Alberti, Leone Battista
,
Architecture
,
1755
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<
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xlink:href
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003/01/274.jpg
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198
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equal Length, all correſponding with one an
<
lb
/>
other at Right Angles. </
s
>
<
s
>The neareſt to this is
<
lb
/>
the
<
emph
type
="
italics
"/>
Seſquialtera,
<
emph.end
type
="
italics
"/>
and the
<
emph
type
="
italics
"/>
Seſquitertian
<
emph.end
type
="
italics
"/>
alſo may
<
lb
/>
be reckoned among the ſhorter Areas. </
s
>
<
s
>Theſe
<
lb
/>
three Proportions therefore, which we may alſo
<
lb
/>
call ſimple, are proper for the ſmaller Plat
<
lb
/>
forms. </
s
>
<
s
>There are likewiſe three others, which
<
lb
/>
are proper for middling Platforms: The beſt
<
lb
/>
of all is the Double, and the next beſt is that
<
lb
/>
which is formed of the
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
doubled,
<
lb
/>
which is produced as follows: Having ſet
<
lb
/>
down the leaſt Number of the Area, as, for
<
lb
/>
Inſtance, four, lengthen it to the firſt
<
emph
type
="
italics
"/>
Seſqui
<
lb
/>
altera,
<
emph.end
type
="
italics
"/>
which will make ſix, and then add the
<
lb
/>
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
of this ſix, which will produce
<
lb
/>
nine. </
s
>
<
s
>Thus the Length will exceed the Breadth
<
lb
/>
in a double Proportion, and one Tone more.
<
lb
/>
<
arrow.to.target
n
="
table7
"/>
</
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>
</
p
>
<
table
>
<
table.target
id
="
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<
row
>
<
cell
>4 0000</
cell
>
<
cell
/>
</
row
>
<
row
>
<
cell
/>
<
cell
>
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
</
cell
>
</
row
>
<
row
>
<
cell
>6 000000</
cell
>
<
cell
/>
</
row
>
<
row
>
<
cell
>9 000000000</
cell
>
<
cell
>
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
doubled</
cell
>
</
row
>
</
table
>
<
p
type
="
main
">
<
s
>FOR moderate Platforms alſo, we may uſe
<
lb
/>
that Proportion which ariſes from the
<
emph
type
="
italics
"/>
Seſqui
<
lb
/>
tertian
<
emph.end
type
="
italics
"/>
doubled in the ſame Manner as the for
<
lb
/>
mer; wherein the Length and Breadth will
<
lb
/>
be as nine and ſixteen.
<
lb
/>
<
arrow.to.target
n
="
table8
"/>
</
s
>
</
p
>
<
table
>
<
table.target
id
="
table8
"/>
<
row
>
<
cell
>9 000000000</
cell
>
<
cell
/>
</
row
>
<
row
>
<
cell
/>
<
cell
>
<
emph
type
="
italics
"/>
Seſquitertia
<
emph.end
type
="
italics
"/>
</
cell
>
</
row
>
<
row
>
<
cell
>12 000000000000</
cell
>
<
cell
/>
</
row
>
<
row
>
<
cell
>16 0000000000000000</
cell
>
<
cell
>
<
emph
type
="
italics
"/>
Seſquitertia
<
emph.end
type
="
italics
"/>
doubled</
cell
>
</
row
>
</
table
>
<
p
type
="
main
">
<
s
>HERE the longer Line contains the ſhorter
<
lb
/>
twice, excluding one Tone of that ſhorter
<
lb
/>
Line. </
s
>
<
s
>In the longeſt Areas we either add the
<
lb
/>
<
emph
type
="
italics
"/>
Duple
<
emph.end
type
="
italics
"/>
to the
<
emph
type
="
italics
"/>
Seſquialtera,
<
emph.end
type
="
italics
"/>
which will produce
<
lb
/>
the
