Alberti, Leon Battista, L' architettura

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            <s xml:id="echoid-s11241" xml:space="preserve">
              <pb o="298" file="306" n="306" rhead="DELLA AR CHITETTVRA."/>
            tà, ne piu chei duoi terzij. </s>
            <s xml:id="echoid-s11242" xml:space="preserve">I gradi da ſedere alcuna volta gli feciono alti
              <lb/>
            quanto egli erano larghi, & </s>
            <s xml:id="echoid-s11243" xml:space="preserve">alcuna volta alti per i duo’quinti. </s>
            <s xml:id="echoid-s11244" xml:space="preserve"># Io ne diſegne-
              <lb/>
            ròvno comeio penſerò che egli ſteſſe bene, & </s>
            <s xml:id="echoid-s11245" xml:space="preserve">che e’fuſſe approuato da ogn’u-
              <lb/>
            no. </s>
            <s xml:id="echoid-s11246" xml:space="preserve">Gli vltimi fondamenti de gradi, cioè delle mura. </s>
            <s xml:id="echoid-s11247" xml:space="preserve">nelle quali harà a finire
              <lb/>
            il più alto grado daſedere, ſi gitteranno tanto diſcoſto dal centro del mezo
              <lb/>
              <note position="left" xlink:label="note-306-01" xlink:href="note-306-01a" xml:space="preserve">5</note>
            cerchio, per quanto farà il mezo diametro della ſua piazza, & </s>
            <s xml:id="echoid-s11248" xml:space="preserve">più vn’terzo di
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            eſſa. </s>
            <s xml:id="echoid-s11249" xml:space="preserve">I primi gradi da ſedere non comincieranno giù abaſſo nel mezo della
              <lb/>
            piazza, ma in tal’ luogo ſi alzerà vn’muro, alto ne Teatri grandi per la nona
              <lb/>
            parte del mezo del diametro della piazza di mezo, accioche da queſto co-
              <lb/>
            mincino i gradi da ſedere, & </s>
            <s xml:id="echoid-s11250" xml:space="preserve">vadino ſalendo ad alto. </s>
            <s xml:id="echoid-s11251" xml:space="preserve">ma ne Teatri minori al-
              <lb/>
              <note position="left" xlink:label="note-306-02" xlink:href="note-306-02a" xml:space="preserve">10</note>
            zerai queſto muro non manco di ſette piedi. </s>
            <s xml:id="echoid-s11252" xml:space="preserve">i Gradi farai alti vn’piede & </s>
            <s xml:id="echoid-s11253" xml:space="preserve">me-
              <lb/>
            zo & </s>
            <s xml:id="echoid-s11254" xml:space="preserve">larghi duoi & </s>
            <s xml:id="echoid-s11255" xml:space="preserve">mezo. </s>
            <s xml:id="echoid-s11256" xml:space="preserve">Infra queſti gradi ſi faranno ſcompartite in volta
              <lb/>
            parte certe entrate per andar’nella piazza, & </s>
            <s xml:id="echoid-s11257" xml:space="preserve">parte certe ſcale per ſalire ad al-
              <lb/>
            to che vadino a trouare i gradi daſedere, che ſaranno piu alti, le quali entrate
              <lb/>
            & </s>
            <s xml:id="echoid-s11258" xml:space="preserve">ſcale ſaranno tante, & </s>
            <s xml:id="echoid-s11259" xml:space="preserve">tanto grandi quanto parrà che ricerchi la grandezza
              <lb/>
              <note position="left" xlink:label="note-306-03" xlink:href="note-306-03a" xml:space="preserve">15</note>
            del Teatro. </s>
            <s xml:id="echoid-s11260" xml:space="preserve"># Ma diqueſte entrate ne ſaranno ſette principali che ſaranno ad-
              <lb/>
            diritteal centro, & </s>
            <s xml:id="echoid-s11261" xml:space="preserve">eſpedite per tutto; </s>
            <s xml:id="echoid-s11262" xml:space="preserve">& </s>
            <s xml:id="echoid-s11263" xml:space="preserve">vgualmente lontana l’una dell’altra,
              <lb/>
            & </s>
            <s xml:id="echoid-s11264" xml:space="preserve">diqueſte ancora ce ne ſarà una più largha che l’altra, la quale verrà nel me-
              <lb/>
            zo del mezo cerchio, & </s>
            <s xml:id="echoid-s11265" xml:space="preserve">la quale io chiamo entrata maeſtra. </s>
            <s xml:id="echoid-s11266" xml:space="preserve">concioſia che per
              <lb/>
            eſſa paſſa la uia maeſtra; </s>
            <s xml:id="echoid-s11267" xml:space="preserve">vn altra poi, ne ſarà nella teſta del mezo cerchio da
              <lb/>
              <note position="left" xlink:label="note-306-04" xlink:href="note-306-04a" xml:space="preserve">20</note>
            man’ritta & </s>
            <s xml:id="echoid-s11268" xml:space="preserve">un’altra nell’altra teſta da mano ſtanca a ricontrole, & </s>
            <s xml:id="echoid-s11269" xml:space="preserve">infra que-
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            ſte poi & </s>
            <s xml:id="echoid-s11270" xml:space="preserve">la entrata maeſtra ſaranno ſcompartite quattro altre entrate, due da
              <lb/>
            ogni banda: </s>
