Alberti, Leone Battista, Architecture, 1755

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[Figure 91]
[Figure 92]
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1treat of the Stone-Bridge, the Parts whereof
are
theſe: The Banks of the Shore, the Piers,
the
Arches, and the Pavement.
Between the
Banks
of the Shore and the Piers, is this Diffe­
rence
, that the Banks ought to be by much the
ſtrongeſt
, inaſmuch as they are not only to ſup­
port
the Weight of the Arches like the Piers,
but
are alſo to bear the Foot of the Bridge, and
to
bear againſt the Weight of the Arches, to
keep
them from opening in any Part.
We
ought
therefore to be very careful in the Choice
of
our Shore, and to find out, if poſſible, a
Rock
of ſolid Stone, ſince nothing can be too
ſtrong
that we are to intruſt with the Feet of
the
Bridge; and as to the Piers, they muſt be
more
or leſs numerous in Proportion to the
Breadth
of the River.
An odd Number of Ar­
ches
is both moſt pleaſant to the Sight, and
conduces
alſo to Strength; for the farther the
Current
of the River lies from the Shore, the
freer
it is from Impediment, and the freer
it
is the ſwifter and eaſier it flows away;
for
this therefore we ought to leave a Paſſage
perfectly
free and open, that it may not ſhake
and
prejudice the Piers by ſtruggling with the
Reſiſtance
which it meets with from them.
The Piers ought to be placed in thoſe Parts of
the
River, where the Water flows the moſt
ſlowly
, and (to uſe ſuch an Expreſſion) the
moſt
lazily: And thoſe Parts you may eaſily
find
out by means of the Tides: Otherwiſe
you
may diſcover them in the following Man­
ner
: Imitate thoſe who threw Nuts into a
River
, whereby the Inhabitants of a Town be­
ſieged
, gathering them up, were preſerved
from
ſtarving; ſtrew the whole Breadth of the
River
, about fifteen hundred Paces above the
Place
which you intend for your Bridge, and
eſpecially
when the River is fulleſt, with ſome
ſuch
light Stuff that will eaſily float: And in
thoſe
Places where the Things you have
thrown
in Cluſters thickeſt together, you may
be
ſure the Current is ſtrongeſt.
In the Situ­
ation
of your Piers therefore avoid thoſe Places,
and
chuſe thoſe others to which the Things
you
throw in come the ſloweſt and thinneſt.
KING Mina, when he intended to build the
Bridge
of Memphis, turned the Nile out of its
Channel
, and carried it another Way among
ſome
Hills, and when he had finiſhed his Build­
ing
brought it back again into its old Bed.
Nicore Queen of the Aſſyrians, having pre­
pared
all the Materials for building a Bridge,
dug
a great Lake, and into that turned the
River
; and as the Channel grew dry as the
Lake
filled, ſhe took that Time to build her
Piers
.
Theſe mighty Things were done by
thoſe
great Princes: As for us, we are to pro­
ceed
in the following Manner: Make the
Foundations
of your Piers in Autumn, when
the
Water is loweſt, having firſt raiſed an In­
cloſure
to keep off the Water, which you may
do
in this Manner: Drive in a double Row of
Stakes
, very cloſe and thick ſet, with their
Heads
above the Top of the Water, like a
Trench
; then put Hurdles within this double
Row
of Stakes, cloſe to that Side of the Row
which
is next the intended Pier, and fill up
the
Hollow between the two Rows with Ruſhes
and
Mud, ramming them together ſo hard
that
no Water can poſſibly get through.
Then
whatever
you find within this Incloſure, Water,
Mud
, Sand, and whatever elſe is a Hindrance
to
you, throw out.
For the reſt of your Work,
you
muſt obſerve the Rules we have laid down
in
the preceding Book.
Dig till you come to
a
ſolid Foundation, or rather make one of
Piles
burnt at the End, and driven in as cloſe
together
as ever they can ſtick.
And here I
have
obſerved that the beſt Architects uſed to
make
a continued Foundation of the whole
Length
of the Bridge, and not only under each
Pier
; and this they did, not by ſhutting out
the
whole River at once by one ſingle Inclo­
ſure
, but by firſt making one Part, then another,
and
ſo joyning the whole together by degrees;
for
it would be impoſſible to withſtand and
repulſe
the whole Force of the Water at once;
we
muſt therefore, while we are at work with
one
Part, leave another Part open, for a Paſ­
ſage
for the Stream.

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