Alberti, Leone Battista
,
Architecture
,
1755
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certainly, but to begin immediately from
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thence to erect our Wall. </
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<
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>At
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Siena
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there are
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huge Towers raiſed immediately from the na
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ked Earth, becauſe the Hill is lined with a
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ſolid Rock. </
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>Making a Foundation, that is
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to ſay, digging up the Ground, and making a
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Trench, is neceſſary in thoſe Places, where
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you cannot find firm Ground without digging;
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which, indeed, is the Caſe almoſt every where,
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as will appear hereafter. </
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>The Marks of a good
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Soil for a Foundation are theſe; if it does not
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produce any kind of Herb that uſually grows
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in moiſt Places; if it bears either no Tree at
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all, or only ſuch as delight in a very hard,
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cloſe Earth; if every Thing round about is
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extremely dry, and, as it were, quite parched
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up; if the Place is ſtony, not with ſmall round
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Pebbles, but large ſharp Stones, and eſpecially
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Flints; if there are no Springs nor Veins of
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Water running under it; becauſe the Nature
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of all Streams is either to be perpetually car
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rying away, or bringing ſomething along with
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them: And therefore it is that in all flat
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Grounds, lying near any River, you can never
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meet with any firm Soil, till you dig below
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the Level of the Channel. </
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<
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>Before you begin
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to dig your Foundations, you ſhould once
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again carefully review and conſider all the
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Lines and Angles of your Platform, what Di
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menſions they are to be of, and how they are
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to diſpoſed. </
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<
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>In making theſe Angles we muſt
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uſe a ſquare Rule, not of a ſmall but of a
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very large Size, that our ſtrait Lines may be
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the truer. </
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>The Ancients made their ſquare
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Rule of three ſtrait ones joined together in a
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Triangle, whereof one was of three Cubits,
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the other of four, and the third of five. </
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<
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>The
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Ignorant do not know how to make theſe
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Angles till they have firſt cleared away every
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Thing that incumbers the Area, and have it
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all perſectly open, almoſt level before them:
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For which Reaſon, laying furiouſly hold of
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their Tools, they fall like ſo many Ravagers
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to demoliſhing and levelling every Thing be
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fore them; which would become them much
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better in the Country of an Enemy. </
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<
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>But the
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Error of theſe Men ought to be corrected;
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for a Change of Fortune, or the Adverſity of
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the Times, or ſome unforeſeen Accident, or
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Neceſſity, may poſſibly oblige you to lay aſide
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the Thoughts of the Undertaking you have
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begun. </
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>And it is certainly very unſeemly, in
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the mean while, to have no Regard to the
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Labours of your Anceſtors, or to the Conve
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niencies which your Fellow-Citizens find in
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theſe paternal Habitations, which they have
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been long accuſtomed to; and as for pulling
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down and demoliſhing, that is in your Power
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at any Time. </
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>I am therefore for preſerving
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the old Structures untouched, till ſuch Time
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as it is abſolutely neceſſary to remove them
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to make Way for the new.</
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<
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>CHAP. II.</
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That the Foundation chiefly is to be marked out with Lines; and by what
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Tokens we may know the Goodneſs of the Ground.
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<
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>In marking out your Foundations, you are
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to remember, that the ſirſt Ground-work
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of your Wall, and the Soccles, which are
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called Foundations too, muſt be a determinate
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Proportion broader than the Wall that is to be
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erected upon it; in Imitation of thoſe who
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walk over the Snow in the
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Alps
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of
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Tuſcany,
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who wear upon their Feet Hurdles made of
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Twigs and ſmall Ropes, plaited together for
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that very Purpoſe, the Broadneſs of which
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keeps them from ſinking in the Snow. </
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<
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>How
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to diſpoſe the Angles, is not eaſy to teach
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clearly with Words alone; becauſe the Method
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of drawing them, is borrowed ſrom the Ma
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thematicks, and ſtands in Need of the Ex
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ample of Lines, a Thing ſoreign to our Deſign
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here, and which we have treated of in another
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Place, in our Mathematical Commentaries.
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<
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>However, I will endeavour, as far as is neceſ
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ſary here, to ſpeak of them in ſuch a Manner,
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that if you have any Share of Ingenuity, you
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may eaſily comprehend many Things, by
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Means of which you may afterwards make
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yourſelf Maſter of all the reſt. </
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<
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>Whatever may
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chance to ſeem more obſcure, if you have a
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Mind to underſtand it thoroughly, you may
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apply to thoſe Commentaries. </
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<
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>My Method,
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then, in deſcribing the Foundations, is to draw
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ſome Lines, which I call radical ones,
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in this Manner*. From the Middle
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of the Fore-front of the Work, I draw a Line
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quite thro' to the Back-front, in the Middle </
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