Alberti, Leone Battista
,
Architecture
,
1755
Text
Text Image
Image
XML
Thumbnail overview
Document information
None
Concordance
Figures
Thumbnails
List of thumbnails
<
1 - 10
11 - 20
21 - 30
31 - 40
41 - 50
51 - 60
61 - 70
71 - 80
81 - 90
91 - 100
101 - 110
111 - 120
121 - 130
131 - 140
141 - 150
151 - 160
161 - 170
171 - 180
181 - 190
191 - 200
201 - 210
211 - 220
221 - 230
231 - 240
241 - 250
251 - 260
261 - 270
271 - 280
281 - 290
291 - 300
301 - 310
311 - 320
>
251
252
253
254
255
256
257
258
259
260
<
1 - 10
11 - 20
21 - 30
31 - 40
41 - 50
51 - 60
61 - 70
71 - 80
81 - 90
91 - 100
101 - 110
111 - 120
121 - 130
131 - 140
141 - 150
151 - 160
161 - 170
171 - 180
181 - 190
191 - 200
201 - 210
211 - 220
221 - 230
231 - 240
241 - 250
251 - 260
261 - 270
271 - 280
281 - 290
291 - 300
301 - 310
311 - 320
>
page
|<
<
of 320
>
>|
<
archimedes
>
<
text
>
<
body
>
<
chap
>
<
p
type
="
caption
">
<
s
>
<
pb
xlink:href
="
003/01/257.jpg
"
pagenum
="
183
"/>
be a Reſt, according to the Rules already given
<
lb
/>
for the Baſilique, and no Part of the Dreſs of
<
lb
/>
theſe Windows muſt riſe higher than the Shaft
<
lb
/>
of the Columns between which they ſtand,
<
lb
/>
excluſive of their Capitals. </
s
>
<
s
>The Height of the
<
lb
/>
Aperture of the Window being divided into
<
lb
/>
cleven Parts, ſeven muſt be given to its Breadth.
<
lb
/>
</
s
>
<
s
>If you would have no upper Row of Columns
<
lb
/>
at all, then you may ſupport the upper Cornice
<
lb
/>
with Conſoles, inſtead of Capitals, according to
<
lb
/>
the Method already given in the Deſcription of
<
lb
/>
the
<
emph
type
="
italics
"/>
Ionic
<
emph.end
type
="
italics
"/>
Door. </
s
>
<
s
>Then each Window will ſtand
<
lb
/>
between two Conſoles made after the following
<
lb
/>
Proportions. </
s
>
<
s
>The Breadth of the Conſole muſt
<
lb
/>
be the ſame as the Top of the naked Shaft of
<
lb
/>
a Column in the ſame Place ought to be, exclu
<
lb
/>
ſive of the Aſtragal and Fillet, and its Length
<
lb
/>
equal to the Height of the
<
emph
type
="
italics
"/>
Corinthian
<
emph.end
type
="
italics
"/>
Capital
<
lb
/>
without its Abacus. </
s
>
<
s
>The Projecture of the
<
lb
/>
Conſole muſt not exceed that of the Freze of
<
lb
/>
its Entablature. </
s
>
<
s
>The Ancients in a great many
<
lb
/>
Places had ſeveral other Kinds of Structures and
<
lb
/>
Inventions which admitted of Ornaments, and
<
lb
/>
rendered the City more magnificent. </
s
>
<
s
>We are
<
lb
/>
told, that near the Academy of
<
emph
type
="
italics
"/>
Athens
<
emph.end
type
="
italics
"/>
there
<
lb
/>
was a very fine Grove conſecrated to the Gods,
<
lb
/>
which was cut down by
<
emph
type
="
italics
"/>
Sylla
<
emph.end
type
="
italics
"/>
in order for the
<
lb
/>
caſting up an Intrenchment againſt
<
emph
type
="
italics
"/>
Athens.
