1the Amphitheatre is formed of two Theatres
with their Horns joined together, and the
Rows of Seats continued quite round; and
the chief Difference between them is, that a
Theatre is properly an half Amphitheatre,
with this further Variation too, that the Am
phitheatre has its middle Area quite clear from
any Thing of a Stage or Scenes; but in all
other reſpects, and particularly in the Seats,
Porticoes, Entrances and the like, they exactly
agree. I am inclined to believe, that the Am
phitheatre was at firſt contrived chiefly for
Hunting, and that for this Reaſon it was made
round, to the Intent that the wild Beaſts
which were encloſed and baited in it, not
having any Nook or Corner to fly to, might
be the ſooner obliged to defend themſelves
againſt their Aſſailants, who were extremely
bold and dextrous at engaging with the fier
ceſt wild Beaſts. Some armed only with a
Javelin, would with the Help of that leap
over a wild Bull that was making at him full
Speed, and ſo elude his Blow. Others having
put on a Kind of Armour, compoſed of no
thing but thick Thorns and Prickles, would
ſuffer themſelves to be rowled about and
mumbled by a Bear. Others encloſed in a
Kind of wooden Cage, teazed and provoked a
Lion, and fome with nothing but a Cloak
about their left Arm, and a ſmall Ax or Mal
let in their right Hand would attack him
openly. In a Word, if any Man had either
Dexterity to deceive, or Courage and Strength
to cope with wild Beaſts, he offered himſelf as
a Champion, either merely for the Sake of Ho
nour, or for Reward. We read too, that both
in the Theatres and Amphitheatres, the great
Men uſed to throw Apples, or let fly little Birds
among the Mob, for the Pleaſure of ſeeing
them ſcramble for them. The middle Area
of the Amphitheatre, though it is ſurrounded
by two Theatres joined together, yet muſt not
be made ſolong as two compleat Theatres would
make it, if their Horns both pretended to meet
each other: But its Length muſt bear a cer
tain Proportion to its Breadth. Some among
the Ancients made the Length eight, and the
Breadth ſeven Parts, and ſome made the
Breadth three fourths of the Length. In other
Particulars it agrees with the Theatre: It muſt
have Porticoes on the Outſide, and one at the
Top within, over the higheſt Seat, which we
have called the Circumvallation. We are next
to treat of the Circus. Some tell us, that this
was built in Imitation of the heavenly Bodies;
for as the Heavens have twelve Houſes, ſo the
Circus has twelve Gates for Entrance; and as
there are ſeven Planets, ſo this has ſeven Goals,
lying from Eaſt to Weſt at a good Diſtance one
from the other, that through them the con
tending Chariots may hold their Courſe, as the
Sun and Moon do through the Zodiac; which
they did four-and-twenty Times, in Imitati
on of the four-and-twenty Hours. The Con
currents were alſo divided into four Squadrons,
each of which was diſtinguiſhed by its particu
lar Colour; the one was cloathed in Green, in
Repreſentation of the verdant Spring; another
to denote the flaming Summer in Red; the
third in White, in Imitation of the pale Au
tumn; and the fourth in dusky Brown for the
gloomy Winter. The middle Area of the Cir
cus was neither clear nor open like the Am
phitheatre, nor taken up with a Stage like the
Theatre, but it was divided Lengthways into
two Courſes by the Goals or Terms which
were ſet up at proper Diſtances, about which
the Horſes or Men performed their Races. Of
theſe Goals there were three principal ones,
whereof the Middlemoſt was the chief of all,
and this was a Pile of Stone tapering up to the
Top, upon account of which regular Diminu
tion, it was called an Obelisk. The other two
principal Goals were either coloſſal Statues, or
lofty Piles of Stones in the Nature of Trophies,
deſigned aſter the Workman's Fancy, ſo as
they were only great and beautiſul. Between
theſe principal Goals were two others on each
Side, either Columns or Obelisks leſs than the
former, which made up the Number of Seven.
