Tartaglia, Niccolo, Quesiti et inventioni diverse, 1554

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              <pb pagenum="24" xlink:href="042/01/047.jpg"/>
              <p type="head">
                <s id="s.000617">QVESITO VIGESIMO FATTO DA VNO
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                C
                  <emph type="italics"/>
                apo de Bombardieri.
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                </s>
              </p>
              <p type="main">
                <s id="s.000618">BOMBARDIERO. P
                  <emph type="italics"/>
                erche cauſa credete uoiche ſi metta quelli dui ſtrope
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                paioni de ſieno, ouer de ſtoppa, ogni uolta che ſi carga una artegliaria, cioe uno
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                dapoi che ui ſe ha poſta la poluere, cioe auanti che ui ſi metta la balla, & l'altro dapoi
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                che ui ſi ha poſta la detta balla.
                  <emph.end type="italics"/>
                N. C
                  <emph type="italics"/>
                ertamente che io non ſapeua queſta coſa, che uoi
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                me haueti detto, cioe che auanti che ſi metta la balla nel pe
                  <emph.end type="italics"/>
                zz
                  <emph type="italics"/>
                o ui ſi metta uno ſtrop­
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                paion de fieno, ouer de ſtoppa, & coſi un'altro dapoi che ui ſe ha poſta la balla, ma eſ­
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                ſendo coſi (come al preſente credo) à me mi pare, che piu ſe conuegnaria che io ui adi­
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                mandaſſe à uoi la cauſa di tal cautella, cha che uoi l'adimandaſti à me, perche ſe uoi uſa
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                ti di far tal coſa ogniuolta che uoi cargati un pezzo, uoi douereſti pur ſapere à che fin
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                il fati, perche l'arte biſogna che la imiti lanatura in questo, che tutte le coſe, che quella
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                fa, le faccia à qualche fine.
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                B. M
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                aue dirò, io non ho grammatica, & ſe pur uſo di far
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                queſta coſa, lo faccio, perche ho uiſto che tutti glialtrilo fanno.
                  <emph.end type="italics"/>
                N. Q
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                ueſto ſi coſtu­
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                ma in molti, & in molte arte, ſi mecanice come liberale, e pero non me mar auiglio di
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                uoi, ne manco uibiaſimo, anci ue laudo à ricercar la cauſa di quelle coſe che ſi coſtuma
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                difare nell'arte uostra, ilche doueria far ogniuno, perche il ſapere non è altro che co­
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                noſcere la coſa per la cauſa, hor tornando al noſtro propoſito, il primo ſtroppaione,
                  <lb/>
                cioe quello che diceti che ſi mette drio alla poluere, auanti che ui ſe metta la balla, non
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                poſſo penſare che ui ſi metta per altro, ſaluo che per ſpazzar, & condure tutta quella
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                poluere (che nel cargare il pezzo fuſſe rimasta per la canna) inſieme con l'altra, & à
                  <lb/>
                tenerla dapoi unita al ſuo luoco, dou'è ſtata aſſettata. </s>
                <s id="s.000619">Ma il ſecondo ſtroppaione, cioe
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                quello che uoi diceti che metteti drio alla balla, biſogna penſare, che colui, che prima co
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                mincio à porui tal stroppaione fu aſtretto da qualche neceßita, la qual neceßita non ui
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                puo eſſer occorſa, ſaluo che lui doueua eſſere in qualche luoco doue gli conuenia tirare
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                albaſſo, cioe tirar de ſuſo in giuſo, la qual coſa
                  <expan abbr="uolẽdola">uolendola</expan>
                eſſequire ſenza porui tal ſtrop­
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                paione, nell'abbaſſare il pe
                  <emph.end type="italics"/>
                zz
                  <emph type="italics"/>
                o dauanti per metterlo à ſegno, la balla ſaria uſcita del
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                pezzo, e pero accio che tal balla non uſcideſſe, fu sforzato à porui tal ſtroppione.
                  <emph.end type="italics"/>
                B.
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                Q
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                ueſte uoſtre ragioni ſono bonißime, ma e uedo che tal stroppaione uc lo ponemo an­
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                chora quando che uolemo tirare all'alta, cioe di giuſo in ſuſo, doue non è quel pericolo
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                che diceti, cioe che la balla uſciſca del pe
                  <emph.end type="italics"/>
                zz
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                o nel metterlo à ſegno, e pero uorria ſapere
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                la cauſa di questo.
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                N. L
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                a cauſa di queſto è la ignorantia, perche ſe uoi ſapeſti la cauſa
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                di tal attione, uoi non ui ponereſti tal ſtroppaione, ſaluo quando che la neceßita, accio
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                ue aſtringeſſe.
                  <emph.end type="italics"/>
                B. C
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                ertamente comprendo che uoi diceti troppo il uero.
                  <emph.end type="italics"/>
                </s>
              </p>
              <p type="head">
                <s id="s.000620">QVESITO VIGESIMOPRIMO FATTO DAL
                  <lb/>
                  <emph type="italics"/>
                medeſimo Capo de Bombardieri.
                  <emph.end type="italics"/>
                </s>
              </p>
              <p type="main">
                <s id="s.000621">BOMBARDIERO. V
                  <emph type="italics"/>
                euoglio raccontar una nouella, della quale ſoncerto
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                ue ne marauigliarcti molto, la qual è queſta. </s>
                <s id="s.000622">Rurouandomi una uolta à fare una
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                ba
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                la, & dapoi moluuri, accadete che per uno certo diſconcio, il pezzo nel di-</s>
              </p>
            </subchap1>
          </chap>
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