Alberti, Leon Battista, L' architettura

Table of handwritten notes

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        <div xml:id="echoid-div211" type="section" level="1" n="98">
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            <s xml:id="echoid-s9070" xml:space="preserve">
              <pb o="213" file="217" n="217" rhead="LIBRO SETTIMO."/>
            lonnati la poſono dun ſeſto piu, & </s>
            <s xml:id="echoid-s9071" xml:space="preserve">in oltre non pochi d'una duodecima parte
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            piu, & </s>
            <s xml:id="echoid-s9072" xml:space="preserve">maſsimo ne colonnati che noi chiamiamo eccellenti.</s>
            <s xml:id="echoid-s9073" xml:space="preserve"/>
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        <div xml:id="echoid-div213" type="section" level="1" n="99">
          <head xml:id="echoid-head113" style="it" xml:space="preserve">Delle parti de Colonnati, & de Capitelli, & delle ſorti loro. Cap. VI.</head>
          <note position="left" xml:space="preserve">5</note>
          <p>
            <s xml:id="echoid-s9074" xml:space="preserve">POi che ſaranno ſermi i vani, ſi hanno a rizzare le colonne, dalle quali han-
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            no a eſſere rette le volte, o le coperture. </s>
            <s xml:id="echoid-s9075" xml:space="preserve">Grandiſsima differentia certo
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            è ſe tu hai a rizzare Colonne, o veramẽte Pilaſtri, & </s>
            <s xml:id="echoid-s9076" xml:space="preserve">ſe ſopra ivani tu ti uuoi
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            ſeruire d'architraui o pure di Archi. </s>
            <s xml:id="echoid-s9077" xml:space="preserve">Gli archi, & </s>
            <s xml:id="echoid-s9078" xml:space="preserve">i Pilaſtri ſtanno molto be-
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              <note position="left" xlink:label="note-217-02" xlink:href="note-217-02a" xml:space="preserve">10</note>
            nene Teatri; </s>
            <s xml:id="echoid-s9079" xml:space="preserve">& </s>
            <s xml:id="echoid-s9080" xml:space="preserve">nelle chieſe ancora nõſono diſconuenienti gli Archi; </s>
            <s xml:id="echoid-s9081" xml:space="preserve">ma nelle
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            opere de Tempij piu eccellenti che l'altre, non ſi veggono mai portici ſe nõ cõ
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            gli Architraui. </s>
            <s xml:id="echoid-s9082" xml:space="preserve">Di queſto habbiamo a trattare. </s>
            <s xml:id="echoid-s9083" xml:space="preserve">Le parti de Colõnati ſon queſte,
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            il Zoccolo da baſſo, & </s>
            <s xml:id="echoid-s9084" xml:space="preserve">ſopra quello la baſa, ſopra la baſa la colonna, dipoi il ca-
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            pitello, & </s>
            <s xml:id="echoid-s9085" xml:space="preserve">poi l’architraue, poi il fregio con il quale ſi venga a terminare, & </s>
            <s xml:id="echoid-s9086" xml:space="preserve">a co
              <lb/>
              <note position="left" xlink:label="note-217-03" xlink:href="note-217-03a" xml:space="preserve">15</note>
            prire le teſte de gli architraui, nell'ultimo poi è la cornice. </s>
            <s xml:id="echoid-s9087" xml:space="preserve">Giudico che ſia bene
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            cominciare da capitelli mediante i quali ſi variano grandemen te i Colonnati.