<
lb
/>
</
s
>
<
s
>Alexander Severus
<
emph.end
type
="
italics
"/>
adorned his own Thermes,
<
lb
/>
or Baths, with a pleaſant Grove, and added to
<
lb
/>
thoſe of
<
emph
type
="
italics
"/>
Antoninus
<
emph.end
type
="
italics
"/>
ſeveral fine Lakes for Swim
<
lb
/>
ming in. </
s
>
<
s
>The
<
emph
type
="
italics
"/>
Agrigentines,
<
emph.end
type
="
italics
"/>
upon
<
emph
type
="
italics
"/>
Zelo
<
emph.end
type
="
italics
"/>
's Vic
<
lb
/>
tory againſt the
<
emph
type
="
italics
"/>
Chalcedonians
<
emph.end
type
="
italics
"/>
made ſuch a Lake
<
lb
/>
ſeven Furlongs long and twenty Cubits deep,
<
lb
/>
from which they raiſed a conſiderable Income.
<
lb
/>
</
s
>
<
s
>We read, that at
<
emph
type
="
italics
"/>
Tivoli
<
emph.end
type
="
italics
"/>
there was a very famous
<
lb
/>
publick Library.
<
emph
type
="
italics
"/>
Piſiſtratus
<
emph.end
type
="
italics
"/>
was the firſt that
<
lb
/>
erected ſuch a Library at
<
emph
type
="
italics
"/>
Aihens,
<
emph.end
type
="
italics
"/>
conſiſting of
<
lb
/>
a great Number of Books, which were carried
<
lb
/>
away by
<
emph
type
="
italics
"/>
Xerxes
<
emph.end
type
="
italics
"/>
into
<
emph
type
="
italics
"/>
Perſia,
<
emph.end
type
="
italics
"/>
and afterwards
<
lb
/>
brought back again to
<
emph
type
="
italics
"/>
Athens
<
emph.end
type
="
italics
"/>
by
<
emph
type
="
italics
"/>
Seleucus.
<
emph.end
type
="
italics
"/>
</
s
>
<
s
> The
<
lb
/>
<
emph
type
="
italics
"/>
Ptolomeys
<
emph.end
type
="
italics
"/>
King of
<
emph
type
="
italics
"/>
Ægypt
<
emph.end
type
="
italics
"/>
had a Library con
<
lb
/>
ſiſting of ſeven hundred thouſand Volumns;
<
lb
/>
but why ſhould we wonder at ſuch a Number
<
lb
/>
of Books in a publick Collection, when there
<
lb
/>
was no leſs than ſixty-two thouſand Volumns
<
lb
/>
in the particular Library of the
<
emph
type
="
italics
"/>
Gordians?
<
emph.end
type
="
italics
"/>
In
<
lb
/>
the Country of
<
emph
type
="
italics
"/>
Laodicea,
<
emph.end
type
="
italics
"/>
beſides the Temple
<
lb
/>
of
<
emph
type
="
italics
"/>
Nemeſis,
<
emph.end
type
="
italics
"/>
there was a noble Phyſick School,
<
lb
/>
erected by
<
emph
type
="
italics
"/>
Zeuxis,
<
emph.end
type
="
italics
"/>
which was highly celebrat
<
lb
/>
ed.
