Alberti, Leone Battista, Architecture, 1755

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1ſet with their Heads one againſt the other, and
their
Feet ſet wide, would, if faſtened at Top,
ſtand
, very firm, by means of the Equalneſs
of
their Weight: They were pleaſed with this
Invention
, and began to make their Roofs
in
the ſame Manner, to throw off the Rain,
both
Ways.
Afterwards, perhaps, not being
able
to cover a wider Space for want of Beams
long
enough, they put between the Heads of
theſe
two Beams another croſſways at Top,
ſo
that they made a Figure much like that of
the
Greek Letter π, and this middle Beam
they
might call a Wedge; and as this ſuc­
ceeded
very well, they multiplyed the Wedges,
and
thus made a Kind of Arch, whoſe Figure
mightily
delighted them.
Then transferring
the
ſame Method to their Works of Stone, con­
tinuing
to multiply the Wedges, they made
an
entire Arch, which muſt be allowed to be
nothing
elſe but a Conjunction of a Number
of
Wedges, whereof ſome ſtanding with their
Heads
below the Arch, are called the Foot of
the
Arch, thoſe in the Middle above, the Key
of
the Arch, and thoſe on the Sides, the Turn,
or
Ribs of the Arch.
It will not be improper
here
to repeat what we ſaid in the firſt Book
upon
this Subject: There are different Sorts
of
Arches, the Entire, is the full half of a
Circle
, or that whoſe Chord runs through the
Centre
of the Circle; there is another which
approaches
more to the Nature of a Beam than
of
an Arch, which we call the Imperfect, or
diminiſhed
Arch, becauſe it is not a compleat
Semi-circle
; but a determinate Part leſs,
having
its Chord above the Centre, and at
ſome
Diſtance from it.
There is alſo the
Compoſite
Arch, called by ſome the Angular,
and
by others an Arch compſed of two Arches
leſs
than Semi-circles; and its Chord has the
two
Centres of two Curve Lines, which
mutually
interſect each other.
That the Entire
Arch
is the Strongeſt of all, appears not only
from
Experience, but Reaſon; for I do not
ſee
how it can poſſibly diſunite of itſelf, unleſs
one
Wedge ſhoves out another, which they are
ſo
far from doing, that they aſſiſt and ſupport
one
another.
And indeed, if they were to go
about
any ſuch Violence, they would be pre­
vented
by the very Nature of Ponderoſity, by
which
they are preſſed downwards, either by
ſome
Superſtructure, or by that which is in the
Wedges
themſelves.
This makes Varro ſay,
that
in Arches, the Work on the right Hand
is
keptup no leſs by that on the Left, than the
Work
on the Left is by that on the Right.
And
if
we look only into the Thing itſelf; how is
it
poſſible for the middle Wedge at Top, which
is
the Key-ſtone to the Whole, to thruſt out
either
of the two next Side Wedges, or how
can
that be driven out of its Place by them?
The next Wedges alſo in the Turn of the
Arch
, being juſtly counterpoiſed, will ſurely
ſtand
to their Duty; and laſtly, how can the
two
Wedges under the two Feet of the Arch,
ever
be moved while the upper ones ſtand firm?
Therefore we have no need of a Cord, or Bar
in
an entire Arch, becauſe it ſupports itſelf
by
its own Strength; but in diminiſh'd
Arches
there is Occaſion either for an Iron
Chain
or Bar, or for an Extenſion of Wall on
both
Sides, that may have the Effect of a Bar
to
ſupply the Want of Strength, that there is
in
the diminiſh'd Arch, and make it equal to
the
Entire.
The ancient Architects always
uſe
theſe Precautions, and where-ever it was
poſſible
, conſtantly ſecured their diminiſh'd
Arches
, by ſetting them in a good Body of
Wall
.
They alſo endeavour'd, if they had an
Opportunity
, to turn their imperfect Arches
upon
a ſtrait Beam; and over theſe imperfect
ones
, they uſed to turn entire Arches, which
protected
the diminiſhed ones which were
within
them, and took upon themſelves the
Burthen
of the Superſtructure.
As for Com­
poſite
Arches, we do not find any of them in
the
Buildings of the Ancients; ſome think
them
not amiſs for the Apertures in Towers;
becauſe
they ſuppoſe they will cleave
the
great Weight that is laid upon
them
, as the Prow of a Ship does the Water,
and
that they are rather ſtrengthened than op­
preſs
'd by it.

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