Alberti, Leone Battista, Architecture, 1755

Table of figures

< >
< >
page |< < of 320 > >|
    <archimedes>
      <text>
        <body>
          <chap>
            <p type="main">
              <s>
                <pb xlink:href="003/01/272.jpg" pagenum="196"/>
              moves upon an odd Number of Feet. </s>
              <s>On
                <lb/>
              the contrary, they made their Apertures al­
                <lb/>
              ways in uneven Numbers, as Nature herſelf
                <lb/>
              has done in ſome Inſtances, for tho' in Ani­
                <lb/>
              mals ſhe has placed an Ear, an Eye, and a
                <lb/>
              Noſtril on each Side, yet the great Aperture,
                <lb/>
              the Mouth, ſhe has ſet ſingly in the Middle.
                <lb/>
              </s>
              <s>But among theſe Numbers, whether even or
                <lb/>
              uneven, there are ſome which ſeem to be
                <lb/>
              greater Favourites with Nature than others,
                <lb/>
              and more celebrated among learned Men;
                <lb/>
              which Architects have borrowed for the Com­
                <lb/>
              poſition of the Members of their Edifices,
                <lb/>
              upon Account of their being endued with
                <lb/>
              ſome Qualities which make them more valu­
                <lb/>
              able than any others.</s>
            </p>
            <p type="main">
              <s>THUS all the Philoſophers affirm, that Na­
                <lb/>
              ture herſelf conſiſts in a ternary Principle;
                <lb/>
              and ſo the Number five, when we conſider
                <lb/>
              the many Things, and thoſe ſo admirable and
                <lb/>
              various, which either follow this Number in
                <lb/>
              themſelves, or are derived from thoſe Things
                <lb/>
              which do, muſt be allowed to be divine in its
                <lb/>
              Nature, and worthily dedicated to the Gods
                <lb/>
              of the Arts, and particularly to
                <emph type="italics"/>
              Mercury.
                <emph.end type="italics"/>
              </s>
              <s> It is
                <lb/>
              certain, that Almighty God himſelf, the Crea­
                <lb/>
              tor of all Things, takes particular Delight in
                <lb/>
              the Number Seven, having placed ſeven Pla­
                <lb/>
              nets in the Skies, and having been pleaſed to
                <lb/>
              ordain with Regard to Man, the Glory of his
                <lb/>
              Creation, that Conception, Growth, Maturity
                <lb/>
              and the like, ſhould all be reduceable to this
                <lb/>
              Number Seven.
                <emph type="italics"/>
              Ariſtotle
                <emph.end type="italics"/>
              ſays, that the An­
                <lb/>
              cients never uſed to give a Child a Name, till
                <lb/>
              it was ſeven Days old, as not thinking it was
                <lb/>
              deſtined to Life before; becauſe both the Seed
                <lb/>
              in the Womb, and the Child after its Birth, is
                <lb/>
              liable to very dangerous Accidents till the ſe­
                <lb/>
              venth Day is over. </s>
              <s>Among odd Numbers,
                <lb/>
              that of Nine is highly celebrated, in which
                <lb/>
              Number that great Artiſt, Nature, made the
                <lb/>
              Spheres of Heaven; and the Philoſophers ſay,
                <lb/>
              that Nature in many, and thoſe the greateſt
                <lb/>
              Things, is contented with making uſe of the
                <lb/>
              ninth Part of a Whole. </s>
              <s>Thus forty is about
                <lb/>
              the Ninth Part of all the Days of the Year,
                <lb/>
              according to the Revolution of the Sun, and
                <lb/>
                <emph type="italics"/>
              Hippocrates
                <emph.end type="italics"/>
              tells us, that in forty Days the
                <lb/>
                <emph type="italics"/>
              Foetus
                <emph.end type="italics"/>
              is formed in the Womb. </s>
              <s>Moreover we
                <lb/>
              find, that in the Generality of acute Diſtem­
                <lb/>
              pers, the Patient recovers at the End of forty
                <lb/>
              Days. </s>
              <s>At the End of the ſame Time Wo­
                <lb/>
              men that are with Child of a Male, ceaſe their
                <lb/>
              Purgations, which, if they are delivered of a
                <lb/>
              Boy, after the ſame Term of forty Days, begin
                <lb/>
