Alberti, Leone Battista
,
Architecture
,
1755
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<
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>CHAP. IX.</
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Of the Compartition, and of the Origin of Building.
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<
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>The whole Force of the Invention and
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all our Skill and Knowledge in the Art
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of Building, is required in the Compartition:
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Becauſe the diſtinct Parts of the entire Building,
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and, to uſe ſuch a Word, the Entireneſs of each
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of thoſe Parts, and the Union and Agreement of
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all the Lines and Angles in the Work, duly
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ordered for Convenience, Pleaſure and Beauty,
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are diſpoſed and meaſured out by the Com
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partition alone: for if a City, according to
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the Opinion of Philoſophers, be no more than
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a great Houſe, and, on the other Hand, a
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Houſe be a little City; why may it not be
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ſaid, that the Members of that Houſe are ſo
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many little Houſes; ſuch as the Court-yard,
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the Hall, the Parlour, the Portico, and the
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like? </
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<
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>And what is there in any of theſe,
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which, if omitted by Careleſſneſs or Negli
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gence, will not greatly take from the Praiſe
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and Dignity of the Work. </
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<
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>Great Care and
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Diligence therefore is to be uſed in well con
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ſidering theſe Things, which ſo much con
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cern the whole Building; and in ſo ordering
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it, that even the moſt inconſiderable Parts
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may not be uncomformable to the Rules of
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Art, and good Contrivance. </
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>What has been
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already ſaid above of the Region and Platform,
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may be of no ſmall uſe in doing of this aptly
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and conveniently; and as the Members of the
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Body are correſpondent to each other, ſo it is
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fit that one Part ſhould anſwer to another in
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a Building; whence we ſay, that great Edi
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fices require great Members. </
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<
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>Which indeed
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was ſo well obſerved by the Ancients, that
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they uſed much larger Bricks, as well as other
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Materials, about publick and large Buildings,
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than in private ones. </
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<
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>To every Member there
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fore ought to be allotted its fit Place and pro
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per Situation; not leſs than Dignity requires,
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not greater than Conveniency demands; not
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in an impertinent or indecent Place, but in a
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Situation ſo proper to itſelf, that it could be
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ſet no where elſe more fitly. </
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<
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>Nor ſhould the
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Part of the Structure, that is to be of the
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greateſt Honour, be thrown into a remote
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Corner; nor that which ought to be the moſt
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publick, into a private Hole; nor that which
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ſhould be moſt private, be ſet in too conſpi
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cuous a Place. </
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<
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>We ſhould beſides have re
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gard to the Seaſons of the Year, and make a
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great deal of Difference between hot Places
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and cold, both in Proportions and Situation.
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>If Rooms for Summer are large and ſpacious,
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and thoſe for Winter more compact, it will
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not be at all amiſs; the Summer ones ſhady and
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open to the Air, and the Winter ones to the
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Sun. </
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<
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>And here we ſhould provide, that the
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Inhabitants may not be obliged to paſs out of
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a cold Place into a hot one, without a Medium
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of temperate Air; or out of a warm one into
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one expoſed to Cold and Winds; becauſe no
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thing is ſo prejudicial to human Bodies. </
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<
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>And
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theſe ought to agree one Member with ano
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ther to perfect and compoſe the main Deſign
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and Beauty of the whole; that we may not
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ſo lay out our whole Study in adorning one
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Part, as to leave the reſt neglected and
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homely in Compariſon of it; but let them
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bear that Proportion among themſelves, that
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they may appear to be an entire and perfect
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Body, and not disjointed and unfiniſhed
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Members. </
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<
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>Moreover in the forming of theſe
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Members too, we ought to imitate the Modeſty
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of Nature; becauſe in this, as well as in other
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Caſes, the World never commends a Modera
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tion, ſo much as it blames an extravagant In
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temperance in Building. </
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<
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>Let the Members
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therefore be modeſtly proportioned, and ne
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ceſſary for your Uſes. </
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<
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>For all Building in
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general, if you conſider it well, owes it's
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Birth to Neceſſity, was nurſed by Convenience,
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and embelliſhed by Uſe; Pleaſure was the
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laſt Thing conſulted in it, which is never
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truly obtained by Things that are immode
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rate. </
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<
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>Let your Building therefore be ſuch,
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that it may not want any Members which it
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has not, and that thoſe which it has, may
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not in any Reſpect deſerve to be condemned.
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<
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>Nor would I have the Edifice terminated all
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the Way with even continued Lines void of
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all manner of Variety; for ſome pleaſe us by
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their Largeneſs, others with being little, and
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others moderate. </
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<
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>One Part therefore ſhould
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be terminated with ſtrait Lines, another with
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curve, and another again with ſtrait and curve
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mixed together; provided you obſerve the
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Caution I have ſo often given you, to avoid
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falling into the Error of Exceſs, ſo as to ſeem </
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