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            </s>
            <s xml:id="echoid-s9088" xml:space="preserve">In queſto luogo prego io coloro che copiano queſto mio libro, che e'ſieno cõ-
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            tenti ſcriuere i numeri che noi adopereremo con lettere a queſto modo cioè
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            dodici, venti, quaranta, & </s>
            <s xml:id="echoid-s9089" xml:space="preserve">non con i caratteri XII. </s>
            <s xml:id="echoid-s9090" xml:space="preserve">XX. </s>
            <s xml:id="echoid-s9091" xml:space="preserve">XL. </s>
            <s xml:id="echoid-s9092" xml:space="preserve">La neceſsità ne hà
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            inſegnato porre i capitelli ſopra le colonne, accioche ſopra di loro i pezzi delli
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              <note position="left" xlink:label="note-217-04" xlink:href="note-217-04a" xml:space="preserve">20</note>
            Architraui, ſi congiũghino inſieme, ma pareua brutto quellegno coſi rozo da
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            riquadrarſi, Furono adũq; </s>
            <s xml:id="echoid-s9093" xml:space="preserve">da principio appreſſo i Doriciſe noi crediamo però
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            ogni coſa a Greci, alcuni, che andarono inueſtigãdo ch'e'ſi doueſſe imitare un
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            certo che fatto a tornio, che pareſle quaſi una tazza poſta fotto a un coperchio
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            quadro, & </s>
            <s xml:id="echoid-s9094" xml:space="preserve">perche ella pareua loro troppo ſtiacciata la ſolleuarono allungãdola
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              <note position="left" xlink:label="note-217-05" xlink:href="note-217-05a" xml:space="preserve">25</note>
            alquanto di collo. </s>
            <s xml:id="echoid-s9095" xml:space="preserve">Gli Ionici veduto il lauoro de Dorici lodarono la tazza nel
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            capitello, ma nõ piacque già loro vederla coſi ſpogliata ne cõ il collo tãto lũgo,
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            & </s>
            <s xml:id="echoid-s9096" xml:space="preserve">per queſto vi aggiunſono due ſcorze d'albero che pendeuano di quà, & </s>
            <s xml:id="echoid-s9097" xml:space="preserve">di là,
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            & </s>
            <s xml:id="echoid-s9098" xml:space="preserve">rauolgendoſi a guiſa di cartoccio abbracciauano i fianchi d'eſſa tazza. </s>
            <s xml:id="echoid-s9099" xml:space="preserve">Succeſ
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              <note position="left" xlink:label="note-217-06" xlink:href="note-217-06a" xml:space="preserve">30</note>
            ſono dipoii corinthij, & </s>
            <s xml:id="echoid-s9100" xml:space="preserve">di ciò fu inuentore Gallimaco, alquale non piacque
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            come a coſtoro le Tazze ſtiacciate, ma hauendo veduto ad vna ſepoltura d'u-
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            na fanciulletta un vaſo molto alto, coperto, & </s>
            <s xml:id="echoid-s9101" xml:space="preserve">pieno atorno difoglie nateui di
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            Acanto? </s>
            <s xml:id="echoid-s9102" xml:space="preserve">gli piacque molto, Tre adunque furono le maniere trouate de capi-
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            telli. </s>
            <s xml:id="echoid-s9103" xml:space="preserve">Il Dorico ancor che io truouo che queſto medeſimo haueuano pri-
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              <note position="left" xlink:label="note-217-07" xlink:href="note-217-07a" xml:space="preserve">35</note>
            main vſo i Toſcani antichi; </s>
            <s xml:id="echoid-s9104" xml:space="preserve">il Dorico dico lo lonico, & </s>
            <s xml:id="echoid-s9105" xml:space="preserve">il Corinthio. </s>
            <s xml:id="echoid-s9106" xml:space="preserve">Et che
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            altra cagione credi tu che ſia del ritrouarſi vn numero infinito di capitelli va-
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            rij, & </s>
            <s xml:id="echoid-s9107" xml:space="preserve">che non ſi ſomigliano, ſe non che con grandiſsima cura, & </s>
            <s xml:id="echoid-s9108" xml:space="preserve">diligentia ſo-
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            no ſtati fatti, & </s>
            <s xml:id="echoid-s9109" xml:space="preserve">trouati da coloro, che ſi ſono ingegnati di ritrouare ſempre
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            coſe noue. </s>
            <s xml:id="echoid-s9110" xml:space="preserve">Niente di manco non ſe ne vede neſſuno che ſia meritam ente
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              <note position="left" xlink:label="note-217-08" xlink:href="note-217-08a" xml:space="preserve">40</note>
            da eſſere lodato piu di quelli, eccetto però che quel ſolo (accioche noi non
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            dichiamo però d'hauere hauuto ogni coſa da foreſtieri) che io chiamo To-
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            ſcano, o vuoi compoſito, percioche alla bellezza di quello de Corinthij ui ſi
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            aggiunſero le dilicatezze delli Ionici, & </s>
            <s xml:id="echoid-s9111" xml:space="preserve">in cambio di manichi vi@ſi meſſono car
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            tocci auuolti che pendono, opera molto grata, & </s>
            <s xml:id="echoid-s9112" xml:space="preserve">molto lodata. </s>
            <s xml:id="echoid-s9113" xml:space="preserve">Le </s>
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