Alberti, Leon Battista, L' architettura

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            <s xml:id="echoid-s11348" xml:space="preserve">
              <pb o="300" file="308" n="308" rhead="DELLA ARCHITETTVRA"/>
            da quella intere, ma piu preſto rattenuteui, & </s>
            <s xml:id="echoid-s11349" xml:space="preserve">raffermate. </s>
            <s xml:id="echoid-s11350" xml:space="preserve">Aggiugneuanci oltra
              <lb/>
            di queſto ſi per difenderſi dal Sole, ſi per riſpetto ancora delle voci, per cielo
              <lb/>
            del Teatro, vna tenda poſticcia, la quale dipinta a ſtelle, & </s>
            <s xml:id="echoid-s11351" xml:space="preserve">diſteſa ſuſo ad alto ſu
              <lb/>
            canapi copriua con l’ombra ſua la piazza di mezo, & </s>
            <s xml:id="echoid-s11352" xml:space="preserve">i gradi, & </s>
            <s xml:id="echoid-s11353" xml:space="preserve">gli ſpettatori. </s>
            <s xml:id="echoid-s11354" xml:space="preserve">Ma
              <lb/>
              <note position="left" xlink:label="note-308-01" xlink:href="note-308-01a" xml:space="preserve">5</note>
            queſta ſi fatta loggia era certo molta artificioſa, concioſia che per reggere que
              <lb/>
            ſta ſola loggia, ſi faceuano ſotto di lei altri colõnati, & </s>
            <s xml:id="echoid-s11355" xml:space="preserve">altre loggie aperte, & </s>
            <s xml:id="echoid-s11356" xml:space="preserve">vol
              <lb/>
            te verſo il lato di dietro del Theatro, & </s>
            <s xml:id="echoid-s11357" xml:space="preserve">ne Teatri grandi ſi faceuano doppie, ac-
              <lb/>
            cioche ſe alcuna volta, per alcuna furioſa pioggia, o tempeſta vi fuſsino ricorſi
              <lb/>
            al coperto gli ſpettatori, non ſi bagnaſsino; </s>
            <s xml:id="echoid-s11358" xml:space="preserve">& </s>
            <s xml:id="echoid-s11359" xml:space="preserve">erano i colonnati, & </s>
            <s xml:id="echoid-s11360" xml:space="preserve">i portici poſti
              <lb/>
              <note position="left" xlink:label="note-308-02" xlink:href="note-308-02a" xml:space="preserve">10</note>
            ſotto queſta prima loggia, non come quelli de Tempij, o delle Baſsiliche, ma di
              <lb/>
            Pilaſtrate ſode & </s>
            <s xml:id="echoid-s11361" xml:space="preserve">mura ſtabiliſsime, con diſegno ſimile a quello delli Archi Tri-
              <lb/>
            onfali; </s>
            <s xml:id="echoid-s11362" xml:space="preserve">Tratteremo prima adunque di queſti portici di ſotto, che ſi fanno per
              <lb/>
            riſpetto della prima loggia di ſopra. </s>
            <s xml:id="echoid-s11363" xml:space="preserve">La regola de vani di queſti portici è queſta,
              <lb/>
            che a qualunque ſi uoglia entrata che uadia nel mezo della piazza del Theatro,
              <lb/>
              <note position="left" xlink:label="note-308-03" xlink:href="note-308-03a" xml:space="preserve">15</note>
            ſi ponghino a rincontro alcuni uani, & </s>
            <s xml:id="echoid-s11364" xml:space="preserve">è di necesſità che queſti uani, & </s>
            <s xml:id="echoid-s11365" xml:space="preserve">queſte
              <lb/>
            entrate ſieno accompagnate da altri vani con ordini determinati, & </s>
            <s xml:id="echoid-s11366" xml:space="preserve">che tut-
              <lb/>
            ti ſieno alti, & </s>
            <s xml:id="echoid-s11367" xml:space="preserve">larghi a vn’modo, tutti habbino i medeſimi diſegni, & </s>
            <s xml:id="echoid-s11368" xml:space="preserve">corri-
              <lb/>
            ſpondino di diſegno & </s>
            <s xml:id="echoid-s11369" xml:space="preserve">d’ornamenti l’un a l’altro. </s>
            <s xml:id="echoid-s11370" xml:space="preserve">Biſogna ancora che la lar-
              <lb/>
            ghezza per la quale ſi và per lo lungo di eſſa loggia, ſia ancora di larghezza
              <lb/>
              <note position="left" xlink:label="note-308-04" xlink:href="note-308-04a" xml:space="preserve">20</note>
            quanto è il uano tra pilaſtrata & </s>
