Galilei, Galileo, De Motu Antiquiora

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311 in the stone. And who of sound mind will say that it is the air that continuously strikes the bell? For, in the first place, it is only a single small part of the air which is moved by the hammer; but if someone puts his hand on the bell, even on the side opposite to the hammer, he will immediatly feel running through all the metal a certain sharp, stinging numbness.In the second place: if the air strikes and causes the bell to sound, why is it silent in the presence of a wind blowing very hard? Can it be that the south wind, which turns the sea topsy-turvy, toppling towers and fortifications, whips more softly than the small hammer, which is hardly moved? In the third place: if it were the air which reverberated in the bronze, and not the bronze in the air, then all bells of the same shape would emit the same sound; what is more, a wood bell or at least a leaden or marble one, would make as much noise as a bronze one. But, finally, let those keep silent who say that it is air which reverberates or carries the sound from one thing to another: for the bell shakes, so long as it emits a sound, and, in the absence of a striking thing, the shaking motion and the sound stays in it and is conserved; surely to attribute this to air, claiming that the latter moves such a size when it has scarcely been moved by the hammer, exceeds all sense. Hence, returning to our subject, why are they astonished at how a motive quality can be impressed in a mobile, and not at how a sound and a certain motion of trepidation can be impressed by a hammer in a bell?

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