Biancani, Giuseppe
,
Aristotelis loca mathematica
,
1615
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<
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19
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num. </
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<
s
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">3. Denarius numerus cur perfectus. </
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<
s
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">eius dignitates. </
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<
s
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">Petri Apponenſis deceptio.
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4. De inæquali ſolis vmbrarum incremento.
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<
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s.000473
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<
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5. Cur Solis illuminationes ſemper rotundæ, quamuis per anguloſa foramina ingre
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diantur.
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<
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<
emph
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6. Cur Luna ſemiplena videtur linea recta terminari? </
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>
<
s
id
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s.000475
">vbi de illuminatione Lunæ,
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lb
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quæ experientia docetur.
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<
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<
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7. Cur Sol, & Luna videantur plana?
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<
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8. De vmbris Solis orientis, occidentis, meridiantis.
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<
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<
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9. Cur Lunæ, quàm Solis minores vmbræ?
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emph.end
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="
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<
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id
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s.000479
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<
emph
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10. Cur in defectu Solis etiam illuminationes ipſius defectiuæ ſunt? </
s
>
<
s
id
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">modus commodè
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lb
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videndi eclypſim Solis.
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Sect. 16. nu. </
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<
s
id
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s.000482
">1. Cur baſes bullarum in aquis ſunt albæ?
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</
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<
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3. Opplumbati tali.
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<
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<
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4. De reſultu cadentium in terram.
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italics
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<
s
id
="
s.000485
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<
emph
type
="
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5. Cur conus, & cylindrus diuersè moueantur.
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emph.end
type
="
italics
"/>
</
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</
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<
s
id
="
s.000486
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<
emph
type
="
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6. De voluminum ſectione.
<
emph.end
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italics
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</
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</
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<
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<
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id
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s.000487
">
<
emph
type
="
italics
"/>
12. Idem cum præcedenti 3.
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<
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<
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13. Idem cum 4 ſuperiori. </
s
>
<
s
id
="
s.000489
">reflexio radiorŭm pulchrè comparatur corporŭm reſultationi.
<
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</
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</
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<
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head
">
<
s
id
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">Ex ſectione 19. De Muſica.</
s
>
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<
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num. </
s
>
<
s
id
="
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">2. Lineæ duplæ quadratum quadruplum. </
s
>
<
s
id
="
s.000493
">Hoc loco ſequentium probl. </
s
>
<
s
id
="
s.000494
">cauſa,
<
lb
/>
præmittitur totius Muſicæ ortus breuis tractatio.
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<
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<
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3. Vox tam in hypate, quam in nete cantando rumpitur.
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<
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<
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4. Cur facilius hypate, quam nete canitur?
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"/>
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<
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s.000497
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<
emph
type
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5. Cur ſuauius notam cantilenam audimus?
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emph.end
type
="
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"/>
</
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</
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<
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s.000498
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<
emph
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7. Cur veteres hypatem omittebant.
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<
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<
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="
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"/>
8. Cur grauis ſonum potest acutæ?
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emph.end
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italics
"/>
</
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<
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id
="
s.000500
">
<
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9. Cur cantus ad tibiam vnam, aut lyram ſuauior?
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<
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10. Teretizare, quid.
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<
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<
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="
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11. Vox deſinens acutior fit.
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<
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<
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12. Grauior è fidibus cantilenam ſuſcipit.
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<
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<
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13. In Diapaſon graue eſt acuti Antiphonum.
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<
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<
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14. Cur Diapaſon vnica vox videtur. </
s
>
<
s
id
="
s.000506
">Punicum quid.
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<
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<
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15. Leges Muſicæ, quæ. </
s
>
<
s
id
="
s.000508
">Genera, Diatonicum, Chromaticum, Encharmonium.
<
lb
/>
</
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>
<
s
id
="
s.000509
">Tetrachorda quæ.
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<
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<
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16. Antiphonum ſuauius est ſymphono, cur.
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</
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<
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<
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<
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17. Cur ſola Diapaſon canitur. </
s
>
<
s
id
="
s.000512
">Magadis quid. </
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>
<
s
id
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">Magadare.
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<
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<
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18. De Antiphonis.
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</
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<
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<
emph
type
="
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19. Cur Diapente, & Diabeſſacon non canunt in Antiphonis.
<
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type
="
italics
"/>
</
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<
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<
s
id
="
s.000516
">
<
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20. Meſe ſola diſſonante, totum deſſonat pſalterium.
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<
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id
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<
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21. Vocum grauium errores manifestiores, cur?
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<
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id
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<
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23. Cur nete duplo acutior, quam hypate?
<
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</
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<
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<
s
id
="
s.000519
">
<
emph
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24. Nete interpellata, hypate reſonare videtur.
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type
="
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"/>
</
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>
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<
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id
="
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<
emph
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25. Cur Meſe ſic appellata eſt.
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<
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<
s
id
="
s.000521
">
<
emph
type
="
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"/>
27. Cur ſola audibilia mores obtinent. </
s
>
<
s
id
="
s.000522
">Rithmus quid.
<
emph.end
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</
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<
s
id
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<
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28. Cur cantilenæ quædam leges decebantur?
<
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</
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</
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<
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id
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<
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30. De Harmonijs, ſeu Modis, ſeu Tonis priſcorum.
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</
section
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</
front
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</
text
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</
archimedes
>