            <s xml:id="echoid-s11371" xml:space="preserve">pilaſtrata, & </s>
            <s xml:id="echoid-s11372" xml:space="preserve">è conueniente che le pilaſtrate in
              <lb/>
            queſto luogo ſieno murate per la metà del lor uano, che è infra di loro. </s>
            <s xml:id="echoid-s11373" xml:space="preserve">Le qual
              <lb/>
            coſe biſogna che tutte ſieno oſleruate con grandisſima diligentia, & </s>
            <s xml:id="echoid-s11374" xml:space="preserve">con indu-
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            ſtria marauiglioſa. </s>
            <s xml:id="echoid-s11375" xml:space="preserve">Vltimamente non ui ſi metteranno colonne intere iſolate
              <lb/>
            come nelli Archi Trionfali, ma nel mezo della faccia delle pilaſtrate ſi mette-
              <lb/>
              <note position="left" xlink:label="note-308-05" xlink:href="note-308-05a" xml:space="preserve">25</note>
            ranno meze colonne nel muro, & </s>
            <s xml:id="echoid-s11376" xml:space="preserve">ſi metteranno piediſtalli ſotto le colonne
              <lb/>
            per il ſeſto della altezza del colonnato, gli altri addornamenti ui ſi faranno co-
              <lb/>
            me ne Tempij. </s>
            <s xml:id="echoid-s11377" xml:space="preserve">Ma la altezza delle colonne con tutti i loro addornamenti & </s>
            <s xml:id="echoid-s11378" xml:space="preserve">
              <lb/>
            cornici, ſarà per la metà del piombo de gradi di dentro, tal che queſti di fuori
              <lb/>
            ſaranno duoi colonnati l’uno ſu l’altro, il ſecondo de quali con la ſua uolta ſarà
              <lb/>
              <note position="left" xlink:label="note-308-06" xlink:href="note-308-06a" xml:space="preserve">30</note>
            uguale a l’ultimo grado da ſedere, alla quale altezza ancora ſi pareggerà a ſeſta
              <lb/>
            il piano della loggia ultima che io disſi, che guardaua uerſo la piazza di dentro
              <lb/>
            nel mezo del Theatro. </s>
            <s xml:id="echoid-s11379" xml:space="preserve">Il diſegno della piazza di mezo ſi aſſomiglia ad una
              <lb/>
            forma impreſſa dal piè di uno Cauallo; </s>
            <s xml:id="echoid-s11380" xml:space="preserve">finite queſte coſe muriuiſi di ſopra la ul-
              <lb/>
            tima loggia, la faccia, & </s>
            <s xml:id="echoid-s11381" xml:space="preserve">il colonnato della quale, non come quelle che ella hara
              <lb/>
              <note position="left" xlink:label="note-308-07" xlink:href="note-308-07a" xml:space="preserve">35</note>
            di ſotto, che noi habbiamo poco fa detto, che riceuono i lumi da lato di fuori,
              <lb/>
            ma al contrario come dicemmo di lei nel principio, ſarà uolta uerſo la piazza
              <lb/>
            che è in mezo del Theatro. </s>
            <s xml:id="echoid-s11382" xml:space="preserve">Queſto sì fatto lauoro, ſendo egli fatto perche
              <lb/>
            e ſia cagione che le uoci non ſi perdino, anzi ſi ragunino inſieme & </s>
            <s xml:id="echoid-s11383" xml:space="preserve">ſi ſentino
              <lb/>
            piu piene, chiamerò io un Serraglio a torno, la altezza del quale ſarà per una
              <lb/>
              <note position="left" xlink:label="note-308-08" xlink:href="note-308-08a" xml:space="preserve">40</note>
            uolta & </s>
            <s xml:id="echoid-s11384" xml:space="preserve">mezo della altezza del primo colonnato, che è da lo lato di fuori, & </s>
            <s xml:id="echoid-s11385" xml:space="preserve">
              <lb/>
            le parti ſue ſaranno queſte. </s>
            <s xml:id="echoid-s11386" xml:space="preserve">Quel muricciuolo che ha da eſſer ſotto le colon-
              <lb/>
            ne, il quale ſi può chiamare Suggeſto, o ſponda, ſarà di tutta la altezza di que-
              <lb/>
            ſto ſerraglio, che è dal piano dello ultimo grado da ſedere inſino a doue ſi cuo-
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            pre nella ultima altezzail Theatro, non piu che il terzo ne Theatri grandi, &</s>
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