Heron Alexandrinus, Di Herone Alessandrino De gli automati : ouero machine semoventi, libri due, 1589

Table of Notes

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              <pb o="41" file="0085" n="85" rhead="LIBRO SECONDO."/>
            conuenien@iluoghi perni, & </s>
            <s xml:id="echoid-s948" xml:space="preserve">vna corda la farà leuar
              <note symbol="18" position="left" xlink:label="note-0085-01" xlink:href="note-0085-01a" xml:space="preserve"/>
            piedi tirandola dalla parte di dietro dellombo
              <note symbol="19" position="left" xlink:label="note-0085-02" xlink:href="note-0085-02a" xml:space="preserve"/>
            doueè il contrapeſo ſuo. </s>
            <s xml:id="echoid-s949" xml:space="preserve">Dopo l’eſſer tirata
              <note symbol="20" position="left" xlink:label="note-0085-03" xlink:href="note-0085-03a" xml:space="preserve"/>
            corda; </s>
            <s xml:id="echoid-s950" xml:space="preserve">cheè poſtaintorno al toracio, ò caſſettino, la con-
              <lb/>
            durrà intorno, ſinche arriui nel medeſimo luogo, d’onde
              <lb/>
            ſierapar
              <unsure/>
            tita, allentata queſta vn’altra corda ſi tirerà dal-
              <lb/>
            la parte di dietro de lombi dilei, e coſi abbaſſerà la Pal-
              <lb/>
            lade. </s>
            <s xml:id="echoid-s951" xml:space="preserve">Reſtamihora à dichiar
              <unsure/>
            arein chemodo il fulmine
              <lb/>
            nella tauolacaggia, e ſpariſca l’imagine d Aiace, Faran-
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            noſi dunque queſtecoſe, come noiſiamo per dire. </s>
            <s xml:id="echoid-s952" xml:space="preserve">Dal-
              <lb/>
            la parte delpiano della tauola ſera dipinta limagine, al
              <lb/>
            diritto della qualle nellato di ſopra della caſſetta ſarà fat-
              <lb/>
            to vn taglio, e coſi anco dabaſſo, comequello apunto de
              <unsure/>
              <lb/>
            Delfini, ſtendonſi dũque dalla parte al@a di queſtotaglio
              <lb/>
            due fila ſuttiliſsime di qu@lle, conle quali ſi fanno orna-
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            menti da capo delle donne, e ſi guidano à baſſo
              <note symbol="21" position="left" xlink:label="note-0085-04" xlink:href="note-0085-04a" xml:space="preserve"/>
            troil caſſettino peril taglio, che u’è ſatto, acciochepoi
              <lb/>
            ſiano teſe ſopr
              <unsure/>
            a il giouan@tto, ſiattaccano à biſcheri dal-
              <lb/>
            la parte di ſopra, accioche girati i detti biſcheri, ſi fer-
              <lb/>
            mino. </s>
            <s xml:id="echoid-s953" xml:space="preserve">Drizzataſipoi unatauoletta lunga, e ſuttile di ma-
              <lb/>
            niera, che facilmente poſſa paſſareperitagli, e poſta die-
              <lb/>
            tro l´architraue di maniera, che dal detto architraue non
              <lb/>
            ſi ſcopra punto ſu la tauola; </s>
            <s xml:id="echoid-s954" xml:space="preserve">ſatto ciò ſi ſora con due ſori
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            per il lungo, e piglia le fila. </s>
            <s xml:id="echoid-s955" xml:space="preserve">Attaccaſi poi dietro queſta
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            tauoletta. </s>
            <s xml:id="echoid-s956" xml:space="preserve">vn poco di piombo ſuttile, accioche habbia
              <lb/>
            grauezza. </s>
            <s xml:id="echoid-s957" xml:space="preserve">Quando dunque tireremo in alto con le ma-
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            nila tauoletta per iltaglio, @aderà per la tauola per dirit-
              <lb/>
            to uiaggio, come quella, che èinſerta nelle fila. </s>
            <s xml:id="echoid-s958" xml:space="preserve">Le fila poi
              <lb/>
            ſitingono dicolor ſcuro, accioche non ſiuedano. </s>
            <s xml:id="echoid-s959" xml:space="preserve">Que-
              <lb/>
            ſta tauoletta dalla parte diſotto s’indora, & </s>
            <s xml:id="echoid-s960" xml:space="preserve">ſi bruniſce be-
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            niſsimo, e nella parte di ſopra uiſi dipinge coſa, che hab-
              <lb/>
            bia ſimilitudine di fuoco, dimaniera che rappreſentil’i-
              <lb/>
            magine del fulmine
              <unsure/>
            , cade queſto eſſendo laſciato </s>
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