Alberti, Leone Battista
,
Architecture
,
1755
Text
Text Image
Image
XML
Thumbnail overview
Document information
None
Concordance
Figures
Thumbnails
Page concordance
<
1 - 30
31 - 60
61 - 90
91 - 120
121 - 150
151 - 180
181 - 210
211 - 240
241 - 270
271 - 300
301 - 320
>
Scan
Original
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
<
1 - 30
31 - 60
61 - 90
91 - 120
121 - 150
151 - 180
181 - 210
211 - 240
241 - 270
271 - 300
301 - 320
>
page
|<
<
of 320
>
>|
<
archimedes
>
<
text
>
<
body
>
<
chap
>
<
pb
xlink:href
="
003/01/230.jpg
"
pagenum
="
172
"/>
<
p
type
="
head
">
<
s
>CHAP. VI.</
s
>
</
p
>
<
p
type
="
head
">
<
s
>
<
emph
type
="
italics
"/>
Of the principle Ways belonging to the City, and the Methods of adorning the
<
lb
/>
Haven, Gates, Bridges, Arches, Croſs-ways and Squares.
<
emph.end
type
="
italics
"/>
</
s
>
</
p
>
<
p
type
="
main
">
<
s
>It is now Time to make our Entrance into
<
lb
/>
the City; but as there are ſome Ways
<
lb
/>
both within and without the Town which are
<
lb
/>
much more eminent than the common Sort,
<
lb
/>
as thoſe which lead to the Temple, the Baſi
<
lb
/>
lique, or the Place for publick Spectacles, we
<
lb
/>
ſhall firſt ſay ſomething of theſe. </
s
>
<
s
>We read
<
lb
/>
that
<
emph
type
="
italics
"/>
Heliogabalus
<
emph.end
type
="
italics
"/>
paved theſe broader and no
<
lb
/>
bler Ways with
<
emph
type
="
italics
"/>
Macedonian
<
emph.end
type
="
italics
"/>
Marble and Por
<
lb
/>
phiry. </
s
>
<
s
>Hiſtorians ſay much in Praiſe of a noble
<
lb
/>
Street in
<
emph
type
="
italics
"/>
Bubaſtus,
<
emph.end
type
="
italics
"/>
a City of
<
emph
type
="
italics
"/>
Ægypt,
<
emph.end
type
="
italics
"/>
which led
<
lb
/>
to the Temple; for it ran thro' the Market
<
lb
/>
place, and was paved with very fine Stone, was
<
lb
/>
four Jugera, or four hundred and eighty Foot
<
lb
/>
broad, and bordered on each Side with ſtately
<
lb
/>
Trees.
<
emph
type
="
italics
"/>
Ariſteas
<
emph.end
type
="
italics
"/>
tells us, that in
<
emph
type
="
italics
"/>
Feruſalem
<
emph.end
type
="
italics
"/>
<
lb
/>
there were ſome very beautiful Streets, tho'
<
lb
/>
narrow, thro' which the Magiſtrates and Nobles
<
lb
/>
only were allowed to paſs, to the Intent chiefly
<
lb
/>
that the ſacred Things which they carried,
<
lb
/>
might not be polluted by the Touch of any
<
lb
/>
Thing profane.
<
emph
type
="
italics
"/>
Plato
<
emph.end
type
="
italics
"/>
highly celebrates a Way
<
lb
/>
all planted with Cypreſs Trees which led from
<
lb
/>
<
emph
type
="
italics
"/>
Gnoſſus
<
emph.end
type
="
italics
"/>
to the Cave and Temple of
<
emph
type
="
italics
"/>
Fupiter.
<
emph.end
type
="
italics
"/>
I
<
lb
/>
find that the
<
emph
type
="
italics
"/>
Romans
<
emph.end
type
="
italics
"/>
had two Streets of this
<
lb
/>
Sort, extremely noble and beautiful, one from
<
lb
/>
the Gate to the Church of St.
<
emph
type
="
italics
"/>
Paul,
<
emph.end
type
="
italics
"/>
fifteen
<
lb
/>
Stadia, or a Mile and ſeven Furlongs in Length,
<
lb
/>
and the other from the Bridge to the Church
<
lb
/>
of St.