<
emph
type
="
italics
"/>
Triple;
<
emph.end
type
="
italics
"/>
or add the
<
emph
type
="
italics
"/>
Seſquitertia
<
emph.end
type
="
italics
"/>
to the
<
lb
/>
<
emph
type
="
italics
"/>
Duple,
<
emph.end
type
="
italics
"/>
which will make the Proportion as three
<
lb
/>
to eight; or laſtly make the Lines correſpond
<
lb
/>
to each other in a
<
emph
type
="
italics
"/>
Quadruple
<
emph.end
type
="
italics
"/>
Proportion. </
s
>
<
s
>We
<
lb
/>
have now ſpoke of the ſhorter Platforms,
<
lb
/>
wherein the Numbers anſwer to each other
<
lb
/>
equally, as two to three, or three to four, and
<
lb
/>
of the Middling, wherein they correſpond as
<
lb
/>
two to four, or as four to nine, or as nine to
<
lb
/>
ſixteen: And laſtly of the longeſt, wherein
<
lb
/>
the Numbers anſwer in a
<
emph
type
="
italics
"/>
Triple
<
emph.end
type
="
italics
"/>
or
<
emph
type
="
italics
"/>
Quadruple
<
emph.end
type
="
italics
"/>
<
lb
/>
Proportion, or as three to eight. </
s
>
<
s
>We may
<
lb
/>
join together or compound all the three Lines
<
lb
/>
of any Body whatſoever, by Means of theſe ſe
<
lb
/>
veral Number, which are either innate with
<
lb
/>
Harmony itſelf, or produced from other
<
lb
/>
Proportions in a certain and regular Me
<
lb
/>
thod. </
s
>
<
s
>We find in Harmony thoſe Num
<
lb
/>
bers from whoſe mutual Relations we may
<
lb
/>
form their ſeveral Proporions, as in the
<
emph
type
="
italics
"/>
Duple,
<
emph.end
type
="
italics
"/>
<
lb
/>
the
<
emph
type
="
italics
"/>
Triple
<
emph.end
type
="
italics
"/>
and the
<
emph
type
="
italics
"/>
Quadruple.
<
emph.end
type
="
italics
"/>
</
s
>
<
s
> For In
<
lb
/>
ſtance, the
<
emph
type
="
italics
"/>
Duple
<
emph.end
type
="
italics
"/>
is formed of the ſimple
<
emph
type
="
italics
"/>
Seſ
<
lb
/>
quialtera,
<
emph.end
type
="
italics
"/>
with the Addition of the
<
emph
type
="
italics
"/>
Seſquitertia,
<
emph.end
type
="
italics
"/>
<
lb
/>
in the following Method. </
s
>
<
s
>Let the leaſt Num
<
lb
/>
ber of the
<
emph
type
="
italics
"/>
Duple
<
emph.end
type
="
italics
"/>
be two; the
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
of
<
lb
/>
this is three, and the
<
emph
type
="
italics
"/>
Seſquitertia
<
emph.end
type
="
italics
"/>
of this Num
<
lb
/>
ber three is four, which is juſt the Double of
<
lb
/>
two before-mentioned.
<
lb
/>
<
arrow.to.target
n
="
table9
"/>
</
s
>
</
p
>
<
table
>
<
table.target
id
="
table9
"/>
<
row
>
<
cell
>00</
cell
>
<
cell
/>
</
row
>
<
row
>
<
cell
>000</
cell
>
<
cell
>The
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
</
cell
>
</
row
>
<
row
>
<
cell
>0000</
cell
>
<
cell
>The
<
emph
type
="
italics
"/>
Seſquitertia
<
emph.end
type
="
italics
"/>
or
<
emph
type
="
italics
"/>
Duple
<
emph.end
type
="
italics
"/>
</
cell
>
</
row
>
</
table
>
<
p
type
="
main
">
<
s
>OR elſe the ſame is done in the following
<
lb
/>
Manner: Let the ſmaller Number be, for In
<
lb
/>
ſtance, three; I add one to make it a
<
emph
type
="
italics
"/>
Seſqui
<
lb
/>
tertia,
<
emph.end
type
="
italics
"/>
and it becomes four, to which adding a
<
lb
/>
<
emph
type
="
italics
"/>
Seſquialtera,
<
emph.end
type
="
italics
"/>
it makes it ſix, which, compared
<
lb
/>
to three, is juſt in a double Proportion.
