Biancani, Giuseppe, Aristotelis loca mathematica, 1615

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              choris minimè congruunt, ſic ſcenis ſunt magis domeſtica; etenim ſcena Heroum
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              facta, dictaqué ſimulat. </s>
              <s id="s.004817">Veterum autem duces ſoli Heroes fuerunt. </s>
              <s id="s.004818">populi verò erant
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              Homines, ex quibus chorus conſtat. </s>
              <s id="s.004819">quapropter choro competunt mores flebiles, &
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              æquales, & moduli; hæc enim humana ſunt. </s>
              <s id="s.004820">quæqué harmoniæ cæteræ aliæ non ha­
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              bent. </s>
              <s id="s.004821">minimè verò hypophrygius, qui lymphaticus,
                <expan abbr="atq;">atque</expan>
              bacchicus eſt. </s>
              <s id="s.004822">At mixto­
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              lydius illa præſtare poteſt; propterea eo aliquo modo afficimur. </s>
              <s id="s.004823">magis autem debi­
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              les afficiuntur, quàm fortes, quapropter ille choris conuenit. </s>
              <s id="s.004824">Hypodorio verò, &
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              hypophrygio agimus, qui choro non conueniunt; est enim chorus, veluti curator
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              quidam otioſus, ijs ſolum beneuolentiam præbens, quibus adeſt)
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              lege Probl. 30.
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              vbi idem quæſiuit. </s>
              <s id="s.004825">lege præterea, quæ ad num. </s>
              <s id="s.004826">15. annotaui: ex quibus lo­
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              cum hunc intelliges. </s>
              <s id="s.004827">quod ait
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              (In Gerione excurſus, & armatio)
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              exiſtimo,
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              Gerionem hunc Tragœdiam fuiſſe illam, quam Suidas in Nicomacho inter
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              Nicomachi Alexandrini Tragici Tragœdias recenſet. </s>
              <s id="s.004828">excurſus verò, & ar­
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              matio erant partes, quibus conſtabat Tragœdia, quemadmodum noſtræ in
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                <expan abbr="quinq;">quinque</expan>
              actus diuiduntur. </s>
              <s id="s.004829">vide Zarlinum cap. 5. primæ partis Inſtit. vbi tra­
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              dit fabulam quandam Delonam dictam, quæ in modum Tragœdiæ habeba­
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              tur, fuiſſe diuiſam in 5. partes, Explorationem, Prouocationem, Iambicum,
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              Spondeum, & Ouationem, aut Saltationem.</s>
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              <s id="s.004830">
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            <p type="margin">
              <s id="s.004831">
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              401</s>
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            <p type="main">
              <s id="s.004832">Probl. 50.
                <emph type="italics"/>
              (Cur in ſonis grauioribus ſymphonia mollior euadit? </s>
              <s id="s.004833">An quod mo­
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              dulatus cantus ſua quidem natura mollis eſt, & quietus: ſed admixti numeri, ſeu
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              rithmi ratione aſperior redditur, & mouentior. </s>
              <s id="s.004834">cùm igitur ſonus granis, mollis, &
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              quietus ſit; ſonus autem acutus mouens, & irritans; omninò ſequitur admixito­
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              ne eiuſdem numeri grauiorem cantum debere eſſe
                <expan abbr="quoq;">quoque</expan>
              molliorem; eſt enim modu­
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              latus cantus ex ijs, quæ mollia ſunt)
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              ſoni grauiores natura molliores ſunt, ideſt,
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              molles mores reddunt, ſeu molles,
                <expan abbr="effœminatosq́">effœminatosque</expan>
              ; decent magis, quàm ſo­
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              ni acuti: moduli præterea, ſiue cantilenæ modulatæ, aut rithmi, molles na­
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              tura ſunt, vt ſuperius num. </s>
              <s id="s.004835">38. explicatum eſt: ſi igitur vtrique & graui, &
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              acuto addatur numerus, neceſſariò graue mollius euadet.</s>
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            <p type="main">
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              <s id="s.004837">
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              402</s>
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            <p type="main">
              <s id="s.004838">Probl. 51.
                <emph type="italics"/>
              (Cur æqualium, & ſimilium doliorum, ſi vnum ſit inane; alterum
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              verò dimidiatum tinnitus eorum Diapaſon reſonabunt? </s>
              <s id="s.004839">An quoniam ſonus dimi­
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              diati cum ſono vacui duplam habent inuicem proportionem: quid enim in iſtis po­
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              tius, quàm in fiſtulis res euariat? </s>
              <s id="s.004840">motum
                <expan abbr="namq;">namque</expan>
              eŭndem acutiorem putamus, quem
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              velociorem. </s>
              <s id="s.004841">in maioribus verò aer tardius occurrit, vt in duplis duplò, & cæteris
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              ſecundum proportionem. </s>
              <s id="s.004842">in vtris etiam, duplus cùm dimidio Diapaſon conſonat)
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              quæ initio dixi in diuiſione monochordij, & alibi, ſed præſertim in Probl. 23.
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              locum hunc abundè declarant. </s>
              <s id="s.004843">Vbicunque enim corpus ſonans duplum eſt
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              alterius corporis ſonantis, ſiue ſint chordæ, ſiue fiſtulæ, ſiue dolia, ſiue vtres,
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              reſonant Diapaſon, cuius forma conſiſtit in proportione dupla, quæ in hu­
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              iuſmodi corporum ſonis reperitur.</s>
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          <chap>
            <p type="head">
              <s id="s.004844">
                <emph type="italics"/>
              Ex Sectione 23.
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              </s>
            </p>
            <p type="main">
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              <s id="s.004846">
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              403</s>
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            <p type="main">
              <s id="s.004847">Problema 2.
                <emph type="italics"/>
              (Cur nauigia onuſtiora in portu, quàm in alto eſſe videntur? </s>
              <s id="s.004848">cæ­
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              lerius enim de alto in terram veniunt, quàm de terra in altum prouehantur?
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              </s>
              <s id="s.004849">An quod plus aquæ, quàm minus reniti validius poteſt? </s>
              <s id="s.004850">parua enim oppreſſa onere
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              </s>
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