Alberti, Leon Battista, L' architettura

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            <s xml:id="echoid-s11183" xml:space="preserve">
              <pb o="297" file="305" n="305" rhead="LIBRO OTTAVO"/>
            teſte per lo lungho ſi chiamano cerchi, perche in queſti con le carrette di
              <lb/>
            duoi, & </s>
            <s xml:id="echoid-s11184" xml:space="preserve">di quattro cauagli ſi và nel giucare accerchiando, & </s>
            <s xml:id="echoid-s11185" xml:space="preserve">aggirando a tor-
              <lb/>
            no a i poſtiui termini & </s>
            <s xml:id="echoid-s11186" xml:space="preserve">piramidi. </s>
            <s xml:id="echoid-s11187" xml:space="preserve">& </s>
            <s xml:id="echoid-s11188" xml:space="preserve">in queſti ancora ſi faceuano combatti-
              <lb/>
            menti & </s>
            <s xml:id="echoid-s11189" xml:space="preserve">giuochi Nauali condottaui dentro la acqua, o di qualche riuo, o di
              <lb/>
            quella degli aquidotti ſecondo i luoghi. </s>
            <s xml:id="echoid-s11190" xml:space="preserve">Sono alcuni che dicono che gli an-
              <lb/>
              <note position="left" xlink:label="note-305-01" xlink:href="note-305-01a" xml:space="preserve">5</note>
            tichi erano ſoliti di fare tai giuochi incirco inter enſes & </s>
            <s xml:id="echoid-s11191" xml:space="preserve">flumina, cioè nel
              <lb/>
            cerchio infra le ſpade & </s>
            <s xml:id="echoid-s11192" xml:space="preserve">l’acqua. </s>
            <s xml:id="echoid-s11193" xml:space="preserve">& </s>
            <s xml:id="echoid-s11194" xml:space="preserve">però eſſer’chiamati giuochi Circenſi, & </s>
            <s xml:id="echoid-s11195" xml:space="preserve">
              <lb/>
            che lo inuentore di queſto giuoco fu vn’ certo Monago in Elide di Aſia. </s>
            <s xml:id="echoid-s11196" xml:space="preserve">ma
              <lb/>
            quello ſpatio che ſi richiudeua infra le frondi di duoi Teatri, che ſi atteſtaſsino
              <lb/>
            inſieme chiamauano cauea, lo edificio tutto in ſe chiamauano Amfiteatro.
              <lb/>
            </s>
            <s xml:id="echoid-s11197" xml:space="preserve">
              <note position="left" xlink:label="note-305-02" xlink:href="note-305-02a" xml:space="preserve">10</note>
            Biſogna che i luoghi per gli ſpettacoli principalmente ſi eleghino in boniſsi-
              <lb/>
            ma aria, accioche non ſieno oſſeſi da Venti nè da Soli nè da le altre coſe che
              <lb/>
            noi raccontammo nel primo libro; </s>
            <s xml:id="echoid-s11198" xml:space="preserve">& </s>
            <s xml:id="echoid-s11199" xml:space="preserve">il Teatro maſsimamente biſogna che
              <lb/>
            ſia difeſo dal Sole, & </s>
            <s xml:id="echoid-s11200" xml:space="preserve">coperto dal tutto, concioſia che il popolo cerca le dilica-
              <lb/>
            tezze de Poeti, & </s>
            <s xml:id="echoid-s11201" xml:space="preserve">le leggieri & </s>
            <s xml:id="echoid-s11202" xml:space="preserve">ombratili delitie de gli animi, nel Meſe di Ago
              <lb/>
              <note position="left" xlink:label="note-305-03" xlink:href="note-305-03a" xml:space="preserve">15</note>
            ſto. </s>
            <s xml:id="echoid-s11203" xml:space="preserve">& </s>
            <s xml:id="echoid-s11204" xml:space="preserve">ſe nel circuito della muraglia riuerberaſsino in cerchio i raggi del So-
              <lb/>
            le, il calore cocerebbe i corpi, & </s>
            <s xml:id="echoid-s11205" xml:space="preserve">riſcaldatiſi gli humori, cadrebbono facilmen-
              <lb/>
            tein inſirmitati, & </s>
            <s xml:id="echoid-s11206" xml:space="preserve">malattie. </s>
            <s xml:id="echoid-s11207" xml:space="preserve">biſogna ancora che il luogo ſia ſonoro, & </s>
            <s xml:id="echoid-s11208" xml:space="preserve">non ro-
              <lb/>
            co. </s>
            <s xml:id="echoid-s11209" xml:space="preserve">& </s>
            <s xml:id="echoid-s11210" xml:space="preserve">è conueniente che viſieno loggie o congiunte con lo ediſitio o quiui vi-
              <lb/>
            cine doue il popolo poſſa in vn’ſubito ricorrere a fuggire le furioſe pioggie
              <lb/>
              <note position="left" xlink:label="note-305-04" xlink:href="note-305-04a" xml:space="preserve">20</note>
            & </s>
            <s xml:id="echoid-s11211" xml:space="preserve">le tempeſte. </s>
            <s xml:id="echoid-s11212" xml:space="preserve"># A Platone piaceua che i Teatri ſi faceſsino nella Citta. </s>
            <s xml:id="echoid-s11213" xml:space="preserve">Le
              <lb/>
