Alberti, Leone Battista, Architecture, 1755

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1
*
* A. Plate 5.
(facing page 45)
CHAP. IV.
We now come to begin our Wall; but
as
the Workman's Art and Manner
of
Building depends partly upon the Nature,
Form
and Quality of his Stone, and partly
upon
the Tempering of his Mortar, we are
therefore
firſt to treat briefly of theſe.
Of
Stones
, ſome are living, juicy, and ſtrong, ſuch
as
Flint, Marble, and the like, which by Na­
ture
are heavy and ſonorous; others are ex­
hauſted
, light, and dead ſounding, as are all
Stones
that are ſoft and ſandy.
Again, ſome
have
even Superficies, ſtrait Lines, and equal
Angles
, which are call'd Squared Stones;
others
have uneven Superficies, of various
Lines
, and unequal Angles, which we call
Rough
.
Of Stones alſo, ſome are big and
unweildy
, ſo that a Man's Hand cannot
manage
them at Pleaſure, without the Aſſiſtance
of
Sleds, Leavers, Rowlers, Pullies, or the
like
Engines; others ſmall, ſo as you may
raiſe
and manage them with one ſingle Hand
juſt
as you pleaſe.
The third Sort is between
both
, of a moderate Size and Weight, which
are
call'd ſizeable.
All Stone ſhould be En­
tire
, not Muddy, and well waſh'd; you may
know
whether it is Entire or Crack'd, by the
Sound
it gives when you Strike upon it.
You
can
waſh them no where better than in a
River
; and it is certain that the Middling
ſizeable
Sort are not ſoak'd enough under nine
Days
, and the large ones under more.
That
which
is freſh dug out of the Quarry is better
than
that which has been long kept; and that
which
has been once cemented with Mortar
will
not cement well again a ſecond Time.
So much may ſuffice as to Stone. As for
Lime
, they condemn that which when it
comes
from the Kiln is not in entire Lumps,
but
in broken Pieces, and as it were in Pow­
der
, and they ſay it will never prove ſervice­
able
.
They commend that which purges and
grows
white in the Fire, and which is light
and
ſonorous, and when you water it, burſts,
and
throws out a ſtrong thick Smoke high into
the
Air.
The former, being weak, muſt of
Courſe
require leſs Sand; but this latter, being
ſtrong
, requires more. Cato directs, that to
every
two Foot of Work, we ſhould allow one
Buſhel
of Lime and two of Sand: Others
preſcribe
different Proportions. Vitruvius and
Pliny are for mixing the Sand thus; namely
to
give to each Buſhel of Lime three of Pit­
ſand
, or two of River or Sea-ſand.
Laſtly,
when
the Quality and Nature of your Stone
requires
your Mortar to be more liquid or
tractable
(which we ſhall ſpeak of more clearly
below
) your Sand muſt be ſifted through a
Sieve
; but when it is to be ſtiffer, then mix it
with
half Gravel and broken Fragments of
Stone
.
All agree, that if you mix it with
one
third of broken Tile or Brick pounded, it
will
be much more tenacious.
However, mix
it
as you will, you muſt ſtir it about often, till
the
ſmalleſt Pieces are incorparated; and ſome,
for
this Purpoſe, and that it may be well
mingled
together, ſtir it about and beat it a
great
while in a Mortar.
But we ſhall ſay
no
more here of the Cement, only thus much,
that
Lime takes better hold with Stone of its
own
Kind, and eſpecially out of the ſame
Quarry
, than with a Stranger.

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