Alberti, Leone Battista
,
Architecture
,
1755
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for a Baſement to them you muſt make a
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Plinth half the Height of the Baſement at the
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Bottom. </
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<
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>But nothing can be a greater Orna
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ment either to Squares or the Meeting of ſeve
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ral Streets, than Arches at the Entrance of the
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Streets; an Arch being indeed nothing elſe but
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a Gate ſtanding continually open. </
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<
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>I am of
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Opinion, that the Invention of Arches were
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owing to thoſe that firſt enlarged the Bounds
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of the Empire: For it was the ancient Cuſtom
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with ſuch, as we are informed by
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Tacitus,
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to
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enlarge the Pomoerium, or vacant Space left
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next the City Walls, as we find particularly
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that
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Claudius
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did. </
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<
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>Now though they extend
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ed the Limits of the City, yet they thought it
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proper to preſerve the old Gates, for ſeveral
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Reaſons, and particularly becauſe they might
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ſome Time or other happen to be a Safeguard
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againſt the Irruption of an Enemy. </
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<
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>Afterwards
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as theſe Gates ſtood in the moſt conſpicuous
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Places, they adorned them with the Spoils
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which they had won from their Enemies, and
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the Enſigns of their Victories. </
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<
s
>To theſe Be
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ginnings it was that Arches owed their Tro
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phies, Inſcriptions, Statues and Relieves. </
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>
<
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>A
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very proper Situation for an Arch is where a
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Street joins into a Square, and eſpecially in the
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Royal Street, by which Name I underſtand the
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moſt eminent in the City. </
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<
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>An Arch, like a
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Bridge, ſhould have no leſs than three open
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Paſſages: That in the Middle for the Soldiers
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to return through in Triumph to pay their
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Devotions to their paternal Gods, and the two
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Side ones for the Matrons and Citizens to go
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out to meet and welcome them Home. </
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<
s
>When
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you build one of theſe Triumphal Arches, let
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the Line of the Platform which runs length
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ways with the Street be the Half of the Line
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that goes croſs the Street from Right to Left,
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and the Length of this Croſs-line ſhould never
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be leſs than fifty Cubits. </
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>
<
s
>This Kind of Struc
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tures is very like that of a Bridge, only it never
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conſiſts of more than four Piers and three
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Arches. </
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>
<
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>Of the ſhorteſt Line of the Platform
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which runs lengthways with the Street, leaves
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one eighth Part towards the Square, and as
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much behind on the other Side, for the Plat
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forms of Columns to be erected againſt the
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Piers. </
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>
<
s
>The other longer Line which croſſes the
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Street muſt alſo be divided into eight Parts,
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two whereof muſt be given to the Aperture in
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the Middle, and one to each Pier and to each
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Side opening. </
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>
<
s
>The perpendicular Upright of
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the Piers that ſupport the middle Arch, to the
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Spring of that Arch, muſt be two of the afore
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ſaid Parts and a Third; and the Piers of the
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two Side Arches muſt bear the ſame Proporti
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on to their reſpective Aperture. </
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>
<
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>The Soffit of
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the Arches muſt be perſect Vaults. </
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>
<
s
>The
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Crowns of the Piers beneath the Spring of the
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Arch, may be made in Imitation of the
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Doric
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Capital, only inſtead of the Ovolo and Abacus
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they may have a projecting Cornice either
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Co
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rinthian
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or
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Ionic,
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and beneath the Cornice by
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Way of Gorgerine, a plain Freze, and below
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that an Aſtragal and a Fillet like thoſe at the
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Top of the Shaft of a Column. </
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>
<
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>All theſe Or
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naments together ſhould take up the ninth Part
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of the Height of the Pier. </
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>
<
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>This ninth Part
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muſt be again ſubdivided into nine ſmaller Parts,
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five whereof muſt be given to the Cornice,
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three to the Freze, and one to the Aſtragal
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and Fillet. </
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>
<
s
>The Architrave or Face of the
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Arch that turns from Pier to Pier muſt never
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be broader than the tenth Part of its Aperture,
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nor narrower than the twelfth. </
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>
<
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>The Columns
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that are placed in Front againſt the Piers muſt
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be regular and inſulate; they muſt be ſo raiſed
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that the Top of their Shafts may be equal to
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the Top of the Arch, and their Length muſt
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be equal to the Breadth of the middle Aper
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ture. </
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<
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>Theſe Columns muſt have their Baſes,
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Plinths and Pedeſtals as alſo their Capitals,
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either
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Corinthian
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or
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Compoſite
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type
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together with
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Architrave, Freze and Cornice, either
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Ionic
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or
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Corinthian,
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according to the Proportions al
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ready preſcribed for thoſe ſeveral Members.
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</
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<
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>Above theſe Columns muſt be a plain Wall,
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half as high as the whole Subſtructure from
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the loweſt Baſement to the Top of the Cornice,
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and the Height of this additional Wall muſt
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be divided into eleven Parts, one of which muſt
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be given to a plain Cornice at the Top, with
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out either Freze or Architrave, and one and an
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Half to a Baſement with a reverſed Cymatium
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which muſt take up one third of the Height of
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that Baſement. </
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>
<
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>The Statues muſt be placed
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directly over the Intablature of the Columns,
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upon little Pedeſtals whoſe Height muſt be
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equal to the Thickneſs of the Top of the Shaſt
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of the Columns. </
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>
<
s
>The Height of the Statues
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with their Pedeſtals muſt be eight of the eleven
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Parts to which we divided the upper Wall. </
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>
<
s
>At
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the Top of the whole Structure, eſpecially to
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wards the Square, muſt be placed larger Sta
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tues, triumphal Cars, Animals and other Tro
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phies. </
s
>
<
s
>The Baſe for theſe to ſtand upon, muſt
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be a Plinth three Times as high as the Cor
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nice, which is immediately below it. </
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>
<
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>Theſe
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larger Statues which we thus place uppermoſt,
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</
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