Alberti, Leone Battista
,
Architecture
,
1755
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<
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>CHAP. IX.</
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The Buſineſs and Duty of a good Architect, and wherein the Excellence of the
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Ornaments conſiſts.
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<
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>A Prudent Architect will proceed in the
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Method which we have been juſt laying
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down. </
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<
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>He will never ſet about his Work without
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proper Caution and Advice. </
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<
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>He will ſtudy the
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Nature and Strength of the Soil where he is to
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build, and obſerve, as well from a Survey of
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Structures in the Neighbourhood, as from the
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Practice and Uſe of the Inhabitants, what Ma
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terials, what Sort of Stone, Sand, Lime or
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Timber, whether found on the Place, or
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brought from other Parts, will beſt ſtand againſt
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the Injuries of the Weather. </
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<
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>He will ſet
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out the exact Breadth and Depth of the Foun
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dations, and of the Baſement of the whole
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Wall, and take an Account of every Thing
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that is neceſſary for the Building, whether for
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the outward Coat or the filling up, for the Li
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gatures, the Ribs, or the Apertures, the Roof,
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the Incruſtation, for Pavements abroad, or
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Floors within; he will direct which Way,
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and by what Method every thing ſuperfluous,
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noxious or offenſive ſhall be carried off by
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Drains for conveying away the rain Water,
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and keeping the Foundations dry, and by pro
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per Defences againſt any moiſt Vapours, or
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even againſt any unexpected Floods or Vio
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lence from Winds or Storms. </
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<
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>In a Word,
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he will give Directions for every ſingle Part,
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and not ſuffer any thing to eſcape his Notice
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and Decree. </
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>And tho' all theſe Particulars ſeem
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chiefly to relate to Convenience and Stability,
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yet they carry this along with them, that if
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neglected they deſtroy all the Beauty and Or
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nament of the Edifice. </
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<
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>Now the Rules which
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give the Ornaments themſelves their main Ex
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cellence, are as follows. </
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<
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>Firſt all your Orna
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ments muſt be exactly regular, and perfectly
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diſtinct, and without Confuſion: Your Em
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belliſhments muſt not be too much crowded
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together or ſcattered as it were under Foot, or
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thrown on in Heaps, but ſo aptly and neatly
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diſtributed, that whoever ſhould go about to
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alter their Situation, ſhould be ſenſible that
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he deſtroyed the whole Beauty and Delicacy
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of the Work. </
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>There is no Part whatſoever
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but what the Artiſt ought to adorn; but there
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is no Occaſion that all ſhould be adorned
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equally, or that every thing ſhould be enriched
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with equal Expence; for indeed I would not
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have the Merit of the Work conſiſt ſo much
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in Plenty as in Variety. </
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<
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>Let the Builder fix
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his richeſt Ornaments in the principal Places;
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thoſe of a middling Sort, in Places of leſs Note,
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and the meaneſt in the meaneſt. </
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<
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>And here
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he ſhould be particularly careful, not to mix
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what is rich with any thing trifling, nothing
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little with what is great, nor to ſet any thing
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too large or high in narrow or cloſe Places;
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tho' things which are not equal to each other
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in Dignity, nor alike even in Species, may very
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well be placed together, ſo it be done artfully
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and ingeniouſly, and in ſuch a Manner, that
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as the one appears ſolemn and majeſtick, the
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other may ſhew chearful and pleaſant, and that
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they may not only unite their different Beau
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ties for the Embelliſhment of the Structure,
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but alſo ſeem as if the one without the other
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had been imperfect; nor may it be amiſs in
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ſome certain Places to intermix ſomewhat even
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of a coarſe Sort, that what is noble may re
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ceive a yet further Addition from the Com
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pariſon: Always be ſure never to make a Con
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fuſion of the Orders, which will happen if you
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mix the
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Doric
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Members with the
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Corinthian,
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as I obſerved before, or the
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Corinthian
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with
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the
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Ionic,
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or the like. </
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<
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>Let every Order have
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its own regular Members, and thoſe all in their
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proper Places, that nothing may appear per
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plexed or broken. </
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<
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>Let ſuch Ornaments as are
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proper to the Middle be placed in the Middle,
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and let thoſe which are at equal Diſtances on
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each Side, be proportioned exactly alike. </
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<
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>In
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ſhort, let every thing be meaſured, and put to
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gether with the greateſt Exactneſs of Lines and
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Angles, that the Beholder's Eye may have a
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clear and diſtinct View along the Cornices, be
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tween the Columns on the Inſide and without,
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receiving every Moment freſh Delight from the
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Variety he meets with, inſomuch, that after the
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moſt careful and even repeated Views, he ſhall
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not be able to depart without once more turn
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ing back to take another Look, nor, upon the
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moſt critical Examination, be able in any Part
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of the whole Structure to find one Thing un</
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