<
emph
type
="
italics
"/>
Peter,
<
emph.end
type
="
italics
"/>
two thouſand five hundred Foot
<
lb
/>
long, and all covered with a Portico of Co
<
lb
/>
lumns of Marble, with a Roof of Lead. </
s
>
<
s
>Such
<
lb
/>
Ornaments are extremely proper for Ways of
<
lb
/>
this Nature. </
s
>
<
s
>But let us now return to the
<
lb
/>
more common Highways. </
s
>
<
s
>The principal Head
<
lb
/>
and Boundary of all Highways, whether within
<
lb
/>
or without the City, unleſs I am miſtaken, is
<
lb
/>
the Gate for thoſe by Land, and the Haven for
<
lb
/>
thoſe by Sea: Unleſs we will take notice of
<
lb
/>
ſubterraneous Ways, of the Nature of thoſe
<
lb
/>
which we are told were at
<
emph
type
="
italics
"/>
Thebes
<
emph.end
type
="
italics
"/>
in
<
emph
type
="
italics
"/>
Ægypt,
<
emph.end
type
="
italics
"/>
<
lb
/>
thro' which their Kings could lead an Army
<
lb
/>
unknown to any of the Citizens, or thoſe which
<
lb
/>
I find to have been pretty numerous near
<
emph
type
="
italics
"/>
Pre
<
lb
/>
neſte,
<
emph.end
type
="
italics
"/>
in the ancient
<
emph
type
="
italics
"/>
Latium,
<
emph.end
type
="
italics
"/>
dug under Ground
<
lb
/>
from the Top of the Hill to the Level of the
<
lb
/>
Plain, with wonderful Art; in one of which
<
lb
/>
we are told, that
<
emph
type
="
italics
"/>
Marius
<
emph.end
type
="
italics
"/>
periſhed when cloſe
<
lb
/>
preſſed by the Siege. </
s
>
<
s
>We are told by the
<
lb
/>
Author of the Life of
<
emph
type
="
italics
"/>
Apollonius,
<
emph.end
type
="
italics
"/>
of a very
<
lb
/>
wonderful Paſſage made by a Lady of
<
emph
type
="
italics
"/>
Media
<
emph.end
type
="
italics
"/>
<
lb
/>
at
<
emph
type
="
italics
"/>
Babylon,
<
emph.end
type
="
italics
"/>
under the River, and arched with
<
lb
/>
Stone and Bitumen, thro' which ſhe could go
<
lb
/>
dryſhod from the Palace to a Country Houſe,
<
lb
/>
on the other Side of the River. </
s
>
<
s
>But we are
<
lb
/>
not obliged to believe all that the
<
emph
type
="
italics
"/>
Greek
<
emph.end
type
="
italics
"/>
Wri
<
lb
/>
ters tell us. </
s
>
<
s
>To return to our Subject. </
s
>
<
s
>The
<
lb
/>
Gates are adorned in the ſame Manner as tri
<
lb
/>
umphal Arches, of which anon. </
s
>
<
s
>The Haven
<
lb
/>
is adorned by broad Porticoes, raiſed ſomewhat
<
lb
/>
above the Level of the Ground, by a ſtately
<
lb
/>
Temple, lofty and beautiful, with ſpacious
<
lb
/>
Squares before it, and the Mouth of the Ha
<
lb
/>
ven itſelf by huge Statues, ſuch as were for
<
lb
/>
merly to be ſeen in ſeveral Places, and particu
<
lb
/>
larly at
<
emph
type
="
italics
"/>
Rhodes,
<
emph.end
type
="
italics
"/>
where
<
emph
type
="
italics
"/>
Herod
<
emph.end
type
="
italics
"/>
is ſaid to have
<
lb
/>
erected three. </
s
>
<
s
>Hiſtorians very much celebrate
<
lb
/>
the Mole at
<
emph
type
="
italics
"/>
Samos,
<
emph.end
type
="
italics
"/>
which they ſay was an
<
lb
/>
hundred and twenty Foot high, and ran out
<
lb
/>
two Furlongs into the Sea. </
s
>
<
s
>Doubtleſs ſuch
<
lb
/>
Works muſt greatly adorn the Haven, eſpeci
<
lb
/>
ally if they are maſterly wrought, and not of
<
lb
/>
baſe Materials. </
s
>
<
s
>The Streets within the City,
<
lb
/>
beſides being handſomely paved and cleanly
<
lb
/>
kept, will be rendered much more noble, if
<
lb
/>
the Doors are built all after the ſame Model,
<
lb
/>
and the Houſes on each Side ſtand in an even
<
lb
/>
Line, and none higher than another. </
s
>
<
s
>The Parts
<
lb
/>
of the Street which are principally to be ad
<
lb
/>
orned, are theſe: The Bridge, the Croſs-ways,
<
lb
/>
and the Place for publick Spectactles, which
<
lb
/>
laſt is nothing elſe but an open Place, with </
s
>
</
p
>
<
p
type
="
main
">
<
s
>
<
arrow.to.target
n
="
marg40
"/>
<
lb
/>
Seats built about it. </
s
>
<
s
>We will begin with the
<
lb
/>
Bridge, as being one of the chief Parts of the
<
lb
/>
Street. </
s
>
<
s
>The Parts of the Bridge are the Piers,
<
lb
/>
the Arches and the Pavement, and alſo the
<
lb
/>
Street in the Middle for the Paſſage of Cattle,
<
lb
/>
and the raiſed Cauſeways on each Side for the
<
lb
/>
better Sort of Citizens, and the Sides or Rail,
<
lb
/>
and in ſome Places Houſes too, as in that moſt
<
lb
/>
noble Bridge called
<
emph
type
="
italics
"/>
Adrian
<
emph.end
type
="
italics
"/>
's
<
emph
type
="
italics
"/>
Mole,
<
emph.end
type
="
italics
"/>
a Work
<
lb
/>
never to be forgotten, the very Skeleton where
<
lb
/>
of, if I may ſo call it, I can never behold
<
lb
/>
without a Sort of Reverence and Awe. </
s
>
<
s
>It
<
lb
/>
</
s
>
</
p
>
</
chap
>
</
body
>
</
text
>
</
archimedes
>