            <s xml:id="echoid-s11271" xml:space="preserve">Sarannoui ancora altre aperture & </s>
            <s xml:id="echoid-s11272" xml:space="preserve">altri vani tali, & </s>
            <s xml:id="echoid-s11273" xml:space="preserve">tanti, quali
              <lb/>
            & </s>
            <s xml:id="echoid-s11274" xml:space="preserve">quanti ne comporteràil circuito del Teatro. </s>
            <s xml:id="echoid-s11275" xml:space="preserve">Tutti i gradi da ſedere gli
              <lb/>
            antichine teatrigrandi gli diuiſono in tre parti, & </s>
            <s xml:id="echoid-s11276" xml:space="preserve">a ciaſcuna di queſte diuiſio
              <lb/>
              <note position="left" xlink:label="note-306-05" xlink:href="note-306-05a" xml:space="preserve">25</note>
            ni faceuano atorno atorno vn’grado il doppio piu largo che gli altri, il quale
              <lb/>
            diuideſſe i gradi di ſopra da quei di ſotto, quaſi come vna piazzetta deſtinata
              <lb/>
            in quel’luogo. </s>
            <s xml:id="echoid-s11277" xml:space="preserve">Sopra queſti pianerottoli, per chiamarli coſi arriuauano le ſca-
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            le in uolta per lc quali ſi ſaliua a detti gradi. </s>
            <s xml:id="echoid-s11278" xml:space="preserve">Io hò conſiderato che i buoni Ar-
              <lb/>
            chitettori, & </s>
            <s xml:id="echoid-s11279" xml:space="preserve">valenti ingegneri proueddono che a ciaſcuna principale entrata
              <lb/>
              <note position="left" xlink:label="note-306-06" xlink:href="note-306-06a" xml:space="preserve">30</note>
            ſuſsino dal lato di dentro, di quà & </s>
            <s xml:id="echoid-s11280" xml:space="preserve">di là due ſcale da ſalire, per l’una delle qua-
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            li più ritta, con ſalita più continouata & </s>
            <s xml:id="echoid-s11281" xml:space="preserve">piu preſta vi poteſsino ſalire i più vo-
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            lonteroſi, & </s>
            <s xml:id="echoid-s11282" xml:space="preserve">i piu eſpediti, quaſi come volando, & </s>
            <s xml:id="echoid-s11283" xml:space="preserve">per’l’altra ſcala che era alquan
              <lb/>
            to piu larga & </s>
            <s xml:id="echoid-s11284" xml:space="preserve">piu dolce, & </s>
            <s xml:id="echoid-s11285" xml:space="preserve">nella quale erano pianerotoli piu ſpeſsi & </s>
            <s xml:id="echoid-s11286" xml:space="preserve">piu ſpeſ-
              <lb/>
            ſe ſuolte potesſino ſalirele Matrone, ei piu vecchi cõ loroagio & </s>
            <s xml:id="echoid-s11287" xml:space="preserve">comodita di
              <lb/>
              <note position="left" xlink:label="note-306-07" xlink:href="note-306-07a" xml:space="preserve">35</note>
            ripoſarſi piu ſpeſſonel ſalire, queſte ſono le coſe appartenenti a gradi. </s>
            <s xml:id="echoid-s11288" xml:space="preserve">Vltima
              <lb/>
            menterincontro alle teſte del Teatro, ſi ſaceua il palco per la ſcena & </s>
            <s xml:id="echoid-s11289" xml:space="preserve">per gli
              <lb/>
            hiſtrioni che haueuano a recitare, & </s>
            <s xml:id="echoid-s11290" xml:space="preserve">in queſti luoghi erano ſoliti di ſedere in
              <lb/>
            luogo determinato & </s>
            <s xml:id="echoid-s11291" xml:space="preserve">molto adorno i Padri, & </s>
            <s xml:id="echoid-s11292" xml:space="preserve">i Magiſtrati, ſeparati dalla Ple-
              <lb/>
            be, come ſarebbe a dire, ſe nel mezo della piazza ſi fusſino acconcie alcune
              <lb/>
              <note position="left" xlink:label="note-306-08" xlink:href="note-306-08a" xml:space="preserve">40</note>
            ſedie per loro da ſedere, molto honoreuolmente. </s>
            <s xml:id="echoid-s11293" xml:space="preserve">& </s>
            <s xml:id="echoid-s11294" xml:space="preserve">allhora ſi faceua il palco
              <lb/>
            della ſcena tanto grande, che & </s>
            <s xml:id="echoid-s11295" xml:space="preserve">gli hiſtrioni, & </s>
            <s xml:id="echoid-s11296" xml:space="preserve">i Muſici, & </s>
            <s xml:id="echoid-s11297" xml:space="preserve">quegli che guidaua-
              <lb/>
            no la fauola, non lo harebbono deſiderato molto maggiore. </s>
            <s xml:id="echoid-s11298" xml:space="preserve">Il piano di eſſo
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            palco, ueniua inſino al centro del mezzo cerchio, & </s>
            <s xml:id="echoid-s11299" xml:space="preserve">ſi alzaua da terra non piu
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            che cinque piedi, accioche i Senatori che ſedeuano nella piazza potesſino </s>
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