              afreſh. </s>
              <s>They ſay further, that the Child itſelf
                <lb/>
              for forty Days is never ſeen either to laugh or
                <lb/>
              ſhed Tears while it is awake; tho' in its Sleep
                <lb/>
              it will do both. </s>
              <s>And thus much of odd
                <lb/>
              Numbers.</s>
            </p>
            <p type="main">
              <s>As to even Numbers, ſome Philoſophers
                <lb/>
              teach, that the Number four is dedicated to
                <lb/>
              the Deity, and for this Reaſon it was uſed in
                <lb/>
              the Taking the moſt ſolemn Oaths, which
                <lb/>
              were repeated four Times; and they tell us,
                <lb/>
              that even among the moſt excellent Numbers,
                <lb/>
              that of ſix is the moſt perfect, or conſiſting of
                <lb/>
              all its own entire Parts, for Example:
                <lb/>
                <arrow.to.target n="table1"/>
              </s>
            </p>
            <table>
              <table.target id="table1"/>
              <row>
                <cell/>
                <cell>1.1.1.1.1.1.</cell>
                <cell>1.2.3.</cell>
                <cell>1.5.</cell>
                <cell>2.2.2.</cell>
              </row>
              <row>
                <cell/>
                <cell>6.</cell>
                <cell>6.</cell>
                <cell>6.</cell>
                <cell>6.</cell>
              </row>
              <row>
                <cell>2.4.</cell>
                <cell>3.3.</cell>
                <cell/>
                <cell/>
                <cell/>
              </row>
              <row>
                <cell>6.</cell>
                <cell>6.</cell>
                <cell/>
                <cell/>
                <cell/>
              </row>
            </table>
            <p type="main">
              <s>And it is certain, that the Number eight has
                <lb/>
              an extraordinary Power in the Nature of
                <lb/>
              Things. </s>
              <s>Except in
                <emph type="italics"/>
              Ægypt,
                <emph.end type="italics"/>
              we never find,
                <lb/>
              that any Child born in the eighth Month, lives
                <lb/>
              long; nay, and even the Mother herſelf who
                <lb/>
              is is ſo delivered in the eighth Month, when
                <lb/>
              the Child is dead, will certainly, we are told,
                <lb/>
              die ſoon afterwards. </s>
              <s>If the Father touches
                <lb/>
              his Wife in the eighth Month, the Child will
                <lb/>
              be full of foul Humours, and its Skin will be
                <lb/>
              leprous and Scurfy, and nauſeous to the Sight.
                <lb/>
                <emph type="italics"/>
              Ariſtotle
                <emph.end type="italics"/>
              was of Opinion, that the Number
                <lb/>
              ten was the moſt perfect of all, which was
                <lb/>
              probably becauſe its ſquare is compoſed of four
                <lb/>
              continued Cubes put together. </s>
              <s>Upon theſe
                <lb/>
              Accounts the Architects have moſt frequently
                <lb/>
              made uſe of the foregoing Numbers; but in
                <lb/>
              their Apertures they ſeldom have exceeded
                <lb/>
              that of ten for an even, or nine for an odd
                <lb/>
              Number, eſpecially in Temples. </s>
              <s>We are now
                <lb/>
              to treat of the Finiſhing.</s>
            </p>
            <p type="main">
              <s>BY the Finiſhing I underſtand a certain
                <lb/>
              mutual Correſpondence of thoſe ſeveral Lines,
                <lb/>
              by which the Proportions are meaſured, where­
                <lb/>
              of one is the Length, the other the Breadth,
                <lb/>
              and the other the Height.</s>
            </p>
            <p type="main">
              <s>THE Rule of theſe Proportions is beſt ga­
                <lb/>
              thered from thoſe Things in which we find
                <lb/>
              Nature herfelf to be moſt compleat and ad­
                <lb/>
              mirable; and indeed I am every Day more
                <lb/>
              and more convinced of the Truth of
                <emph type="italics"/>
              Pytha­
                <lb/>
              goras
                <emph.end type="italics"/>
              's Saying, that Nature is ſure to act con­
                <lb/>
              ſiſtently, and with a conſtant Analogy in all
                <lb/>
              her Operations: From whence I conclude, </s>
            </p>
          </chap>
        </body>
      </text>
    </archimedes>