<
lb
/>
<
arrow.to.target
n
="
table10
"/>
</
s
>
</
p
>
<
table
>
<
table.target
id
="
table10
"/>
<
row
>
<
cell
/>
<
cell
>000</
cell
>
<
cell
/>
</
row
>
<
row
>
<
cell
>The
<
emph
type
="
italics
"/>
Duple
<
emph.end
type
="
italics
"/>
</
cell
>
<
cell
>0000</
cell
>
<
cell
>
<
emph
type
="
italics
"/>
Seſquitertia
<
emph.end
type
="
italics
"/>
</
cell
>
</
row
>
<
row
>
<
cell
/>
<
cell
>000000</
cell
>
<
cell
>
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
</
cell
>
</
row
>
</
table
>
<
p
type
="
main
">
<
s
>THE
<
emph
type
="
italics
"/>
Triple
<
emph.end
type
="
italics
"/>
is likewiſe made of the
<
emph
type
="
italics
"/>
Duple,
<
emph.end
type
="
italics
"/>
<
lb
/>
and of the
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
joined together: For
<
lb
/>
Inſtance, let the ſmaller Number here be two;
<
lb
/>
this being doubled, makes four; to which
<
lb
/>
adding a
<
emph
type
="
italics
"/>
Seſquialtera,
<
emph.end
type
="
italics
"/>
it becomes ſix, which is
<
lb
/>
the
<
emph
type
="
italics
"/>
Triple
<
emph.end
type
="
italics
"/>
of two.
<
lb
/>
<
arrow.to.target
n
="
table11
"/>
</
s
>
</
p
>
<
table
>
<
table.target
id
="
table11
"/>
<
row
>
<
cell
/>
<
cell
>00</
cell
>
<
cell
/>
</
row
>
<
row
>
<
cell
>The
<
emph
type
="
italics
"/>
Triple
<
emph.end
type
="
italics
"/>
</
cell
>
<
cell
>0000</
cell
>
<
cell
>doubled</
cell
>
</
row
>
<
row
>
<
cell
/>
<
cell
>000000</
cell
>
<
cell
>
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
</
cell
>
</
row
>
</
table
>
<
p
type
="
main
">
<
s
>OR the ſame Thing is done as follows;
<
lb
/>
placing the ſame Number of two for the
<
lb
/>
ſmaller Number, take the
<
emph
type
="
italics
"/>
Seſquialtera,
<
emph.end
type
="
italics
"/>
and
<
lb
/>
you will have three, which being doubled,
<
lb
/>
gives ſix, and ſo we ſhall have the
<
emph
type
="
italics
"/>
Triple
<
emph.end
type
="
italics
"/>
of
<
lb
/>
two.
<
lb
/>
<
arrow.to.target
n
="
table12
"/>
</
s
>
</
p
>
<
table
>
<
table.target
id
="
table12
"/>
<
row
>
<
cell
/>
<
cell
>00</
cell
>
<
cell
/>
</
row
>
<
row
>
<
cell
>The
<
emph
type
="
italics
"/>
Triple
<
emph.end
type
="
italics
"/>
</
cell
>
<
cell
>000</
cell
>
<
cell
>
<
emph
type
="
italics
"/>
Seſquialtera
<
emph.end
type
="
italics
"/>
</
cell
>
</
row
>
<
row
>
<
cell
/>
<
cell
>000000</
cell
>
<
cell
>doubled</
cell
>
</
row
>
</
table
>
<
p
type
="
main
">
<
s
>BY Means of the ſame Extenſions we may
<
lb
/>
produce the
<
emph
type
="
italics
"/>
Quadruple,
<
emph.end
type
="
italics
"/>
by compounding one
<
lb
/>
<
emph
type
="
italics
"/>
Duple
<
emph.end
type
="
italics
"/>
with another, ſince it is indeed nothing
<
lb
/>
more than the
<
emph
type
="
italics
"/>
Duple
<
emph.end
type
="
italics
"/>
doubled, which is alſo
<
lb
/>
called
<
emph
type
="
italics
"/>
Diſdiapaſon,
<
emph.end
type
="
italics
"/>
and is performed as follows:
<
lb
/>
Let the ſmaller Number here, for Inſtance, be
<
lb
/>
two; double this, and it makes the
<
emph
type
="
italics
"/>
Diapaſon,
<
emph.end
type
="
italics
"/>
<
lb
/>
that is to ſay four, which is the
<
emph
type
="
italics
"/>
Duple
<
emph.end
type
="
italics
"/>
of two,
<
lb
/>
and doubling this four, it makes the
<
emph
type
="
italics
"/>
Diſdiapa
<
lb
/>
ſon,
<
emph.end
type
="
italics
"/>
which is as eight to two.
<
lb
/>
<
arrow.to.target
n
="
table13
"/>
</
s
>
</
p
>
</
chap
>
</
body
>
</
text
>
</
archimedes
>