            parti del Teatro ſon’queſte, la Piazza eſpedita nel mezo allo ſcoperto, & </s>
            <s xml:id="echoid-s11214" xml:space="preserve">in-
              <lb/>
            torno a queſta piazza i gradi daſedere, & </s>
            <s xml:id="echoid-s11215" xml:space="preserve">a rincontro delle Teſte di detti gra-
              <lb/>
            di il Palco rileuato, ſul quale ſi hanno ad accomodare le coſe appartenenti al-
              <lb/>
            la ſauola da recitarſi; </s>
            <s xml:id="echoid-s11216" xml:space="preserve">& </s>
            <s xml:id="echoid-s11217" xml:space="preserve">nella piu alta parte ſopra i gradi, loggie, & </s>
            <s xml:id="echoid-s11218" xml:space="preserve">volte che
              <lb/>
              <note position="left" xlink:label="note-305-05" xlink:href="note-305-05a" xml:space="preserve">25</note>
            riceuino le voci de recitanti, & </s>
            <s xml:id="echoid-s11219" xml:space="preserve">le faccino diuentare piu ſonore. </s>
            <s xml:id="echoid-s11220" xml:space="preserve">Mai Teatri
              <lb/>
            de Greci ſono differenti da quei de Romani in queſto, chei Greci produce-
              <lb/>
            uano i chori, & </s>
            <s xml:id="echoid-s11221" xml:space="preserve">gli hiſtrioni ſcenici ſu la Piazza & </s>
            <s xml:id="echoid-s11222" xml:space="preserve">però haueuano biſogno di
              <lb/>
            minor’ palco, mai Romani recitauano tutta la fauola con tutti gli hiſtrioni
              <lb/>
            ſul palco, & </s>
            <s xml:id="echoid-s11223" xml:space="preserve">per ciò vollono i palchi maggiori. </s>
            <s xml:id="echoid-s11224" xml:space="preserve">Ma furono in queſto tutti d’ac-
              <lb/>
              <note position="left" xlink:label="note-305-06" xlink:href="note-305-06a" xml:space="preserve">30</note>
            cordo, che da principio nel diſegnare vnaſimil pianta ſi ſeruirono di vn me-
              <lb/>
            zo cerchio. </s>
            <s xml:id="echoid-s11225" xml:space="preserve">& </s>
            <s xml:id="echoid-s11226" xml:space="preserve">diſtenderono dipoi le corna del mezo cerchio; </s>
            <s xml:id="echoid-s11227" xml:space="preserve">ma alcuni con
              <lb/>
            linee diritte, & </s>
            <s xml:id="echoid-s11228" xml:space="preserve">alcuni con linee torte. </s>
            <s xml:id="echoid-s11229" xml:space="preserve">Quelli che ſi ſeruiuano delle linee di-
              <lb/>
            ritte le tirauano inſra loro equidiſtanti inſino a tanto che aggiugneſsino alla
              <lb/>
            quarta parte del Diametro del mezo cerchio; </s>
            <s xml:id="echoid-s11230" xml:space="preserve">Ma quelli che ſi ſeruiuano del-
              <lb/>
              <note position="left" xlink:label="note-305-07" xlink:href="note-305-07a" xml:space="preserve">35</note>
            le linee torte diſegnauano vn’cerchio tondo, & </s>
            <s xml:id="echoid-s11231" xml:space="preserve">ne leuauano dipoi il quarto de
              <lb/>
            la ſua circunferentia, & </s>
            <s xml:id="echoid-s11232" xml:space="preserve">quei che rimaneua, reſtaua per il Teatro. </s>
            <s xml:id="echoid-s11233" xml:space="preserve">Diſegnati & </s>
            <s xml:id="echoid-s11234" xml:space="preserve">
              <lb/>
            collocati i termini della pianta ſi daua ordine a gradi per ſedere, & </s>
            <s xml:id="echoid-s11235" xml:space="preserve">la prima
              <lb/>
            coſa deliberauano della altezza di eſsi gradi, & </s>
            <s xml:id="echoid-s11236" xml:space="preserve">dalla altezza loro andauano
              <lb/>
            eſaminando quanto ſpatio e’ fuſsino per occupare da baſſo. </s>
            <s xml:id="echoid-s11237" xml:space="preserve">La maggior’ parte
              <lb/>
              <note position="left" xlink:label="note-305-08" xlink:href="note-305-08a" xml:space="preserve">40</note>
            faceuano i Teatri alti per quanto era la piazza di mezo, perche e’ſapeuan’cer-
              <lb/>
            to che ne Teatri piu baſsi le voci ſi perdeuano & </s>
            <s xml:id="echoid-s11238" xml:space="preserve">non ſi ſentiuano, ma ne piu
              <lb/>
            alti ſi ingagliardiuano & </s>
            <s xml:id="echoid-s11239" xml:space="preserve">ſi ſentiuano piu forte. </s>
            <s xml:id="echoid-s11240" xml:space="preserve">ma infra gli eccellenti furon
              <lb/>
            quelli ne quali furono alzate le mura per i quattro quinti della larghezza del-
              <lb/>
            la piazza. </s>
            <s xml:id="echoid-s11241" xml:space="preserve">Di coſi fatto lauoro non occuparon’mai i gradi manco che la </s>
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