Gravesande, Willem Jacob 's
,
An essay on perspective
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on PERSPECTIVE.
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Angle B C P, and its equal R C Q, is 22 {1/2} plus
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{1/2} of D I A. </
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<
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xml:space
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">Now if the Angle R Q C be added
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to this Angle, their Sum will be equal to the An-
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gle D I A; </
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<
s
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xml:space
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">whence it follows, that the Angle
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C R Q is equal to D I R. </
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<
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xml:space
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">Which was to be demon-
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ſtrated.</
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<
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<
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xml:space
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">If the Angle R B N be alter’d, and it be
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called a, the Angle D I A, b, and the right An-
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gle d; </
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<
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">then the Angle C Q R = d + {1/2} b — a.</
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<
s
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<
s
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">When a Picture is parallel, it appears ma-
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">Fig. 74.</
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nifeſt, the Mirrours GH and M N being each in-
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clin’d under an Angle of 45 Degrees, that a Ray,
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which is perpendicular to the Horizon, likewiſe
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falls, after a double Reflection, perpendicularly
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upon the Table A.</
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<
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. III.</
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">To repreſent Objects which are roun’d about
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the Machine, and make them appear erect to the Per-
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ſon ſeated within the ſame.</
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<
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">The Back-ſide of the Machine muſt be turned
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towards the Sun, and the Objects behind the
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ſame repreſented by one Reflection only; </
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*
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their Appearance will always be clearer, altho
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they be in the Shade, than the Appearance of the
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Objects on the other Sides of the Machine, which
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cannot be perceiv’d unleſs by a double Refle-
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ction.</
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<
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of the Machine, may be repreſented by means
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of the Mirrour H, ſituated as per Figure; </
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xml:space
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ſaid Mirrour muſt be cover’d with a Paſtboard Caſe,
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having two Apertures therein; </
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">the one next to
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the Objects, and the other next to the Aperture
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N, of the Box X. </
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<
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">The Reaſon of our uſing this
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@recaution is, becauſe when the Mirrour is not co-
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ver’d at all, it reflects the Rays of Light </
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