<
emph
type
="
italics
"/>
Appian
<
emph.end
type
="
italics
"/>
tells us, that at
<
emph
type
="
italics
"/>
Carthage
<
emph.end
type
="
italics
"/>
there
<
lb
/>
was a Stable of three hundred Elephants, and
<
lb
/>
another of hundred Horſes, an Arſenal for two
<
lb
/>
hundred and twenty Ships, together with other
<
lb
/>
Magazines both of Arms and Proviſions ſuffi
<
lb
/>
cient to ſupply a whole Army. </
s
>
<
s
>At
<
emph
type
="
italics
"/>
Thebes,
<
emph.end
type
="
italics
"/>
<
lb
/>
which was anciently called the City of the Sun,
<
lb
/>
we read, that there were no leſs than an hundred
<
lb
/>
publick Stables, each big enough to hold two
<
lb
/>
hundred Horſes. </
s
>
<
s
>In
<
emph
type
="
italics
"/>
Cizycus,
<
emph.end
type
="
italics
"/>
an Iſland of the
<
lb
/>
<
emph
type
="
italics
"/>
Propontis,
<
emph.end
type
="
italics
"/>
there were two Ports, and between
<
lb
/>
them an Arſenal, the Roofs of which would
<
lb
/>
give Shelter to two hundred Veſſels. </
s
>
<
s
>Upon
<
lb
/>
the
<
emph
type
="
italics
"/>
Pireum,
<
emph.end
type
="
italics
"/>
or Port of
<
emph
type
="
italics
"/>
Athens,
<
emph.end
type
="
italics
"/>
was a noble
<
lb
/>
Station for no leſs than four hundred Ships,
<
lb
/>
which was the celebrated Work of
<
emph
type
="
italics
"/>
Philo. </
s
>
<
s
>Di
<
lb
/>
onyſius,
<
emph.end
type
="
italics
"/>
at the Haven of
<
emph
type
="
italics
"/>
Syracuſe,
<
emph.end
type
="
italics
"/>
made an
<
lb
/>
Arſenal divided into an hundred and ſixty Par
<
lb
/>
titions, each whereof would contain two Veſ
<
lb
/>
ſels, together with a Magazine, which in a few
<
lb
/>
Days would furniſh above an hundred and
<
lb
/>
twenty thouſand Shields, and an incredible
<
lb
/>
Number of Swords. </
s
>
<
s
>At
<
emph
type
="
italics
"/>
Sithicus
<
emph.end
type
="
italics
"/>
the
<
emph
type
="
italics
"/>
Spartans
<
emph.end
type
="
italics
"/>
<
lb
/>
had an Arſenal of above an hundred and ſixty
<
lb
/>
Furlongs long. </
s
>
<
s
>Thus we find Variety of Struc
<
lb
/>
tures among various Nations: But as to their
<
lb
/>
particular Forms, Deſigns and Contrivances, I
<
lb
/>
have nothing certain to preſcribe, except that
<
lb
/>
thoſe Parts of them which are for Uſe, muſt be
<
lb
/>
borrowed from the Rules of private Edifices,
<
lb
/>
and thoſe which are for Ornament and Magni
<
lb
/>
ficence, from thoſe of publick ones. </
s
>
<
s
>I ſhall
<
lb
/>
only obſerve, that the principal Ornament of a
<
lb
/>
Library, is the Number and Variety of the
<
lb
/>
Books contained in it, and chiefly their being
<
lb
/>
collected from among the learned Remains of
<
lb
/>
Antiquity. </
s
>
<
s
>Another great Ornament, are cu
<
lb
/>
rious mathematical Inſtruments of all Sorts,
<
lb
/>
eſpecially if they are like that made by
<
emph
type
="
italics
"/>
Poſdo
<
lb
/>
nius,
<
emph.end
type
="
italics
"/>
in which all the ſeven Planets performed
<
lb
/>
their proper Revolutions by their own Motion;
<
lb
/>
or that of
<
emph
type
="
italics
"/>
Ariſtarchus,
<
emph.end
type
="
italics
"/>
who we are told de
<
lb
/>
ſcribed a Plan of the whole World, with all its
<
lb
/>
ſeveral Provinces, upon a Table of Iron, to a
<
lb
/>
moſt curious Exactneſs, and the Buſts of the
<
lb
/>
ancient Poets, which
<
emph
type
="
italics
"/>
Tiberius
<
emph.end
type
="
italics
"/>
placed in his Li
<
lb
/>
brary, were certainly a very proper and beau
<
lb
/>
tiful Ornament. </
s
>
<
s
>I think I have now gone
<
lb
/>
through with all the Ornaments that relate to
<
lb
/>
publick Edifices. </
s
>
<
s
>I have treated both of the
<
lb
/>
Sacred and of the Profane, of Temples, Baſili
<
lb
/>
ques, Porticoes, Sepulchres, Highways, Ha
<
lb
/>
vens, Squares, Bridges, Triumphal Arches,
<
lb
/>
Theatres, Circuſſes, Courts, Council-chambers,
<
lb
/>
publick Places for Exerciſe, and the like, ſo
<
lb
/>
that there ſeems nothing of this Nature now
<
lb
/>
left for me to ſpeak of, except it be Thermes
<
lb
/>
or publick Baths.</
s
>
</
p
>
</
chap
>
</
body
>
</
text
>
</
archimedes
>