We read in Hiſtorians, that the Circus Maxi
mus at Rome was three Furlongs in Length,
and one in Breadth. Now indeed it is entire
ly deſtroyed, and there are not the leaſt Foot
ſteps remaining by which we can form a Judg
ment of its ancient Structure: But by an actual
Survey of other Works of this Nature I find the
Manner of them was as follows: The Anci
ents uſed to make the middle Area of the Cir
cus in Breadth at leaſt threeſcore Cubits, or
ninety Foot, and in Length ſeven Times that
Breadth. The Breadth was divided into two
equal Parts or Courſes by a Line drawn the
Length of the Circus, on which Line the Goals
or Terms were placed according to the follow
ing Method: The whole Length being divided
into ſeven Parts, one of thoſe Parts was given
to a Sweep at each End for the Concurrents to
turn out of the right Courſe into the left, and
the Remainder was allowed for the Goals, which
with their Horns joined together, and the
Rows of Seats continued quite round; and
the chief Difference between them is, that a
Theatre is properly an half Amphitheatre,
with this further Variation too, that the Am
phitheatre has its middle Area quite clear from
any Thing of a Stage or Scenes; but in all
other reſpects, and particularly in the Seats,
Porticoes, Entrances and the like, they exactly
agree. I am inclined to believe, that the Am
phitheatre was at firſt contrived chiefly for
Hunting, and that for this Reaſon it was made
round, to the Intent that the wild Beaſts
which were encloſed and baited in it, not
having any Nook or Corner to fly to, might
be the ſooner obliged to defend themſelves
againſt their Aſſailants, who were extremely
bold and dextrous at engaging with the fier
ceſt wild Beaſts. Some armed only with a
Javelin, would with the Help of that leap
over a wild Bull that was making at him full
Speed, and ſo elude his Blow. Others having
put on a Kind of Armour, compoſed of no
thing but thick Thorns and Prickles, would
ſuffer themſelves to be rowled about and
mumbled by a Bear. Others encloſed in a
Kind of wooden Cage, teazed and provoked a
Lion, and fome with nothing but a Cloak
about their left Arm, and a ſmall Ax or Mal
let in their right Hand would attack him
openly. In a Word, if any Man had either
Dexterity to deceive, or Courage and Strength
to cope with wild Beaſts, he offered himſelf as
a Champion, either merely for the Sake of Ho
nour, or for Reward. We read too, that both
in the Theatres and Amphitheatres, the great
Men uſed to throw Apples, or let fly little Birds
among the Mob, for the Pleaſure of ſeeing
them ſcramble for them. The middle Area
of the Amphitheatre, though it is ſurrounded
by two Theatres joined together, yet muſt not
be made ſolong as two compleat Theatres would
make it, if their Horns both pretended to meet
each other: But its Length muſt bear a cer
tain Proportion to its Breadth. Some among
the Ancients made the Length eight, and the
Breadth ſeven Parts, and ſome made the
Breadth three fourths of the Length. In other
Particulars it agrees with the Theatre: It muſt
have Porticoes on the Outſide, and one at the
Top within, over the higheſt Seat, which we
have called the Circumvallation. We are next
to treat of the Circus. Some tell us, that this
was built in Imitation of the heavenly Bodies;
for as the Heavens have twelve Houſes, ſo the
Circus has twelve Gates for Entrance; and as
there are ſeven Planets, ſo this has ſeven Goals,
lying from Eaſt to Weſt at a good Diſtance one
from the other, that through them the con
tending Chariots may hold their Courſe, as the
Sun and Moon do through the Zodiac; which
they did four-and-twenty Times, in Imitati
on of the four-and-twenty Hours. The Con
currents were alſo divided into four Squadrons,
each of which was diſtinguiſhed by its particu
lar Colour; the one was cloathed in Green, in
Repreſentation of the verdant Spring; another
to denote the flaming Summer in Red; the
third in White, in Imitation of the pale Au
tumn; and the fourth in dusky Brown for the
gloomy Winter. The middle Area of the Cir
cus was neither clear nor open like the Am
phitheatre, nor taken up with a Stage like the
Theatre, but it was divided Lengthways into
two Courſes by the Goals or Terms which
were ſet up at proper Diſtances, about which
the Horſes or Men performed their Races. Of
theſe Goals there were three principal ones,
whereof the Middlemoſt was the chief of all,
and this was a Pile of Stone tapering up to the
Top, upon account of which regular Diminu
tion, it was called an Obelisk. The other two
principal Goals were either coloſſal Statues, or
lofty Piles of Stones in the Nature of Trophies,
deſigned aſter the Workman's Fancy, ſo as
they were only great and beautiſul. Between
theſe principal Goals were two others on each
Side, either Columns or Obelisks leſs than the
former, which made up the Number of Seven.
We read in Hiſtorians, that the Circus Maxi
mus at Rome was three Furlongs in Length,
and one in Breadth. Now indeed it is entire
ly deſtroyed, and there are not the leaſt Foot
ſteps remaining by which we can form a Judg
ment of its ancient Structure: But by an actual
Survey of other Works of this Nature I find the
Manner of them was as follows: The Anci
ents uſed to make the middle Area of the Cir
cus in Breadth at leaſt threeſcore Cubits, or
ninety Foot, and in Length ſeven Times that
Breadth. The Breadth was divided into two
equal Parts or Courſes by a Line drawn the
Length of the Circus, on which Line the Goals
or Terms were placed according to the follow
ing Method: The whole Length being divided
into ſeven Parts, one of thoſe Parts was given
to a Sweep at each End for the Concurrents to
turn out of the right Courſe into the left, and
the Remainder was allowed for the Goals, which
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