Salusbury, Thomas
,
Mathematical collections and translations (Tome I)
,
1667
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ſhining more than any other matter doth ſhew) do not all, nay
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but very few of them incounter pure Magnet; and the contacts
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being few, the union is but weak. </
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<
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>But becauſe the cap of the
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Load-ſtone, beſides the contact of a great part of its ſuperficies,
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inveſts its ſelf alſo with the virtue of the parts adjoyning,
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though they touch not; that ſide of it being exactly ſmoothed
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to which the other face, in like manner well poliſht of the Iron to
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be attracted, is applyed, the contact is made by
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ble minute particles, if not haply by the infinite points of both
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the ſuperficies, whereupon the union becometh very ſtrong.
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<
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>This obſervation of ſmoothing the ſurfaces of the Irons that are
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to touch, came not into the thoughts of
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Gilbert,
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for he makes
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the Irons convex, ſo that their contact is very ſmall; and
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upon it cometh to paſſe that the tenacity, wherewith thoſe Irons
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conjoyn, is much leſſer.</
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<
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>SAGR. </
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>I am, as I told you before, little leſſe ſatisfied with
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this reaſon, that if it were a pure Geometrical Demonſtration;
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and becauſe we ſpeak of a Phyſical Problem, I believe that alſo
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Simplicius
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will find himſelf ſatisfied as far as natural ſcience
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mits, in which he knows that Geometrical evidence is not to be
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required.</
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<
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>SIMP. </
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>I think indeed, that
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Salviatus
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with a fine
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cution hath ſo manifeſtly diſplayed the cauſe of this effect, that
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any indifferent wit, though not verſt in the Sciences, may
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prehend the ſame; but we, confining our ſelves to the terms of
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Art, reduce the cauſe of theſe and other the like natural effects
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to
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Sympathy,
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which is a certain agreement and mutual appetite
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which ariſeth between things that are ſemblable to one another
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in qualities; as likewiſe on the contrary that hatred & enmity for
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which other things ſhun & abhor one another we call
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Antipathy.
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Sympathy
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and
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Antipathy,
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terms
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uſed by
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phers to give a
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ſon eaſily of
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ny narural effests.
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<
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>SAGR. </
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<
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>And thus with theſe two words men come to render
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reaſons of a great number of accidents and effects which we ſee
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not without admiration to be produced in nature. </
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>But this kind
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of philoſophating ſeems to me to have great ſympathy with a
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certain way of Painting that a Friend of mine uſed, who writ
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upon the
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Tele
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or Canvaſſe in chalk, here I will have the
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tain with
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Diana
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and her Nimphs, there certain Hariers, in this
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corner I will have a Huntſ-man with the Head of a Stag, the reſt
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ſhall be Lanes, Woods, and Hills; and left the remainder for
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the Painter to ſet forth with Colours; and thus he perſwaded
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himſelf that he had painted the Story of
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Acteon,
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when as he had
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contributed thereto nothing of his own more than the names.
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</
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<
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>But whether are we wandred with ſo long a digreſſion, contrary
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to our former reſolutions? </
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<
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>I have almoſt forgot what the point
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was that we were upon when we fell into this magnetick </
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