
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had removed them. </
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<
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>The Number of Sta
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tues was ſo great at
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Rome,
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that they were call
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ed a Marble People.
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Rhapſinates,
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a very ancient
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Ægyptian
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King, erected a Statue of Stone to
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Vulcan
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above ſeven-and-thirty Foot high.
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Seſoſtris
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made Statues of himſelf and his Wife
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of the Height of eight-and-forty Foot.
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Amaſis
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ſet up a Statue near
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Memphis,
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in a leaning
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Poſture, which was forty-ſeven Foot long, and
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in its Pedeſtal were two others, each twenty
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Foot high. </
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<
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>In the Sepulchre of
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Simandes
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were
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three Statues of
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Jupiter,
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made by
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Memnon,
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of
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wonderful Workmanſhip, being all cut out of
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one ſingle Stone, whereof one, which was in a
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ſitting Poſture, was ſo large, that only its Foot
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was above ſeven Foot and an Half long; and
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what was extremely ſurprizing in it, beſides the
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Skill of the Artiſt, in all that huge Stone there
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was not the leaſt Spot or Flaw. </
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<
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>Others after
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wards, when they could not find Stones large
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enough to make Statues of the Size which they
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deſired, made uſe of Braſs, and formed ſome of
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no leſs than an hundred Cubits, or an hundred
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and fifty Foot high. </
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<
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>But the greateſt Work
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we read of in this Kind, was that of
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Semiramis,
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who not being able to find any Stone large
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enough for her Purpoſe, and being reſolved to
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make ſomething much bigger than was poſſible
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to be done with Braſs, contrived near a Moun
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tain in
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Media
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called
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Bagiſtan,
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to have her own
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Image carved out of a Rock of two Miles and
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a furlong in Length, with the Figures of an
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hundred Men offering Sacrifice to her, hewn
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out of the ſame Stone. </
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<
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>There is one Particu
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lar relating to this Article of Statues, mention
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ed by
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Diodorus,
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by no means to be omitted;
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which is, that the
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Ægyptian
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Statuaries were
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arrived at ſuch a Pitch of Skill in their Art, that
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they would out of ſeveral Stones in ſeveral dif
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ferent Places make one Statue, which when
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put together ſhould ſeem to be all the Work
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of one Hand; in which ſurprizing Manner we
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are told the Statue of the
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Pythian Apollo
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at
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Samos
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was made, one half of it being wrought
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by
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Theleſius,
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and the other half by
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Theodorus
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at
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Epheſus.
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<
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> Theſe Things I thought it not amiſs
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to write here by way of Recreation, which,
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though very uſeful in themſelves, are here in
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ſerted only as an Introduction to the follow
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ing Book, where we ſhall treat of the Monu
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ments raiſed by private Perſons; to which
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they properly belong. </
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<
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>For as private Men have
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ſcarce ſuffered even Princes to outdo them in
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Greatneſs of Expence for perpetuating their
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Memories, but being equally fired with the
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Deſire of making their Names famous, have
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ſpared for no Coſt which their Fortunes would </
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