Biancani, Giuseppe, Aristotelis loca mathematica, 1615

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              minores, quam ſub dupli illius ſunt, omninò euaneſcunt. </s>
              <s id="s.004483">Hic eſt ſenſus he­
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              rum verborum; vtrum autem allata ratio ſit bona, aliorum eſto iudicium.
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              </s>
              <s id="s.004484">Idem quærit num. </s>
              <s id="s.004485">43.</s>
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              380</s>
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              <s id="s.004488">Probl. 25.
                <emph type="italics"/>
              (Cur in harmonijs chorda illa, quæ dicitur Meſe, ſeu media, ſic ap­
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              pellata eſt? </s>
              <s id="s.004489">cum inter octo nullum medium ſit? </s>
              <s id="s.004490">An quoniam olim harmoniæ ſep­
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              tem fidibus conſtabant, qui numerus medium habet)
                <emph.end type="italics"/>
              Ex ordine chordarum Li­
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              chaonis, &
                <expan abbr="Terpãdri">Terpandri</expan>
              , quorum alter ſeptem, alter verò octo chordis mono­
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              chordium conflabat, vt ſupra recenſui, huic loco abundè ſatisfieri poteſt.</s>
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              <s id="s.004491">Probl. 26. ſatis ex ſe clarum eſt,
                <expan abbr="atq;">atque</expan>
              idem cum num. </s>
              <s id="s.004492">47.</s>
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              381</s>
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              <s id="s.004495">Probl. 27.
                <emph type="italics"/>
              (Cur inter omnia, quæ ſub ſenſus cadunt, ſola audibilia mores obti­
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              nent? </s>
              <s id="s.004496">quamuis ſine ſermone aliquid modulemur, mores tamen præ ſe ipſa modula­
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              tio fert, ſed nec color, nec odor, nec ſapor id habet. </s>
              <s id="s.004497">An quia motum non ſolŭ eum
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              obtinet, quo ipſe ſtrepitus aures mouet (talis enim motio reliquis etiam ſenſibus
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              ineſt, nam, & color mouet viſum) ſed illum etiam quem poſt prædictum,
                <expan abbr="ſubſequẽ-tem">ſubſequen­
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                tem</expan>
              percipimus: hic. </s>
              <s id="s.004498">n. </s>
              <s id="s.004499">ſimilitudinem habet, & in rithmis, & in ſonorum grauium,
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              & acutorum ordine: non autem in eorum mixtione; quod in alijs ſenſibilibus non
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              eſt. </s>
              <s id="s.004500">porrò motus ipſi practici ſunt, praxis autem morum index est)
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              Mores obti­
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              nere, aut præſeferre nihil aliud eſt, quàm mores illius referre, & in mentem
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              reuocare, à quo talis motus, aut ſonus prouenire ſolet, qui ſonus mores il­
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              los refert. </s>
              <s id="s.004501">propterea videmus cantilenas nonnullas turpes mores reddere,
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              vt laſciuiam, procacitatem, leuitatem, quia à natura
                <expan abbr="hominũ">hominum</expan>
              turpium, vt
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              laſciuorum proficiſci
                <expan abbr="ſolẽt">ſolent</expan>
              ,
                <expan abbr="eosq́">eosque</expan>
              ; decent. </s>
              <s id="s.004502">alij
                <expan abbr="cãtus">cantus</expan>
              ex oppoſito bonos mo­
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              res referunt, vt grauitatem, temperantiam, æſtitatem; qui quidem ex pro­
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              borum hominum natura prodire ſolent,
                <expan abbr="eosq́">eosque</expan>
              ; decent. </s>
              <s id="s.004503">Illud in prophanis
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              canticis, iſtud verò in Eccleſiaſticis quotidie experimur; cur autem Audi­
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              bilia præ cætéris mores referant, cauſam Ariſt. refert in motum illum, qui
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              in ſonis, & vocibus percipitur. </s>
              <s id="s.004504">
                <expan abbr="neq;">neque</expan>
              hic motus eſt is, quo ſonus aures immu­
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              tat, hoc enim commune eſt omnibus ſenſorijs, vt à ſuis obiectis immuten­
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              tur, & afficiantur: ſed is eſt, qui prædictam aurium immutationem ſubſe­
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              quitur,
                <expan abbr="intellectuq́">intellectuque</expan>
              ; percipitur, v.g. quando audimus cantilenam, ſonus ip­
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              ſe primò aures ferit,
                <expan abbr="easq́">easque</expan>
              ; afficit; deinde percipimus vocis ipſius motum,
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              & quaſi curſum, quo à graui in acutum, & è cóntra, aliquando celeriter, ali­
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              quando tardè vario modulamine mouetur. </s>
              <s id="s.004505">huiuſmodi motus habet in ſe
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              morum ſimilitudinem; hac igitur de cauſa audibilia mores referunt. </s>
              <s id="s.004506">Vide
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              infra probl. </s>
              <s id="s.004507">39.</s>
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            <p type="main">
              <s id="s.004508">Iam explicandum eſt breuiter, quid ſit rithmus, quem Latini numerum
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              dicunt partim ex Platone, partim ex Ariſt. </s>
              <s id="s.004509">Plato lib. 2. de leg. ſic. </s>
              <s id="s.004510">alia qui­
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              dem animalia non habent ſenſationem ordinationis, & inordinationis mo­
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              tuum, quibus rithmus, & harmonia nomen eſt. </s>
              <s id="s.004511">Ariſt. infra probl. </s>
              <s id="s.004512">38. ſic.
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              </s>
              <s id="s.004513">rithmo verò gaudemus, quia habet numerum manifeſtum, ordinatum, ra­
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              tumque: vnde & nos ordinatè mouet. </s>
              <s id="s.004514">Ex quibus patet, rithmum eſſe cer­
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              tam, ac ſtatam periodum aliquot interuallerum ſibi ſuccedéntium in quouis
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              motu in determinata menſura temporis. </s>
              <s id="s.004515">quæ periodus ſolet ſæpius recur­
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              rere, aut repeti. </s>
              <s id="s.004516">dictum eſt in quouis motu, quia in choreis pedum pulſa­
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              tione, ac motu, rithmi complures efficiuntur, quos choreæ magiſtri
                <expan abbr="docẽt">docent</expan>
              ,
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              qualis eſt is, quem vulgò
                <expan abbr="dicũt">dicunt</expan>
              Gagliarda. </s>
              <s id="s.004517">Digitorum etiam motu, & </s>
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